Amateur Photographer & Cinematographer (1933)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

August 9th, 1933 A WELL-LIT portrait of a child may be a pretty picture, but posed studies do not carry indi¬ vidual interest and portray the character of a child so completely as a snapshot taken during moments of happiness. Few environments offer such scope and opportunities for successful child snapshots as those presented during a holiday by the sea. Free from restrictions and the burden of clothes, a holiday at the sea to most children means a gorgeous period when they can play in the water and enjoy7 the nearest approach to complete freedom that they will probably find in life. There is no need for the photographer to worrv about the expression, or the pose, both will come naturally and pictures present themselves at every turn. Reflections in the wet sands, small figures lying at the water’s edge and waiting for the waves to break round them, and the look of absolute glee when the anticipated drenching takes place, all make attractive pictures. If all the conditions are n^t just right for the snap the first time, there is no need to hum7, all sense of boredom is forgotten and few children will mind lying there in¬ definitely, each wave being a novelty in itself. General brightness and re¬ flected light eliminate the bug¬ bear of under-exposure, and rapid shutter speeds can be a Mermaid. mm ■ ^Photographing * By BERNARD ALFIERI, Jun. indulged in with comparatively small lens stops, with the resulting greater depth of focus and more latitude from accurate focussing. Due also to the reflected light, ■ iiplfSfR The Rising Tide. it is a much easier matter to obtain striking pictures in shadow by exposing against the light, and providing an effi¬ cient hood or shade obscures direct sun¬ light from the lens of the camera, it is possible to throw up the figure with bright outlines caused by back lighting, and still obtain sufficient detail in the shadows to record the features. Naturally, this method of lighting must be used with discretion, but it obviates any possibility of very heavy shadows on parts of the face caused by the nose or chin, which are so familiar to most of us in our holiday snaps. Also hi AMATEUR PHOTOGRAPHER <& 6 CINEMATOGRAPHER o