American cinematographer (Jan-Dec 1924)

Record Details:

Title:
American cinematographer
Date:
Jan-Dec 1924
Publisher:
Los Angeles : American Society of Cinematographers, Inc.
Volume:
American cinematographer (Jan-Dec 1924)
Leaf #:
000185
Language:
English
Subjects:
Motion Pictures, Film Industry Technical Magazine",nyarc-museumofmodernar
Collection:
Technical Journals and Hollywood Studio System
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
November 02, 2023
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July, 1924 AMERICAN CINEMATOGRAPHER Thirteen Wizards in the Art of the Camera and Lens Louis Tolhurst, who is patiently enriching the cinema and science with his remarkable delvings into the realm of the infinitesimal with his microscopic-cinematographic researches. John Boyle, who has turned out gems of excellence like Hergisheimer's "Wild Oranges," directed by King Vidor. Boyle is a big-leaguer in the motion picture profession. Park Ries, who has made the legend "photographed by Park Ries" a stand-by during his long and efficient association in the filming of motion pictures from the earliest days. Bert Glennon, who has repeated with success after success, including George Melford's "Ebb Tide," "Java Head," etc., and more lately, Cecil B. De Mille's "The Ten Commandments." Robert Kurrle, who, a master in his profession, recently finished "A Son of the Sahara" and is now busy with Carewe's "Madonna of the Streets," starring Nazimova and Milton Sills. Charles van Enger, who photographed "The Christian," Monta Bell's "Broadway After Dark," Lubitsch's "The Marriage Circle" and who has just finished that director's "Three Women."