American cinematographer (Jan-Dec 1941)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Frame enlargements from Armstrong's film. Above, from top down, Scene 2; Scene 3; Scene 4; Scene II; Scene 10. At right, from top, Scene 13; Scene 14; Scene 20; Scene 21; Scene 24. A HOME -MOVIE MYSTERY FOR FATHER AND DAUGHTER By MILTON R. ARMSTRONC Co-Founder, L. A. 8mm. Club EDITOR'S NOTE: This productiontested scenario is adapted from one with which author Milton R. Armstrong took a prize in a recent contest held by the Los Angeles 8mm. Club. He filmed it in Kodachrome, making a 50foot 8mm. picture which gave him an opportunity for a number of interesting effect-lightings in color. The moonlighteffects called for can be obtained by placing a blue gelatin over the regular Photoflood light used in lighting the interiors. The color-lighting change required in Scene 11 can be obtained very easily by starting the scene with the blue gelatin over the lamp, and then removing it. If you have a spotlight you can get some very interesting effectlightings, too, by lighting the room itself with the blue-filtered light, and using the spotlight on the little girl, to simulate the warmer light from her candle. MAIN TITLE: THE GREAT SEARCH FOR YEHUDI Scene 1. FADE IN. Medium-shot of Mama, reading. Her daughter Carol, a three or four-year-old, enters right, leans over arms of chair, and speaks. TITLE: "WHERE'S DADDY?" Scene 2. Close two-shot of Mama and Carol. Mama speaks TITLE: "LISTENING TO BOB HOPE ON THE RADIO." Scene 2-a. Same as Scene 2. Carol nods and exits, right. Scene 3. Medium long-shot in Daddy's den. Daddy is sitting on the floor by his radio. From time to time he laughs, enjoying the program. Enter Carol from left. She seats herself in her chair by the radio, and listens too. Scene 4. Close-up of Carol. She speaks inquiringly. TITLE: "WHO'S YEHUDI?" Scene 4-a. Same as Scene 4. Carol finishes speaking. Scene 5. Close-up of Daddy, with back of Carol's head in left foreground. He slowly registers awareness of the question, turns his head to Carol, and speaks. TITLE: "YEHUDI DOUSES THE LIGHT IN THE ICE-BOX." Scene 5-a. Close-up of Daddy as he finishes speaking. (Continued on Page 447) American Cinematographer September, 1941 431