Actorviews (1923)

Record Details:

Title:
Actorviews
Date:
1923
Publisher:
Chicago : Covici-McGee, Co.
Volume:
Actorviews
Leaf #:
000177
Language:
English
Collection:
Books and Early Cinema
Format:
Books
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
November 02, 2023
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Mr. Warfield Declines a Million AVE you come to ask me when I am going to play ShylockV' said Mr. Warfield, and said it with a twinkle. “Not this season; not this week, anyway,” I told him. “The line I just saw in front of Powers’ Theater seemed to indicate that the public still prefers you in ‘The Music Master.’ ” “The artist is the slave of his public — not his public the slave of the artist,” said Mr. Warfield, still with a twinkle. His humor-loving eyes were framed in rims of tortoise, his heavy gray hair brushed back from the Beethoven forehead. But he did not wear a velvet coat, nor house shoes — his feet were shod in substantial leather and he was coated like any man of the world. There was nothing “staged” about Mr. Warfield in his sunny furnished room for solitary gentlemen at the La Salle. “With the continued co-operation of the public,” he went on, “I ought one of these days to be able to give a satisfactory performance of Von Barwig in ‘The Music Master.’ When I was a boy it was common knowledge that none of the great players ever achieved greatness in a role until he had played it thousands of times. Booth lamented the fact that he never got out of Hamlet all that’s in the part; and Salvini said the same of his Othello. “You know, I was pretty close to them when I