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ANNETTE EELLEBMAN AS NEPTUNE'S DAUGHTER 59 this part of the story were produced in Bermuda. You can imagine the wonderful possibilities for such work there. There are innumerable tiny lakes, caves, heavy foliage, and even the ocean, which-can be used to make the pictures realistic. "Now, the actors did not care to have people watch them at work, so they would get an early start from the hotel in the morning, and drive free from the clouds, and the air is soft and balmy. "When we reached the island, we found the company assembled, ready for the scene. Annette Kellerman, who seemed to be very nervous, was pacing up and down the beach, with her arms folded. Her husband, the photographer; Brenon, the manager; Hooper, his assistant, and others in the company were hustling about. All NEPTUNE SWEARS ETERNAL REVENGE away into the country before any of us were up. It became a game of hide- and-seek, in which we were usually beaten. "I remember one day, however, when it was rumored that the most im- portant picture of the plot, the scene where Miss Kellerman kills the mortal (Brenon), was to be taken the next morning on the island where there is an aquarium. We took the hint, and the next morning we sailed from the Princess dock bright and early, headed for the island. It was a typical Ber- muda day, when the sun is not quite attention was fixed on a tank which had been built on the beach. It was square, and open at the top. I should think that its dimensions were about sixteen feet. It looked like a great cube, three upright sides of which were built of cement: one side rested on the ground, one open to the air, and the one facing us, made of glass. This glass was ground so that it was possible to take pictures thru it with- out blurring the film. It was about an inch and a quarter thick. A cov- ered, canvas passageway was built up to the glass side of the tank, so that