The Sins of Hollywood ()

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■ \ - Battle Royal That Led to Stardom OVE brings strange contrasts—it upsets traditions and turns precedent all topsy- turvy. But what is love? Long years ago when motion pictures were struggling along in baby clothes there was a man whose total histrionic experience had been confined to carrying a spear on the speaking stage. He was it 9? a super. ? It was D. W. Griffith who gave him his first chance in the pictures—and he still carried the spear well. That, in fact, was about all he ever could do su But it did not keep him from becoming a maker of pictures—of many popular pictures, JBut right at first it was a struggle. Somehow he managed to break away from a job—induced half a dozen others to put in their wages along with his and take a chance on making a comedy. Finally, they sold their finished production and realized a profit. With this money they made an- other picture and by degrees the spear-carrier be- came the sole owner of the company—the others worked for him. Such is the law of humans. The man with the executive ability wins always in business. This man was an executive. To make it easier to com-