American cinematographer (Jan-Dec 1926)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Twenty-two AMERICAN CINEMATOGRAPHER September, 1926 Maude Adams Engaged In Colored Photography Work Maude Adams is following her longestablished interest in color photography with renewed vigor, according to reports coming from the East. The process which is commanding Miss Adam's attention is known as "Kodachrome." Robert T. Flaherty is a co-worker on the making of a picture with the process. Work is being done, it is reported, at the Eastman Kodak Company laboratories at Rochester, N. Y. Employment Exchange Founded By Junior Cameramen's Club A well attended meeting was held by the Junior Cameramen's Club at Brandstatter's Picadilly on the evening of August 3rd. Every studio in Hollywood was represented by members present. An employment exchange for members was organized by David Ragin, president. With this exchange in operation, the unemployment of club members will be taken care of in an efficient manner. Ira Hoke, the secretary, gave a short talk on the operation of the combination Akeley — Bell and Howell camera designed by John Boyle, A. S. C, and with which Ira Hoke is freelancing for Boyle. * * * Billy Reinhold and Ted Reese are back from location at Jungo, Nevada, where they have been working on "The Winning of Barbara Worth." Billy is assisting George Barnes, A. S. C, and they have turned out some very notable work during the ten weeks on the Nevada location. * * * Roland Piatt, Curtis Fetters and Griffith Thoumas have returned from a prolonged stay in Colorado and Wyoming, where they were on location with the Tom Mix company. The trio are on Dan Clark's camera staff. * * * Burnett Guffy is somewhere at sea on "The Yankee Clipper," where he is assisting John Mescal. Stanley Horsley has just returned from an extended trip around the United States. On his return, he started work with Goldstone Productions. E. Burton Steene Freelance Akeley Camera Specialist GRanite 1622 Care of American Society of Cinematograph era 1219-20-21-22 Guaranty Bldg. Holly wooi I, Calif. GRanite 4274 FOR RENT! MITCHELL and BELL & HOWELL CAMERAS F 2. 3. F. 2. 7. F. 3. 5. Lenses 40-50-75 M. M. COMPLETE EQUIPMENT J. R. LOCKWOOD 523 North Orange St. Phone Glendale 3361-W Glendale, California CRECO Follow PROJECTION and Amateur Cinematography in the American Cinematographer HARRY D. BROWN Cinema Studios Supply Corp. 1438 Beachwood Drive HOIIy 0513 HOIIy 0514 Carbons, and Other Studio Equipment Brown-Asheraft Studio Lamps Hfc