Agfa motion picture topics (Apr 1937-June 1940)

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and women of all the heterogeneous mixture of races and creeds which have made America famous as the world’s melting-pot. Here, rubbing elbows as they go about their daily duties may be found youthful graduates fresh from America's leading technical colleges, and experienced oldsters who began their professional careers forty, fifty or more years ago with the stil 1 -remembered Anthony or Scovill firms — watching their children grow up to places in the same matured enterprise which has given the parents not merely a job but a lifetime career. Beside these are the thousands of others — men and women alike; trained research scientists and equally skilled film-makers, mechanics, inspectors, paper-makers, and opticians, and all of the hundred-and-one skills and crafts that are called on in the making of modern film, sensitized papers, chemicals and cameras. Unseen behind them stand an army of farmers from the Southern states from whence come the tons of cotton used annually for making the celluloid film-base; lumbermen from the North which produces the raw material for paper; miners from the Western mines which supply the tons of silver used to make film and paper light-sensitive. Today Agfa-Ansco moves on, a representative American organization with a keen realization of its responsibilities, not only to the public which buys its products, but to the thousands of American workers who depend upon Agfa-Ansco for their livelihood. Agfa-Ansco is happy to be able to provide for these thousands solid, year-round employment. Equal I y pioud, too, is Agfa-Ansco of the traditionally American spirit of friendliness—of helpful cooperation which has always existed between the management and every employee, great or humble. Throughout every department there is abundant evidence not merely of individual pride in the individual job, but of brimming enthusiasm for Agfa-Ansco and Agfa-Ansco's pledged obligation to produce the best products in its field that can be made. Old and yet young — looking back upon nearly a century of accomplishment— Agfa-Ansco is an outstanding example of the American spirit of growth and progress, faithful to the ideals of its founders and to their progressive spirit, as well. Agfa-Ansco is proud of the part it has played in the past a n d present history of American photography, and looks eagerly forward to the future and to what that future will bring. 1 p _r :m=r 16