Screen Guilds Magazine (July 1934)

July 1934 Fourfold Infidelity (Continued from Page 4) cake . . . use no hooks. . . . Mrs. Arthur C. Eben: Hello kid in the bus; I understand you, don’t I? Yes—say yes. I love the way the hair grows off your neck, just back of your ear. I’d be awfully good to you, you young kid in the bus with the lovely skin. Are you poor? I know you are like a fierce young animal. I could be fierce too. I am going to kiss you—I am kissing you now, you young kid in the bus with the beautiful hun¬ gry skin! You aren’t like anything I have—I don’t care much any more about anything I’ve got, but I am get¬ ting a little hungry for you, you young kid in the bus. . . . Director Arthur G. Eben: Hmm, what a cute little number you turned out to be! How’d we do to¬ gether? What do you want? Like to go shopping with Daddums? Some nice pearls? A caracul coat? How about this wrist watch? YOU aren’t ever tired, are you, honey? I’d have to relax with you, get younger, dumber, let everything go. Would THAT be fun, you cute little trick with the funny nose! What’s your mouth hanging open like that for? You mean me? Huh? Miss Anna Marie Weiland: It’s NOT true that rich gentlemen are ugly. . . He looks like Otto Kruger, distinguished . . . and rich . . . wish I was rich . . . we’d travel together and eat lunch every day at the Roosevelt and take dinner every night at the Biltmore. ... I like you, Mister Man in the car, you are my ideal . . . yes, look at me, you rich Mister Man in the car, you . . . Yellow light—first bell! And they all four wake up. Director Arthur C. Eben takes his wife’s hand again and squeezes it, and Jimmie Nu¬ gent slips his arm around the waist of Miss Anna Marie Weiland. The car¬ buretors begin to squirt gas into the cylinders. Green light—GO! The fourfold, half-minute infidelity is ended. Public Stenographer Dictation - Manuscripts - Typing Secretarial Wor }? BERTHA E. CHILDS 334 N. Rodeo Drive CR 11240 OUT O’ SYNC RE-RECORDINGS FROM R. K. O. by Johnnie Grey Who are the only two feature writers on the R.K.O. lot not members of the Screen Writers’ Guild? (A coral bed-pan will be given to the person first sending their names to the Membership Committee.) There is a rule on the R.K.O. lot to feed writers only salads at lunch time because solid foods make them drowsy all afternoon. What did Arthur Caesar say to Dave Lewis the other day at tiffin? And was Dave’s face red? Dave Hempstead is now starting another course in “Finishing School. Who are the only two feature writers on the R.K.O. lot not members of the Screen Writers’ Guild? (A lard thermometer will be given as a prize to the person giving their names to the Membership Committee.) Jack Townley is all atwitter. ... He leaves for the Century of Progress (Chi) within the next fortnight to make movies before the sightseers. Joe Fields spent a dizzy day getting an itinerary of the French (The Welch- ers) high spots ready for Lou Brock who is leaving on the ILE DE FRANCE this week-end. Incidentally, Lou pulled a sneak sailing. Instead of leaving from the French Line pier, he had the boat take him on at 129th Street. Lee Marcus, that genial supervisor, left Thursday for the R. K. O. Convention in Chi. He carried a toothbrush, a Clark and McCullough, and a Gene Austin short under his arm to show to the boys. Arthur Caesar’s definition of adolesence—that period in life when supervis¬ ors decide which sex they are going to follow. Who are the only two feature writers on the R.K.O. lot not members of the Screen Writers’ Guild? (NOTE: Previous prize offers withdrawn. We know who they are . . . Shame . . . Shame! . . . SHAME! Gag Department [ 19 ]