Motion Picture Magazine, May 1914 (1914)

146 MOTION PICTURE MAGAZINE out of order. See rule at the head of tbis department. Harry Benham and Lila Chester in "Baby's Joy-ride" (Thanhouser). Owl. —Edgar Jones and Louise Huff had the leads in "The Reward" (Lubin). Yes; Muriel Ostriche. No, to all three. Yes, watch out for Rosemary Tlieby. Olga. —Either will do, stamps or silver. Thanks very much. You ask what made me bald-headed? That's easy—want of hair. Besides, hair is too much trouble. Lottie D. T.—Margaret Joslin and Fred Church had the leads in "A Snakeville Courtship" (Essanay). Wheeler Oakman and Bessie Eyton had the leads in "Until the Sea" (Selig). Ed Coxen and Char- lotte Burton in "The Shriner's Daughter" (American). Vera Sisson and William Garwood in "The Ten of Spades." Kerrigan Ki.ub. —-Denton Varre was Harry in "The Strike" (Kalem). Sidney Drew married the widow in "Pickles, Art and Sauerkraut" (Vitagraph). Florence Hackett the sweetheart in "The Parasite." Me. —William Russell and Louise Vale had the leads in "The Dilemma" (Bio- graph). Charles Clary was the Hindu prince in that Selig. Thomas Santschi was Bruce. E. W., Washington. —Thanks for the information. Violet Heming is traveling with George Arliss. Would be glad to see you the next time you are in New York. She—You cowboys are so picturesque. He—Yep; nearly all of us have been actin' fer th' movies so long we just cant help it. Vera E. S.—Robyn Adair was Captain Warren ton in "The Belle of Yorktown" (Domino). Charles Ray had the lead in "The Witch of Salem" (Domino). James Cooley was the rich young husband in "Diversion." Joyce-Mooue. —Marguerite Courtot was the girl in "The Octoroon" (Kalem). You think that Guy Coombs and Harry Myers darken their eyes too much? Better thus than that somebody else darken them. Henry Otto was Tony in "Tony and Maloney" (Selig). Alma Russell and Jack Nelson had the leads in "The Stolen Heart" (Selig). Louise Huff in "The Vagaries of Fate" (Lubin). Miriam. —If I answered your imperti- nent questions I doubt if its meaning would penetrate your thick skull. (Now dont get angry, "my dear.) Muriel Ostriche in "The Vacant Chair" (Prin- cess). Audrey Berry called at the office today, and she is a very sweet child. She was in my cage quite some time. Winni- fred Greenwood and Ed Coxen in "The Return of Helen Redmond" (American). Lottie D. T.—Billie West and Eugene Pallette in "The Helping Hand" (Majes- tic). Maude Fealey and Harry Benham in "An Orphan's Romance" (Thanhouser). Sydney Ayres and Vivian Rich in "Des- tinies* Fulfilled" (American). Dave Thompson in "His Father's Wife." Patty. —Why dont you get in touch with our Photoplay Clearing House? See ad. in magazine. R., Binghamton.- —Florence Hack- ett was Florence, and Lottie Briscoe was Lottie in "The Parasite." Harry Carey and Claire McDowell in "For Her Government" (Biograph). Will- iam Brunton was James in "Gilt- edge Stocks" (Kalem). Mad. —I believe that I am the old- est and biggest specimen of Answer Man in captivity. Lillian Orth was the girl in "Mixed Nuts" (Bio- graph). Phyllis Stuckey was the barmaid in "Keepers of the Flock" (Edison). Miriam Cooper was lead- ing woman, and Harland Moore the detective in "The Railroad Detec- tive's Dilemma" (Kalem). Richard Stanley was the poor man in "Divorced." Charles Ray was the son in "The Open Door" (Broncho). Curiosity.- —The origin of "gallery gods," as applied to those who sit in the top balcony, originated when the old Drury Lane Theater, London, painted its ceiling to represent a blue sky with clouds among which were cupids and other gods flying in every direction. Then those who sat "among the gods" were called "gallery gods." Billy Nolls and Nolan Gane in "The Farmer's Daughter" (Thanhouser). Mignon Anderson had the lead in "The Plot Against the Governor."