Motion Picture Magazine, July 1914 (1914)

156 MOTIOX PICTURE MAGAZINE The "SANITARY" ERASER Handy - Practical - Economical - Always Covered THE SANITARY ERASER receives, at its open end. a strip of rubber l s inch thick, of a width and length that of the holder. By slight pressure at the loop end, clean rubber is fed down until used; its narrow edge allows a letter or line to be erased without in- juring another. Two rubbers of best quality are made; one for type- writer and ink, one for pencil. Handsomely finished; Easy to Operate and"They AbnOft Work" EVERYBODY should have this NEW ERASER. Price 10*. Refil ls, T ypewriter and ink, or Pencil, 5* each. Your Stationer. When ordering by mail, state whether Typewriter and ink, or Pencil, enclose 2c extra for postage. Booklet of oar 3 "O.K." Office Necessities Free. The 0. K. Mfg. Co., Syracuse, N. Y., U.S.A. L AMERICAN ACADEMY OF DRAMATIC ARTS FOUNDED I IN 1884 . Connected with Mr. Charles • FVohman's Empire Theatre and Companies Franklin H. Sargent President s* For Catalogue and J uformntiuu, apply to The Secretary. Room 161, Carnegie Hall, New York ©ACTING jDRAMA.-ORATORy-OPERA.«>SINGL^ STAGE^CLASSIC DANCING —MUSICAL C0MENT ALSO MOTION PICTURE ACTING Courses forming [20th year], Hex I liners mid Advanced '■■.'■:■:.'.-. accepted. Agents and M imagers supplied. [Pro- ducing and Hooking.] Write for Information [mention study desired] and Illustrated Catalogue, liow thousands of celebrated Actors and Actresses [liile graduates] suc- ceeded, addressing DRAMATIC SCHOOLS Secielary of Alviene Schools, Suite 3. Grand Opera House, 307 West 23d St, New York. See Yourself in Motion Pictures A NEW INVENTION ENABLES YOU TO MAKE and SHOW Motion Pictures of yourself, family, friends, sports, travels, oranythingthatinterests you FOR PLEASURE OR PROFIT No Experience Necessary O^^oStS^ tureCamera.takingstandardsizefilms-aPrpjectpr—still Camera—Printer-Stereopticon and Enlarging Machine. $39i00 Cash ALSO ON EASY PAYMENTS Your old camera taken in trade AS EASY TO WORK AS A KODAK Send for descriptive catalogue No. 4, 400-page book, 80 illustrations—free with each camera MOTION PICTURE CAMERA CO., Inc., S West 14th St.. New York Importers and M}rs. of Motion Picture Apparatus E3 400 FAVORITES ENJOY THE MOVIES MORE By Knowing the Stars in Them 17 for 17 J°J* Get IlandKome I'hoto Po*tfaru« of your _ 25C Favorites. Scmltliclrlifttnesorconipaiiles *OC Sample set "I 17 for 25c. Set of 100. all different, 91. ACTUAL rllOTOfiltAPHS, Blzo 8 x 10, 60c. each. Fend lor FREE NEW CATALOG just out. | THE FILM PORTRAIT COMPANY, 127 1st Place, Brooklyn, H. Y, Girlie U.—Lay on, Macduff, lay on! (By the way, I know a farmer who named a hen Macduff for that reason.) Arthur Ashley was St Billy Brinkley in "An Officer and a Gentleman" (Vitagraph). "Hearts Adrift" was taken in California. Blanche S.—Alice Hollister and Tom Moore in "The Primitive Man" (Kalem). Thomas Chatterton and Anna Little in "The Primitive Call" (Domino). Chester Withey was the sheriff, and Robert Grey was Jim in "Single-Handed Jim." Lela L. J.—The crook was Harry Carey in "The Crook and the Girl" (Bio- graph). He is the champion crook in the pictures, unless it be George Cooper. The time is coming when exhibitors will pay for a film what it is worth. In that event, they would pay as low as three cents for some that they are now showing, and should pay as high as $75 for others. Paula K., Davenport. — Lois Weber and Phillips Smalley in "Leaves in the Storm" (Rex). Sydney Ayres and Vivian Rich in "The Call of the Traumerei." Mrs. E. G. H— Edwin August and Ethel Davis in "Into the Lion's Pit" (Powers). Mabel Normand and Charles Chaplin in "Mabel's Strange Predica- ment" (Keystone). Yes, I sometimes give tips on the stocks. My stock tip is —let them alone. (Continued from page 88) bloods accounts for her versatility and ability along so many lines. But, strange to say, the one thing that she is most proud of is — not her fine acting, her clever short stories, or her remarkable conversational gifts —it is the fact that she was one of the very few women chosen as an im- migrant inspector some time ago out of the hundreds that applied. And, pray, how did she qualify for the job ? By climbing a swaying, swinging, dizzy rope ladder over the side of a far-from-stationary steamship in the harbor, without the slightest sign of a scream or the smallest symptom of a faint. I have already said that Miss Nesbitt is singularly suggestive of metaphors. She is still, deep water, she is restrained force, she is a looker- on of life, she is a sort of charming, tactful and conversational Sphinx. But let us say that she is a very in- teresting and attractive woman, and let it go at that. After all, that covers the inexplicable and the inex- pressible very well. Peter "Wade. mention MOTION PICTURE MAGAZINE. When answering advertisements kindly