American cinematographer (Jan-Dec 1924)

Record Details:

Title:
American cinematographer
Date:
Jan-Dec 1924
Publisher:
Los Angeles : American Society of Cinematographers, Inc.
Volume:
American cinematographer (Jan-Dec 1924)
Leaf #:
000184
Language:
English
Subjects:
Motion Pictures, Film Industry Technical Magazine",nyarc-museumofmodernar
Collection:
Technical Journals and Hollywood Studio System
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
November 02, 2023
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Twelve AMERICAN CINEMATOGRAPHER July, 1924 Twelve Aces in Cinematographic Profession Victor Milner, who gathers fresh laurels unto himself by virtue of his work in Fred Niblo's production" Thy Name Is Woman" and "The Red Lily." Vic is a hard worker. Charles Stumar, with whom giving production photographic superiority has become a habit. Stumar's Universal pictures of the past several seasons attest to this. George Benoit, who has such productions as Richard Walton Tully's "Omar the Tentmaker" and "The Masquerader" to attest to his never failing genius as a cinematographer. Sol Polito, who is being praised for his work in John Stahl's "Why Men Leave Home." Sol is shooting Hunt Stromberg's "The Siren of Seville, "starring Priscilla Dean. Joseph A. Dubray, who has innumerable artistic triumphs to his credit, not the least of which is "Kismet," starring Otis Skinner. Dubray is a deep student of the cinematographic art. Reginald Lyons, who turned to his first love — Vitagraph — to film J. Stuart Blackton's production of Robert W. Chambers' "Between Friends" which is soon due for general release.