The Phonogram (1902-07)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

building there are eight rooms which are used for making Master Records. These rooms are separated from each other by double partitions, filled in with seaweed. Seaweed, bythe wav, is the best material for deadening sound. I 9 In these rooms the various artists do their work. On racks at one end of each room, are from three to five Phonographs, with their horns point- ing toward a spot in midair, where the singer stands. If it be a violin solo or a banjo solo or a male quartet, the arrange- ment is the same; the music produc- ing point being in a spot where the horns, if extended, would meet. Be- hind the performer, perched up on a high pedestal, is the piano, or the organ, or whatever may be the accom- panying instrument. ( To be continued .)