Actorviews (1923)

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The Twenty-Second Street Ziegfeld T is early at the sign of “The Midnite Frolic,” whose lanterned letters used to spell “Freiberg’s Dance Hall.” It is early and was always early in this slice of Twenty-second street at one o’clock in the morning, is going. They’re all coming. Happy and hippy delegates to the Republican convention are eating the two-dollar midnight table d’hote all the way from spring onions to lady fingers. The a la carters will perform later. Miss Josephine Taylor, Aphrodite of the cabaret which wheels and whirls on the central floor, hasn’t yet entered her first suit of tights. Swan Wood is dancing only the dances that made Little Egypt a conservative ; she hasn’t yet begun really to swing and sway. Incandescents are blinking behind the heads of drum and banjo among the Five Aces of Syncopation. Ike Bloom, impresario of these sounds and sceneries, has only just had his matutinal shave; his bald head gleams in a sudden shift of Miss Swan’s spotlight — the barber should have talced it. And I am here to talk with the Twenty-second street Ziegfeld. “It’s your first perfect ‘alibi’ for coming out,” says Mr. Bloom, and adds, “Times have changed !” Perhaps I sigh, but Mr. Bloom doesn’t. He looks Not a cab