Agfa motion picture topics (Apr 1937-June 1940)

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The Painter Photographed by Herbert P. Bond Looking Hack at Ten Tears in Europe By Phil Tannura, A.S.C. Qince my return to Hollywood activ^ ity after spending the better part of ten years in the studios of England and France, so many of my friends have asked me questions about European production methods and conditions that Em beginning to believe there must be some interest, as well as mere politeness, behind those queries. So I welcome the invitation extended by the Editor to present a few comments on the subject to the readers of Motion Picture Topics. As I complete the photography of the first Hollywood-made film Eve photographed since my return, Em impressed with the thought that in some ways Hollywood is in advance, and in some ways Europe is ahead: if someone could only combine the best ideas on both sides of the Atlantic, the result would be a very nearly ideal set-up for motion picture production. As a cinematographer, naturally the first thing I noticed on my return to Hollywood was the difference in the position of the cinematographer here and in Europe. Here in Hollywood, cinematographers are taken