We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
Photoplay Magazine Advertising Section Plays and Players (Continued i CRITICISMS of Anita Stewarts picture, "Harriet and the Piper," repeatedly mentioned that Myrtle Stcdman, who plays in important part, is too young to be con- vincing as the mother of two grown-up chil- dren. Perhaps the critics are unaware of the existence of Lincoln Stedman. who is rapidly nearing his twentieth birthday, plays in pictures with Charles Ray. and is be- sides, Myrtle's son. WE always knew it would happen sooner or later and so did you. Then it's no •urprise to learn that Jim Kirkwood. fol- lowing his wonderful comeback as a leading man after an absence directing, is to be starred by Allan Dwan. WELL well—and here's Creighton Hale This male perennial is to have his own productions, under the supervision of D. W. Griffith. Hale will work at the Mamaroneck studio under D. W.'s watch- ful paternal eye MAURICE TOURNEUR had been direct- ing a scene for what probably seemed ;o him a long time. Still the beautiful lading lady failed to show the proper pitch. Suddenly the Frenchman walked up and held out his hand. "Goodby," he said sweetly. "You don't mind? I get another ictresa for this part. You go home now." To the point, tb? BETTY BLYTHE, who i ? weathering the late warm spell in Hollywood by play- ing "The Queen of Sheha" in the magnifi- cent drama being produced by Fox, i> re- jponsible for the latest. Fritz Leiber, who is playing opposite her is King Solomon, has been going up to Hetty's home evenings to rehearse the ex- :remely impassioned but delicate love scenes between these two famous character.-. "Doing a lot of night work, aren't you?" inquired some friend as they met in the lobby of the Hollywood Hotel. "Oh yes," said Betty sweetly. "My hus- band is helping us out by directing our love scenes. You know, dear, my husband always directs my love scenes. Isn't it nice •if him?" Husband, by the way. is the director, 1'aul Scardon. Not such a bad idea, at that WILLIAM de MILLK ha.- been spend- ing a small fortune during the past :iw weeks in the Los Angeles newspapers iiuying half-page ads in favor of the Single Tax. Incidentally. Mr. de Mille conducts a Single Tax class at his beautiful Holly- wood home one evening every week. It's just possible that the fact that he married the daughter of "Single Tax" George, inven- tor of the measure, may have something to do with it. Anyway, that's evidently his idea of having a good time. THK most interesting thing about the Golden Wedding Anniversary Day given October 27th at the Christie Film Company, i- the fact that it celebrated the ninth an- niversary of the opening of the first studio in Hollywood. It doesn't seem possible that it's only nine years since film making Ugan in earnest, does it? What did we ever do without 'em? ONE of the bright lights of Broadway right now is Roberta Arnold, who is playing to packed audience- and general icclaim in Frank Craven's clever new com- edy. "The First Year." Herbert Rawlin-on has already seen the play six times and it's only been running two weeks at this writ- ing. You know he's Mr. Arnold, don't vou? ••"::»;:• Big Prices Paid LEADING illustrators and commercial artists— both men and women—are * frequently paid $250, $500, $1,000 and even more for single illustrations or designs—and their work is eagerly sought. Good commercial art is vital to modern business — millions of dollars are paid for it yearly by thousands of advertisers, periodicals, publishers and others. Earn $50, $75, $100, $150 a Week and Up — Learn at Home You should develop your talent for drawing—the opportunities open to properly trained commercial artists have never been excelled. Enter this modern profession where you can put your natural ability to its best use. Learn at home in your spare time by the up-to-the-minute "Federal" Home-Study Method a proven result-getter. Federal Training Highly Endorsed Leading illustrating companies, designers and com- mercial artists have endorsed Federal Training as America's Foremost Course in Commercial Design- ing. On the Federal Advisory Council are nation- ally known artists and illustrators, men and women who have won true success. You can now profit by the advice and experience of many of them, through original lessons contributed exclu- sively to the Federal Course. Think of having the help of surh men as Charles E. Chambers. a leading magazine and story illustrator: Franklin Booth, a wonderful pen-and-ink artist, ealled the "Painter with the pen"; Harold Gross, tor many years Designer for the Gorham Co.; D. J. Lavin. formerly Head of the Chicago Tribune Art Dept.; Edit'. V. Brewer, who has done many illustrations for "Cream of Wheat"; C. Matlaek Price, an authority on posters; Charles Livingston Bull, the well-known animal painter: Mew McMeni. magazine covers: Fanny Munsell. illustrator: F. E. Schoonover.L. V.Carroll. Gayle Porter Hoskins and N.C. Wvrth. all illustrators and designers widely recognized as leaders. Send Today for "YOUR FUTURE" If you like todi.uv. by all mean send for this book. Every ambitious voting man and woman should read it. It contains i*6paRes. beautifully illustrated in colors, and shows remark- able work by Federal Students. It describes the fascinating Federal Home-Study Method, easy to learn and apply—and tells of opportunities in this field that will open your eyes. Send the Coupon NOW, stating your age and occupation. m\ :W .' S AIMARS f~"f~)I JPfllVJ Federal School of Commercial Designing V ' V -' ** » \Jl* 3221 Federal Schools Build, n :. Minneapolis.Minn Gentlemen— Please- send me " YOUR FUTURE." fat which I endow 6c in stamps. Name Age Occupation (Write your address plainly in margin.I When you uri;> , i i ■• imuTlmi rilOTori.AY MACiA/.INE.