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November, 1926
AMERICAN CINEMATOGRAPHER
Fifteen
ibility in photographing
shots"— Read this letter!
For making personal movies which are fully up to professional standards, use the Bell & Howell
flexibility in photographing shots, without the actors beifinite places.
c quality matches the scenes 000.00 professional camera of and a few of the unusual unable camera permits are seen All this, beside its simplicity refined workmanship surely ents of the most exacting. I id it. my EYEMO on my current x films, "Going Crooked." I under-sea scenes and some Bessie Love swimming — the
camera held just above the surface preceding her as she swam. These were only possible with this type of camera.
The industry is indebted to the Bell and Howell Company for creating a tool that so broadens the scope of picture telling. Still greater is the fact that everyone can now make good motion pictures with this instrument, and in addition to the scenes of a personal nature that will be made by the amateur, a great many will be made of historical record and that have general interest to the public, and can be profitably marketed.
Wishing you every possible success,
CHAS. J. CLARKE.
Photographing "Red" Grange
in ONE MINUTE TO PLAY''
m
Motion Picture Camera and Projector
THE PIONEER
The Bell & Howell Company are pioneers in the motion picture industry, having by superior design and construction brought about the present standardization of producing equipment.
The illustration below shows one of the late Bell & Howell professional studio cameras used almost exclusively by the foremost producers the world over. Eyemo standard portable camera is rapidly gaining the same reputation for superiority in its field.
Displays at our Hollywood, Chicago, New and London Offices
ELL COMPANY
I AVE., CHICAGO, ILL. (LYWOOD— LONDON rshed 1907
*3: HI