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1..::/ i^f^^^Wi^^RSRSSS VARIETY ^lpii§liilf^^F 49 [i/ illllMllllinillMHIIIIIIIIIIIIUIIIHilllllllllllllllllllllllHIIIIHIIlllllllHIHIHIllllllllin BUY PUBLICITY IN -; -•» ■ ' : ■ -•.'" '•.:A.SiK{y' .•■'■ .-""ft."'' ■■7>aV-''V"fef*'' ■•'■' •'- ■ '-W^w ■■Ml V. A. NUMBER - (the Special Issue) ■ ' •>'''■'•■SasSsis! ■ ■ ■■■ ?w« Vaudeville people who follow the testimony in the Federal Trade Commission proceedings will read What Managers and Agents say about publicity in testifying before that body. MANAGERS AND AGENTS ADVOCATE ARTISTS' ADVER- USING, to inform managers what they have and who represents them. Proper publicity is the foundation of two important items to vaudeville artists, i. e«: securing time and raising salary. An act may be made as important in the eyes of others as it deems itself to be, if properly publicized. Advertising in VARIETY goes a long way toward this end. It gets the acts before the managers, stamps their names upon mem- ory and gives the managers information they always are ready to receive. Go on record as a member of the National Vaudeville Artists in the SPECIAL N. V. A. NUMBER of VARIETY. . - ■ • • •■••, Buy publicity of the proper kind. Send copy now. ;f r H '/■■•If.*: Jit, " ■ ■ ■ !| . ,>■ •'11 The advertising rates remain the same for the SPECIAL N. V. A. NUMBER. Forward your copy for early attention to any of VARIETY'S offices, at New York, Chicago or San Francisco. ■■■;■' \ 11 imimiiiiiiiiuiiiiiuiiiiiiiiiiiiiiiiiiiiiiiiimiMiiiimiiim ?■ ''.-."f-'- ■••■ '.Vn"- ;: ''' '.'."'V ■■■' ■••' ■•'.'' - %>:.';■-_ f ....,,,;..■:. ; :.,'.'.--•%- $$