Phonograph Monthly Review, Vol. 2, No. 5 (1928-02)
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168 The Phonograph Monthly Review February, 1928 Klemperer, Boult, Whitemore Wood, Stokowski, Goossens Elgar—Second: Elgar Elgar Mozart—G minor: Weissmann, Greenbaum, Pasternack Sargent Jupiter: Coates, Heidenreich, Weissmann Godfrey, Strauss E flat: Weissmann, Weingartner Strauss CONCERTOS Beethoven—Emperor : Lamond Bachaus G major: Bowen Szreter Violin: Menges, Wolfstal Kreisler Franck—Symphonic Variations : De Greef, Tyrer Cortot Tchaikowsky—B minor: Sapellnikoff Hambourg Liszt—Hungarian Fantasy: De Greef De Greet Grieg—A minor : De Greef De Greef Mendelssohn—Violin : Eddy Brown Kreisler Schumann—A minor: Cortot Cortot MISCELLANEOUS ORCHESTRAL WORKS (Brief List) Strauss—Don Juan: Coates. Morike, Strauss _Coates Ein Heldenleben: Morike Strauss Tod und Verklarung: Coates, Walter, Abendroth Strauss Rosenkavalier Waltzes: Strauss, Greenbaum Strauss, Morike Ravel—Mother Goose Suite: Coates, Whitemore Damrosch Dukas—L’Apprenti sorcier : Ronald Gaubert Debussy—Afternoon of a Faun: Stokowski, Whitemore Stokowski, Klenau, Ronald, Coppola Rimsky-Korsakoff—Scheherazade: Morike (Coates), (Pock) Stokowski, (Goossens) Humperdinck—Hansel und Gretel Prelude: Boult, Bridge „ C° ate , s Strawinski—Petrouchka : Goossens (Uetosse; Fire-Bird: Stokowski, Coates, Fried Defosse Elgar—Enigma Variations : Elgar, Wood Elgar Borodin—Polovstian Dances : Coates Beecham, Defosse (Stokowski) WAGNERIAN WORKS (Brief List) Parsival (complete) : Coates Coates Die Walkiire (complete) : Goossens and Coates Coates and Blech Die Meistersinger Prelude: Coates, Morike, Blech Seidler-Winkler Coates, Bodanzky, Stock, von Schillings, Blech Tannhauser Overture: Stokowski, Blech, Schillings, Wohllebe, Morike, Wood .....Mengelberg, Coates, Blech Tannhauser Bacchanale: Schillings, Wood Coates, Walter Rienzi Overture: Stokowski, Walter, Blech, Morike, Prince, Coates Stokowski, Walter, Blech Flying Dutchman Overture: Wood, Schillings, Wohllebe, S. Wagner Mengelberg, Walter, Blech Lohengrin Prelude (Act I) : Stokowski, Wood, Ronald, Morike, Marienhagen Bodanzky, S. Wagner OVERTURES (Brief List) Weber—Oberon: Morike, Mengelberg, Chappie, Prince, (Ronald), Fried, Coates, Blech Freischutz: Walter, Weissmann, Verbrugghen, Coates, Pasternack, Pfitzner, Seidler-Winkler Verbrugghen, Blech Smetana—Bartered Bride: Busch, Goossens, Blech Morike, Blech Mendelssohn—Fingal’s Cave: Walter, Wood Ganz Midsummer Night’s Dream: Blech Herz Beethoven—Leonora No. 3: Donald, Weissmann, Hoeberg, Wood Wood, Ronald, Szell Egmont: Ronald, Blech, Hilldebrandt, Weissmann Mengelberg, Pasternack (Beethoven)—Coriolanus : Mengelberg, Ronald, Weiss- mann, Blech, Walter Mengelberg Mozart—Magic Flute: Pasternack, Beecham, Fletcher Seidler-Winkler, Morike Beecham, Blech Marriage of Figaro: Beecham, Harty, Morike, Fletcher, Busch Gaubert, Weissmann, Ronald (The above lists make no pretension to com- pleteness ; they are simply a hasty and somewhat random outline of the most important re-made recordings.) With due apologies to the feature, Is Your Favorite Work Recorded, a summary may be made here of the principal works as yet avail- able only in acoustical (or in early inadequate electrical) versions. Brahms: Second Symphony; Academic Festival Overture. Beethoven : Minor overtures (King Stephan, Dedication of the House, etc.) ; First and Third Piano Concertos. Bach: Suite in D; Brandenburg Concerto in G; Concerto for Two Violins. Schumann: First and Second Symphonies; Manfred Over- ture. Tchaikowsky: Fourth and Fifth Symphonies; Francesca da Rimini; Caprice Italien. Vaughn-Williams: London Symphony; Old King Cole; The Wasps. Holst: The Planets; St. Paul’s Suite. Moussorgsky: Night on Bald Mountain; Khovanshtchina Prelude. Mozart: Violin Concertos in A, G, and D major; Symphony in E flat. Bruch: Violin Concerto in G minor. Lalo: Symphonie Espanol. Bruckner: Seventh Symphony. Chabrier : Espana. Honegger: Pacific 231. Delius: Brigg Fair; A Dance Rhapsody. Franck: Le Chasseur Maudit. Strawinski: Petrouchka (complete); Fireworks. Mahler: Second Symphony. Schonberg: Verklarte Nacht. Grieg: Overture—In Autumn. Handel: Water Music Suite; Overture in D minor. Haydn: Symphonies—Surprise, Oxford, Farewell, No. 88. Holbrook: Three Blind Mice. Humperdinck: Dream Pantomime and Hexenritt from Hansel. Liszt: First Piano Concerto; Les Preludes; Tasso; Mazep- Ra. McEwen: Solway Symphony. Rimsky-Korsakow: Russian Easter Overture; Coq d Or Suite. Mendelssohn: Italian Symphony; Piano Concerto; bingals Cave. Rachmaninoff: Second Piano Concerto. Saint-Saens : Carnival of the Animals. Scriabin: Poem of Ecstacy; Reverie. Sibelius :Finlandia. Strauss: Till Eulenspiegel; Zarathustra; Alpine Symphony; Macbeth: Aus Italien; Burger aus Edelman Suite. Turina: Danzas Fantasticas. Weber : Euryanthe Overture. Wagner: The Ring, Tristan, and Die Meistersinger (com- plete). Tchaikowsky’s Fourth, Mozart’s E flat Sym- phony, Finlandia and the Fingal’s Cave Overture have been electrically recorded, but in versions that are hardly worthy to be called adequate. The others are available as yet in acoustical ver- sions only. Prophecy is hazardous, but logic and rumor would indicate that the following may take priority: Tchaikowsky’s Fourth and Fifth Sym- phonies and Francesca da Rimini (perhaps by a leading American Orchestra and the most noted conductor as yet unheard on records; guess!); The Planets; Carnival of the Animals; Brahms’ Second; Les Preludes; Till Eulenspiegel; and the Wagner albums. A brief list of works as yet unrecorded, some of which are certainly slated for early release: Bach: Brandenburg Concertos. Brahms: Third Symphony; Tragic Overture; Piano and Violin Concertos; Variations on a Theme of Haydn (or- chestral version). Strawinski: Le Sacre de Printemps; works for chamber orchestra. . . , _ Strauss: Don Quixote: Sinfonia Domestica; Festival Pre- lude.