Phonograph Monthly Review, Vol. 2, No. 12 (1928-09)

440 The Phonograph Monthly Review September, 1928 Note Special reference was made to • these needles in the February • issue of this Journal. GOLD PLATED CHROMIC GRAMOPHONE NEEDLES add 75% to the life of your RECORDS and enhance the beauty of Reproduction After extensive research and experiments, Chromic Needles have been produced to give the finest possible reproductions to all Electric Re- cordings. They are manufactured of special steel, are gold plated with symmetrical taper points. Each Needle will play up to ten Records. Packed in boxes containing 100 NEEDLES - ioo * COISON BELL f SEMI CHROMIC NEEDLES SYMPATHETIC CHROMIC NEEDLE and GRIP Will Control the Volume of Your Gramophone Fits any Sound-box THIS new Needle and attach- * m e n t is revolutionizing gramophone reproduction. The “Sympathetic” is a gold-plated needle with a point at either end. It fits into the Grip which is held in the Sound-Box the same as an ordinary needle. With this device you can ob- tain any volume from a whisper to the sound, almost of a loud needle. Further, as the long tapering point of the “Sym- pathetic” perfectly bottoms the record track, it is able to give a rich body of tone even to Illustration well worn records, and will shows Sym- please the most fastidious. pathetic fitted to play a very Each Sympathetic Needle fine soft vol- _ ume, almost a Will Play Up to 40 Records whisper. Sympathetic N e e-d 1 e Grip showing needle inserted for full volume. The re- producing point is shown slight- 1 y projecting from the base. SRITj-SH MANUPACWto DISTRIBUTED ONLY THROUGH AUTHORISED JOBBERS Enquiries solicited EDISON BELL, Limited, London, S.E. 15 England sody, and the ’Cello Concerto; Hill’s Stevensonia; Edgar Stillman Kelley’s Aladdin and New Eng- land Symphony; the principal works of Loeffler- and MacDowell; Moore’s Museum Pieces and Pageant of P. T. Barnum; Powell’s Rhapsodie Negre and Overture, In Old Virginia; Schelling’s Victory Ball and Suite Fantastique; Shepherd’s Fantasy for Piano and Orchestra, Horizons, and Overture to a Drama; Skilton’s Suite Primeval; Sowerby’s Money Musk and Irish Washerwoman; Strong’s Life of an Artist; Taylor’s Through the Looking Glass; and Whithorne’s The Aeroplane, The Night, and The Rain. Cleveland may be well proud of an orchestra and conductor who have fulfilled not merely the usual function of a symphony organization, but which has played a vigorous and tremendously influential part in the development of a real mu- sical consciousness in its citizens, as well as an equally vigorous part in the musical life of the entire country. Through its recordings, of which the Rachman- inoff and Schubert Symphonies are probably only the first of an extensive series of major works, the influence of the Clevelanders will be enor- mously widened in scope. Surely through this medium they will achieve results no less admir- able than those achieved in the concert hall. Recordings of the Cleveland Symphony Orchestra Electrical Brunswick Symphony Series No. 11. Rachman- inoff: Symphony No. 2, in E minor (12). Symphony Series No. 12. Schubert: “Unfin- ished” Symphony (6). 15181 (ten-inch) Grainger: Shepherd’s Hey, and Pierne: The School of the Fauns. 50089 Saint-Saens: Danse Macabre, and Nicolai: Overture—Merry Wives of Windsor. 15120 (ten-inch) 'Rimsky-Korsakow: Song of India, and Tchaikowsky: Waltz—The Sleeping Beauty. 15121 (ten-inch) Wagner: Lohengrin—Prelude to Act III, and Wedding Music. Acoustical 50052 Strauss: Tales from the Vienna Woods, and Blue Danube Waltz. 50053 Brahms: Symphony No. 2—Allegretto, and Sibelius: Finlandia. 15091 (ten-inch) Schumann: Traumerei, and Dvorak; Slavonic Dance No. 3. 15092 (ten-inch) Sibelius: Valse Triste, and Brahms: Hungarian Dance No. 5.