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March 4 THE NEW YORK CLIPPER A Popular Song with a Sermon and a Punch 23 The reason why certain song* to the majority is he- appeal YOU DO IT? jr act with new and acceptable material— that way, tho'—just keep tabs on the songs .i-«GA FLOP !" .•^■-;^.^:::.-^. ■■::. .^^■ ; ^ r~ IT STARTS ON HIGH GEAR AND NEV-R STOPS GOING , .. _ HEART FOR EVERY d ^\ £i DWAY sing a hit ' be A HiT " i. LAb: THE SONG THAT IMMEDIATELY SET THCM ALL A-PINGING GOT TO HAVE ^EM r ALONG WHEN OR WITHOUT 'EM" IAVE 'EM—THAT'S ALL) 'T ' : -IRL " WHICH WAS iWBITTEN BY FRED FISCHER— SO'S .; THIS— COMEDY, TAfcK, GAB OR MONOLOGUE; IT'S A PIP. ;-,; ■V, .,.-■ _ ;£ EITHER LUCKY„OR KNOW HOW TO ''PICK 'EM:" ; WIN . WITH />-'.V' r - • ' T ilBLE FOR THIS WONDERFUL ORIENTAL BALLAD ,ND THAT "WAS SOME SONG <, BUT IF YOuiwANT THE KING PIN OF THEM ALL, YOU MUST SING. V ER KNOW TOWN OF F THE WORLD FAMED "MOTHER" SONG. COMPOSER OF "TENNESSEE." ' INE" cause they agree with the senti- ment of the words contained' therein. The song must express the thoughts of the listener in a manner which he would like to express it himself. The song that hits the hyphen -."DONT BITE THE HAND THAT'S FEEDING YOU/' ex- presses in a satisfactory manner the thought and belief of every American, whether he be a citi- zen by adoption or native born. "DON'T BITE THE HAND THAT'S FEEDING YOU" con- tains the PUNCH and answers the question of neutrality, that's why it became a hit within two weeks after it was published, and the performers like to sing it because the public like to hear it It's typically American all the way through. The first of a new series of songs with a ■ndjimmt" Monaco; y.]^:.-:-;V,./ : ..\ If DOUBLE.; FIRST COMERS ARE GRABBING IT RIGHT AND -LEFT :a.' is. interested,■■■'.-kindly.. cdminunicate with ^our; B%A .©..Department. i i^e Qro»<J a r~> cl PT I hllIPS'** Holland Bld«. ,'ol. LUUlo j«H * ouv. at». SAN FRANCISCO^ Wt tTk».UMg. sermon and a punch. Oh, yes, of course, you know LEO FEIST PUBUSHES IT.