We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
Motion Pictures, 1912-1939
COLORFUL ISLANDS — MADAGASCAR AND SEYCHELLES. (A FitzPatrick TravelTalk) 1936. 1 reel, sd., color.
Credits: Photographer, Winton Hoch; music. Jack Shilkret.
© Metro Goldwyn Mayer Corp.; 17Nov36; MP7052.
COLORFUL JAIPUR. (James A. FitzPatrick's Traveltalks) 1932. 1 reel.
Credits: Photographer, B. S. Dawley.
© Metro-Goldwyn Mayer Distributing Corp.; 3Mar32; MP3150.
COLOR-FUL OCCUPATIONS. 1936. 1 reel, color.
Credits: E. M. Newman; editor, Bert Frank; narrator, Paul Douglas; dialogue, Ira Genet.
© The Vitaphone Corp.; 260ct36; MP6859.
COLORFUL PORTS OF CALL. (FitzPatrick Traveltalk) 1934. 1 reel, sd.
Credits: Compiled by James A. FitzPatrick.
© Metro-Goldwyn-Mayer Corp.; 12Jan34; MP4546.
A COLORFUL SERMON. SEE Bert Swor in A Colorful Sermon..
THE COLOSSEUM AT ROME. 1913. 1 reel. © Vitagraph Co. of America (Harry Keepers, author); 10ctl3; MP99.
COLOURFUL CAIRO. 1936. Released by Harold Auten. 1 reel, sd.
Credits: Music arranged and played by Lew White.
©Andre De LaVarre, 15May36; MP6531.
CO
nc
SF m
LUMBUS. (The Chronicles of America, no. 1) 1923. 5 reels. Adapted from "The Spanish Conquerors" by Irving B. Richman.
Credits: Adaptation, Arthur E. Krows.
© The Chronicles of America Pictures
J Corp.; 2Apr23; LP18848. OLUMBUS AND ISABELLA. (Hysterical History Comedies) 1924. 1 reel. Credits: Director, Bryan Foy. © Universal Pictures Corp.; 28Jun24; LP20353. : L
HE COMBAT. 1916. 6 reels.
Credits: Producer, Ralph Ince.
© Vitagraph Co. of America (Ralph Ince & Edward J. Montagne, authors); 12Sepl6; LP9094.
THE COMBAT. 1919. 5 reels.
Credits: Director, Ralph Ince; story, Edward J. Montagne, Ralph Ince.
© Vitagraph Co. of America; 30Octl9; LP14364.
THE COMBAT. Jewel. 1926. 7 reels.
Credits: Director, Lynn Reynolds; story, J. G. Hawks, Edward Montagne; scenario, J. G. Hawks.
© Universal Pictures Corp.; 8Feb26; LP22388.
COMBAT. © 192 7.
© Pathe Exchange, Inc. (William B. Laub, author); title, descr. & 90 prints, 29Sep27; LU24457.
THE COMBINATION. 1915. 1 reel. Credits: Director, Sidney Drew, © Vitagraph Co. of America (Sidney Drew, author); 6Janl5; LP4132.
3ME ACROSS. Jewel. 1929. 6 reels. From the story "The Stolen Lady" by William Dudley Pelley.
Credits: Director, Ray Taylor; adaptation and continuity, Peter Milne.
© Universal Pictures Corp.; 8Jun29; LP460.
COME ACROSS. (A Crime Does Not Pay Subject) Presented by Metro-GoldwynMayer. 1938. 2 reels, sd., b&w.
Credits: Director, Harold S. Bucquet; story and screenplay, John C. Higgins. © Loew's, Inc.; 18May38; LP8060.
COME AND GET IT. 1929. 6 reels.
Credits: Director, Wallace W. Fox; story and continuity, Frank Howard Clark.
© F. B. O. Productions, Inc.; 10Jan29; LP25995.
COME AND GET IT! Released through United Artists. 1936. 11 reels, sd. Based on the novel by Edna Ferber.
Credits: Directors, Howard Hawks, William Wyler; screenplay, Jules Furthman, Jane Murfin; film editor, Edward Curtiss; music director, Alfred Newsman.
© Samuel Goldwyn; 21Nov36; LP6717.
COME AND GET ME! ©1922.
© Pathe Exchange, Inc. (Ford Beebe & Leo Maloney, authors); title, descr. & 38 prints, 9Aug22; LU18128.
THE COME-BACK. 1916. 5 reels.
Credits: Written and directed by Fred J. Balshofer.
©Quality Pictures Corp.; 26Aprl6; LP8162.
THE COMEBACK. Bison. 1917. 2 reels.
Credits: Director, George Marshall; story, Charles E. Van Loan; scenario, Charles J. Wilson, Jr.
© Universal Film Mfg. Co., Inc.; 9Febl7; LP10149.
The COME-BACK. The Knockout. No Defense.
SEE
THE COME-BACK OF PERCY. (Chronicles of Bloom Center) 1915. 2 reels.
Credits: Written, produced and directed by Marshal Neilan.
© Selig Polyscope Co. (Marshal Neilan, author); 30Octl5; LP6820.
