American cinematographer (Jan-Dec 1926)

Record Details:

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March, 1926 AMERICAN CINEMATOGRAPHER Seventeen EASTMAN PANCHROMATIC NEGATIVE When the scenario calls for brilliant, colorful sets only Eastman Panchromatic Negative can do justice to the cinematographer's art. Sensitive to all colors it renders them in monochrome in their correct relationship. That is its most important advantage — but by no means the only one. In photographing landscapes, including distant, hazy views and clouds; for close-ups; for night effects — Eastman Panchromatic Negative is emphatically superior. Write for the booklet "Eastman Panchromatic Negative Film for Motion Pictures." Properties, uses, handling, development of the film are described. Motio?i Picture Film Department EASTMAN KODAK COMPANY ROCHESTER, N. Y.