Motion Picture Magazine, July 1914 (1914)

166 MOTION PICTURE MAGAZINE EXTRAORDINARYOFFER 7 ^*^~^ bicycles—the" Ranger." Wo will ship it to vou on approval, freight prepaid, without a cent deposit in advance. This offer is genuine. WR8YE TOD A Y ior our fai * catalog showing our full line ■ of bicycles for men and women, boys and Eirls at prices never before equaled for like quality. It is a cyclopedia of bicvcles, sundries and useful bicvele information. It's free. TIRES, COASTER-BRAKE rear wheels, inner tubes, lamps. cyclometers, equipment and parts for all bicycles at half usual prices. A hmitednumberof second hand bicycles taken in trade by our retail stores will be closed out at once, at $3 to $8 each. RtOER AGENTS wanted in each town and district to ride and exhibit a sample 1914 model Ranger furnished by us. It Cost* You Nothing to learn what we offer you and how wo can do it/ You will be astonished and convinced. Do not buy a bicycle, tires or sundries until you get our catalog and new low prices and marvelous offers. Write today. MEAD CYCLE CO., DepL C-226, CHICAGO, 111. $3700 IN 3 MONTHS Made by one man writing moving picture plays. Literary experience unnecessary. S25 to $150 paid for each play accepted. My SI book sent FREE on 5 days' approval. Equal to S30 course. Gives complete direc- tions, model play, and list of buyers. My personal assistance FRKEtopurchasers. Send lor tliis book NOW, and pay me if satisfied. t. B. JORDAN, Editor Dept. M. Wilkes Barre, Pa. ARTISTIC Phone 3818 Main BOOKBINDING Why not have the complete set of the Motion* Picture Magazixi: Bound—!KI cents cloth. $1.00 canvas. $1.75 Half Morocco, gilt top. Let ine estimate on Other work before you give an order. WILLIAM VON HEILL 349 ADAMS STREET, BROOKLYN, N. Y. STRAIGHTEN YOUR TOES ^BANISH THAT BUNION IT iikIiik ACHFELDT'S PERFECTION TOE SPRING Worn at night, with auxiliary appliance for clay nn, Removes (he Actual Cause of Die enlarged joint and bunion. Sent on approval. Money back Jf not as repre- Rented. Send outline of foot. Uw my Im- proved Instep Support for weak arctic*. Full particulars and advice free in plain envelope. M. AC 1II 1 ■;IJ)T, Foot Specialist lt««i..41-J, ItM West'Jttd Street. Sew York GREAT ARTIST CONTEST {Continued from page 123.) Maude Fealy proved her art as "Frou Frou." She is not just a good woman whom we love (which is so easy to do), nor just a bad woman whom we hate (which is so easy to do). She is, in- stead, the eternal feminine combination of charm and selfishness, the creature whom we alternately adore and want to send to bed without any supper for punish- ment. Logically to act an illogical char- acter is art. Martix Scott. One evening I had a woefully "grouchy" companion, and so I suggested "Love and Vengeance," with Ford Sterling in the lead. Presto — change! My companion came forth smiling. Verily, an alchemist who can transmute grouches into smiles must rank in art with the prettiest miss who smiles upon her audience. Mary Wilson. I consider J. Warren Kerrigan the greatest photoplayer, because he puts his own personality so strongly into his work that an audience is drawn to him with a feeling of sympathy for him in his varied roles. Even inferior plays have been un- able to keep this genius down. A minor detail—he never overdoes his "make-up." Hazel Edwards. Kerrigan's acting makes one think after the play is over—which is the real gauge of any accomplishment. In "The Man Between," for instance, lie was not merely being the character; he was driving home the fact which every woman should realize —that man's actions are often influenced by a few words from a woman. M. A. Corsak. Here's to Henry B. Walthall, the great- est actor on the screen! The reason for Walthall's superiority over any other film actor is, first, because of his ability to play a variety of parts and play them all perfectly; second, because of his pleasing personality. Take, for instance, his work in "Classmate" and in "The Mysterious Shot." In the first, lie played the part of a clean, good, but rather quiet, young fellow; but in the other, what a differ- ence! Here he was a breezy cowboy, who turns out to be a treacherous scoundrel. Now there was no similarity in the way Walthall played these two parts, which shows his ability. Howard K. Rathmann. I think Romaine Fielding the greatest artist, because he is the most natural player on the screen. He never seems to know where the camera is. I have seen many a player face the camera, and jerk out a few words to some one behind him. Dora E. Texter. When answering advertisements kindly mention MOTION PICTUKE MAGAZINE.