COME BACK TO AARON. SEE The Matinee Idol.
COME BACK TO ERIN. © 1928.
© Thomas Leo Brawders; title, descr. & 25 prints, 240ct28; LU25752.
COME BACK TO ERIN. (A FitzPatrick M. G. M. Traveltalk) 1932. 1 reel.
Credits: Compiler, James A. Fitzpatrick.
© Metro-Goldwyn-Mayer Distributing Corp.; 9May32; MP3284.
COME CLEAN. 1922. 2 reels.
Credits: Director, Robert North Bradbury; story and scenario, Harvey Gates.
© Universal Film Mfg. Co., Inc.; HAug22; LP18147.
COME CLEAN. (Hal Roach Comedy) 1931. 2 reels, sd., b&w.
Credits: Director, James W. Home; dialogue, H. M. Walker; editor, Richard Currier.
© Metro Goldwyn Mayer Distributing Corp.; lSep31; LP2431.
COME CLOSER, FOLKS. 1936. 7 reels, sd.
Credits: Director, D. Ross Lederman; story, Aben Kandel; screenplay, Lee Loeb, Harold Buchman; film editor, Byron Robinson.
© Columbia Pictures Corp. of California, Ltd.; 210ct36; LP6688.
COME EASY, GO SLOW. (Krazy Kat Cartoon) 1928. 1 reel. Credits: Ben Harrison, Manny Gould. © Paramount Famous Lasky Corp.; 150ct28; LP25712.
COME MEAL. 1928. 2 reels.
Credits: Director, Albert Herman; story, E, V. Durling, Pinto Colvig, H, A. Woodmansee editor. Earl Neville.
© F. B. O. Productions, Inc.; 24May28; LP25357.
THE COME ON. Nestor. 1916. 1 reel.
Credits: John C. Brownell; producer, Matt Moore.
© Universal Film Mfg. Co., Inc.; 13Jull6; LP8697.
COME ON COWBOYS! 1924. 5 reels.
Credits: Director, Ward Hayes; story and continuity, Dick Hatton, Ward Hayes. © Arrow Film Corp.; 10Dec24; LP20900.
COME ON COWBOYS. 1937. 6 reels, sd. Based on characters created by William Colt MacDonald.
Credits: Associate producer, Sol C. Siegel; director, Joseph Kane; original screenplay, Betty Burbridge.
© Republic Pictures Corp.; 24May37; LP7195.
COME ON DANGER. Presented by Radio Pictures. 1932. 6 reels, sd.
Credits: Director, Robert Hill; story, Bennett Cohen; screenplay, David Lewis, Lester Ilfeld.
© RKO-Radio Pictures, Inc.; 26Sep32; LP3297.
COME ON HORACE, © 1928. 1 reel.
Credits: Story and direction, Edward I. Luddy.
© Universal Pictures Corp.; 20Sep28; LP25637.
COME ON IN. Paramount. Presented by Adolph Zukor. 1918. 5 reels.
Credits: Written and produced by John Emerson and Anita Loos; director, John Emerson.
© Famous Players Lasky Corp.; 12Sepl8; LP12845.
COME ON LEATHERNECKS. 1938. 7 reels, sd.
Credits: Associate producer, Herman Schlom; director, James Cruze; original story, Sidney Salkow; screenplay, Sidney Salkow, Dorrell and Stuart McGowan; film editor, Edward Mann.
© Republic Pictures Corp.; 8Aug38; LP8317.
COME ON MARINES! 1934. 7 reels, sd.
Credits: Producer, Albert Lewis; director, Henry Hathaway; story, Philip Wylie; adaptation and screenplay, Byron Morgan, Joel Sayre; music, Ralph Rainger.
© Paramount Pictures, Inc.; 21Mar34; LP4574.
COME ON OVER. 1922. 6 reels.
Credits: Director, Alfred E. Green; written and adapted by Rupert Hughes.
© Goldwyn Pictures Corp.; 25Feb22; LP17582.
COME ON RANGERS. 1938. 6 reels, sd. Credits: Associate producer, Charles E. Ford; director, Joe Kane; original screenplay, Gerald Geraghty, Jack Natteford; film editor, Edward Mann; music director, Cy Feuer. .
© Republic Pictures Corp.; 25Nov38; LP8441.
COME ON TARZAN. 1932. 64 min.
Credits: Direction, story, and continuity, Alan James.
© World Wide Pictures, Inc.; 1 lSep32; LP3568.
COME OUT OF THE KITCHEN. Paramount. Presented by Adolph Zukor. 1919. 5 reels. From the story by Alice Duer Miller.
Credits: Director, John S. Robertson; dramatization, A. E. Thomas; scenario, Clara Beranger.
© Famous Players-Lasky Corp.; 7Mayl9; LP13684.
COME OUT OF THE KITCHEN. The Jam Handy Organization. © 1939. 2 1/2 reels, b&w 35mm.
© Campbell Soup Co. (Jam Handy Picture Service, author); title & descr., 8May39; 220 prints, 12May39; MU9384.
147