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AMERICAN C IN E M AT O G R APHER
May, 1926
A. S. C. Officers for 1926h27 Are Elected
°$
Daniel B. Clark, A. S. C, Is Chosen President. Board of Governors Is Also Selected
Frank B. Good,
Second I ice-President.
Daniel B. Clark, President.
L. Guy Wilky,
First Vice-President.
°$
At the annual election of the American Society of Cinematogrphers, Daniel B. Clark was chosen president of the A. S. C. for the coming year.
Clark's fellow officers, selected at the same time for 1926-27, are as follows:
L. Guy Wilky, first vice president; Frank B. Good, second vice president; Ira H. Morgan, third vice president; George Schneiderman, treasurer, and Charles G. Clarke, secretary.
Board of Governors
In addition to the officers, the Board of Governors elected for the same period of office numbers Victor Milner, John Arnold, Alfred Gilks, Homer A. Scott, King G. Gray, E. Burton Steene, Reginald Lyons, H. Lyman Broening and Fred W. Jackman.
Active in A. S. C. Dan Clark, the new president, is chief cinematographer for Tom Mix in Fox productions. He has been active in the affairs of the A. S. C. since he was invited to membership several years ago. During the administration just closed, he held the office of second vice president, in addition to being axeguiarjnember of the Board of Governors.
For Tom Mix
Clark has photographed all of Tom Mix' productions of recent years. These include "Up and Going," "For Big Stakes," "The Fighting Streak," "Romance Land," "Just Tony," "Do or Dare," "An Arabian Knight," "Watch My Smoke," "Three Jumps Ahead,'' "Modern Monte Cristo," "Journey of Death," "Tempered Steel," "The Heart Buster," "The Last of the Duanes," "Oh, You Tony," "The Deadwood Coach," "Dick Turpin," "Riders of the Purple Sage," "The Rainbow Trail," "The Lucky Horseshoe," "The Everlasting Whisper," "The Best Bad Man," "The Yankee Senor," and "My Own Pal."
First Vice President
L. Guy Wilky, chosen to fill the position of first vice president, has been identified prominently with the activities of the A. S. C. since its inception, having been a charter member of the Society. Wilky began his career as a cinematographer in the Lubin days, later joining American at Santa Barbara, after which he went with the late Thomas H. Ince at the old Inceville studios. During the latter connection, Wilky photo