Start Over

Motion Picture Magazine, May 1914 (1914)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

MOTION PICTURE MAGAZINE 171 The companies I see are enticing- much good talent from the stage, and 1 hope they will keep it up, for people want the best now In Moving- Pictures, and the demand for them is constantly growing. Let me say a few words about a picture I saw not long since. It was Edison's "The Great Physician." I have not superlatives enough in my vo- cabulary to express my appreciation of that picture. It was exquisitely beautiful, and, I believe, made a greater impression than any picture I have ever seen. Such pictures as this one and Reliance's "Success" start one to thinking, indeed. One a most beautiful lesson in submission and resignation, and the other a startling lesson in the awakening of a conscience. Edison, Reliance and Vitagraph are con- stantly giving us some fine things. Vita- graph's "feature" plays are distinctly force- ful and finished. Now, can I have a little more space for a few wishes? Thank you. I wish that Vitagraph would "feature" oftener In comedies. I wish they would bring back to the screen Dorothy Kelly, William Humphrey and S. Rankin Drew. Lately we have looked for them in vain. These six—Earle Williams, Edith Storey, E. K. Lincoln, Harry Northrup, Mrs. Mary Maurice and Clara Kimball Toung—are my Vitagraph favorites. I wish that Irving Cummings had not left Reliance. I wish that King "Baggot, Leah Baird and William Shea would "feature" in plays of the present time. I wish that Ed- win August would stay in one place—he keeps one continually hunting for him. He ought to "feature" in Shakespearean rftles, he is so intensely dramatic. But then he is perfect in everything. I wish that Kinemacolor would show pictures inde- pendent of vaudeville, and oh. I forgot to say I wish that Vitagraph would not use the half-colored "posters," the "black and white" are so much more genteel. Dont you think so? Now, "If wishes were horses, etc.," but why not start a "wishing page?" Ilere is some expert information on how to carry a pistol, by Joel II. Knight, of Santa Barbara: I am a constant reader of the maga- zine and see that it has offended Mr. Curtis L. Anders, of Commerce, Tex., at the way cowboys carry their pistols. First, a pistol is portable and is so made that it can be carried where it is the most convenient to get it. The left hip is convenient to a rider, as it does not interfere with him in any way in getting on and off a horse and is much easier drawn hurriedly from the left hip but forward than it is at right hip but to the rear and hang to reach backward to get a grip on it. As to his way of mounting I dont think he has ever had anything to do with a horse. I know of several horses in the movie game that he or any one else cant mount using his method unless he has three arms and hands. A cowboy invariably catches a horse by the bridle check with his left hand and his saddle-horn with his right hand. His way is all O. K. if he has never learnt the old and easy way of mounting. I do not think people should pass judgment upon things they know nothing about. Texas is full of cowboys, and he should know better by this time. Hoping he has found the way to mount by now, if not come to Santa Barbara, Cal., and take some lessons, as there are several Texas boys here in the Moving Picture game now. Please use what you think advisable of this or all. The boys all join in sending best wishes to the editor and staff of the magazine. NEW YORKS BEST MUSIC 5on g s Post Paid Danee s A Copy SONGS Take Mo to That Tango Tea Daddy Has a Sweetheart Junkman Rag (or Trot) Some Boy Gone, Gone, Gone Over the Great Divide In a Lonely Cabin Someone (Blanche Riiifr) Tin-: Aiiovr, music DANCES Castles in Europe (Trot) Castle j i ■ ■ ■ ■ - - - Vrot Castle's Hal: and Half Castle's Walk Joan Sawyer's Maxixc Maurice Hesitation (Waltz) Some Smoke (Trot) La Poema (Waltz) La Itiiuilw (Tango) Leg of Mnt ton (Trot) AKT SEI-ECTIOOV OF Free—A Strauss Waltz Album with Every 50c Order "Going Some"' Piano Album, contains IS Society Dances. 2.1c Nights of Gladness—Best Hesitation on the market... !8iic Love's Melody—Great song and dance number Ulic "Sari,* 1 Greatest Operatic Success—Ha-Za-Za (trot)... .8 Ac Sari Waltzes »5c Whirl of the World (Winter Garden) Ragtime Arabian Nights 25c Free Dancing instructions with every order. All music postpaid. Send stamps or money order. JOS. W. STERN & CO., 110 West 38th St., New York The Largest Music Publishers En America Send for free INiiHtratcd Catalogue of 1,000 Popular and Operatic nits AIho complete Claisfc Li-I. References : Bradst reel's and Dan** 5 Songs for 10c Every one a Hit—Catchy lyrics and music Brand New Words and Music — Regular Piano Copies By AMERICA'S FOREMOST WRITERS I NEVER KNEW I LOVED YOU TILL YOU SAID GOOD-BYE. By Jack Mnlioney, Autlior of "Kentucky Days," etc. LET'S MAKE OUR OWN SUNSHINE. By Gerard and Armstrong; Writers of "Sweet Adeline." OH YOU CHRISTMAS DOLL. By Wickes, Wardall and Pollock, Writer* of "He Laid Awav a Suit of Gray," "You're the Girl," etc I LEFT MY HEART IN TENNESSEE. By Jack Malioney and Win. McKcnna, Writers of "Mandy Lane," "Lot the Violets Tell," etc. THE HOUSE ACROSS THE WAY. By Kaymond Mooro and J. M. Francis, Writers of "Summertime," "Molly Lee," "Sweet Marie," etc. WHEN I FELL IN LOVE WITH YOU. By BTcelan and Edwards, Writers of "My Home in Tennessee," "When I (lathered the Myrtle with Mary." WHEN FATHER PUT THE PAPER ON THE WALL. By P. John Mahon and Will Dillon, Writers of "I Want a Girl," " High- land Mary,*' etc I'D GIVE THE WORLD TO KNOW. By E. F. Gardner and Arthur OUluwple, Writers of "Absence Makes the Heart Grow Fonder," "As Long as I Live I Love You," etc Your choice- send one dime (COIN) for any five THB AMERICAN SONG PUBLISHING CO. 32 Union Square East, Dept H, New York City, N. Y. LEARN RAGTIME K\ Let me teach YOU Ragtime Piano Play* j ing by mail. Yon learn quickly—easily f „.in 20 lessons. Even if you can't I ** play a note VII teach you to ' *~ play any piece in real Rag~ time. "Money-back" Guarantee. Write me now for special low terms and testimonials from hundreds of happy students. Axel Christensen (Czar of Ragtime) Director [ Christensen School of Popular Music 895 Christensen BIdg., CHICAGO, ILL. When answering advertisements kindly mention MOTION FICTUKE MAGAZINE.