Illustrated Catalogue Of Magic Lanterns (after November 1889, probably 1890)

224 MCINTOSH BATTERY AND OPTICAL CO., CHICAGO, ILL., U. S. A. 23 War Booty 24 Thaw in the Ukraine 25 Trial by Weight 26 Alter the Fight 27 Un Hangar 28 L’Eminence Grise 29 Camb.vses atPelusium 30 Return from Market 31 Satyr and Nymphs 32 The Smoker’s Rebellion 33 Return to the Convent 34 Pompeian Dance 35 Before the Alcalde (Span- ish) 36 Schisms 37 Appian Way In Time of Augustus 38 Breaking Up the party 39 Le Hero de la Fete 40 La Sainte Collation 41 Adjournment of the Grand Council, Venice 42 The Convent in Arms 43 Spanish Cafe 44 Abduction of Amymone 45 Massacre of the Marme- lukes 46 Dancing Girls of Gades 47 Calling the Roll After Pil- lage 48 Carrying Water in a Sieve 49 The Old Hotel de Ville, Granada 50 Phryne Before the Tribu- nal 51 The Baggage of Croquem- itaine 52 Between Friends 53 Charity 54 An Arabian Tribunal 55 The Flower Market, Paris 56 Interior of Santa Maria, Rome 57 The Procession of the Bull Apis 58 The Dance •59 Dance of the Almeh •60 The Presentation of the Singer 1 61 Charge of the Ninth Cui- rassiers '62 The Cardinal’s Reception 63 After the Bath 64 For Sale 65 The Education of a Prince 66 First Meeting of Mary Stuart and Rizzio ,67 Reception of the Great Conde by Louis XIV. (68 The Sword Dance at a •69 The Rival Confessors 70 The Last of the Giron- dists 71 The Reception of an Am- bassador 72 Voltaire’s Last Visit to Paris 73 Christ Rejected 74 Roil Call, Crimea 75 Meissonier’s, 1807 76 A Slave Market In Cairo 77 Selecting a Slave, Cairo 78 Pastime in Ancient Egypt l 79 An Affair of Honor 80 Pharaoh’s Bearers of Bad Tidings 81 Building the Pyramids 82 The Master of the Hounds, Cairo (Gerome) 83 Cleopatra before Caesar 84 A Nubian Slave (Gerome) 85 A Muezzin, Cairo “ 86 John Brown on his Way to Execution 87 Derby Day Firth 88 Parting of Hector and An- dromache 89 Franklin at the Court of France 90 Napoleon at the Battle of the Pyramids 91 Col. Taylor at the Battle of Okeechobee 92 Death of Warren, Bunker Hill 93 Moll Pitcher 94 Death of Montgomery, Quebec 95 Council of War. “I pro- pose to fight it out on this line if it takes all summer.” 96 Death of Gen. Wolfe 97 Quatre Bras, 1815 98 Balaclava, 1854, the Re- turn 99 In the Row. Hyde Park 100 Prayer Procession for Rain in Germany 101 Andromeda Released by Perseus (Rubens) 102 Death of Queen Eliza- beth (Delaroche) 103 The Return (H. Mosler) 104 After the Duel (Sicard) 105 The Holy Family (Muril- lo), Louvre 106 The Consoling Virgin (Bougereau) 107 Joan of Arc 108 The Dissection (Rem- brandt) 109 Sons of Edward (Dela- roche) Louvre 110 Anthony’s Oration over Caesar (J. D. Court) 111 Chaste Susan (Henner) 112 Psyche Enraptuted (Cur- zon) Luxembourg 113 Famine, Folly and Crime, Musee Wirtz 114 Madame Lebrun and Child 115 Return of the Prodigal Son (Greuze) 116 Excommunication of Robert the Pious (J. P. Laurens) 117 After the Massacre of St. Bartholomew 118 The Night Before Christ- mas 119 Landing of the French Army in Africa, June 14th, 1830 120 Battle of Navarin, Octo- ber 20th, 1827 121 Surprise of Constantine, October 13th, 1834 122 Battle of Fontenoy, May 11th, 1745 123 Palace Royal, Paris, July 30th, 1830 124 Old State House, Phila- delphia, erected 1735 125 Independence Hall in Philadelphia in 1776 126 A Beautiful Masquerader 127 Good Cheer 128 The Fair Penitent 129 The Grandmother 130 “ Fair Ruth 131 “ Circe, by Chalon 132 “ Reconnoitering 133 Longfellow in his Study 134 Rubens and his Model 135 The Village Wedding 136 “ Golden 137 Russian Wedding Feast 138 The Bull (Paul Potter) 139 '• Last Cartridge 140 “ Night before Christ- mas 141 “ Dromios 142 Reverie (Tillies) 143 Cupid and the Butterfly (Bougereau) 144 Gallo Roman Bath (Hi- erle) 145 The Laugher (Joseph Cooman) 146 Brother and Sister (Bou- gereau) 147 The Toiler (F. Dufaux) 148 Chilly (Alphonse Dumas) 149 A Cythere (Lionel Royer) 150 The Bather (Ed. Mitchell Lancon) 151 A Dreamer (L. Hode- bert) 152 Hung on a Nail (L. Des- champs) 153 The Bather (Bougereau) 154 The Awakening 155 The Soldier’s Dream (Detallle) GREEK ART. AS EMBODYING GREEK MYTHOLOGY. (.Photographed and Copyrighted by S. A. Scull.) The chief considerations that determined the selection and arrangement of this collec- tion are: . . 1st. A purpose to illustrate the changing features of those worships that gave ideals to the best Art of Greece. 2d. The presentation of the development of art forms from crudeness to perfection. In Greece, Photographs were made of scenes connected with sacred centers—afterward, so far as was practicable, groups were so formed as to show archaic types of chief deities, and to them follow, unitedly, the elevation of the Ideals and the progress in Art representa- tion.