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GOOD MOIS
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O EXTRAVAGANT claims are made for Cine-Kodak Film. They never have been. Yet most movie makers use Cine-Kodak Film. They always have.
Why?
Because they never have to worry about Cine-Kodak Film. They never wonder what it will do — they know what it will do. They never send off a film for processing, and say, "I know I had these scenes in focus — and I know my exposure was on the button. Now if the film will only do its part I'll get my pictures." They know^ just what each Cine-Kodak Film will do — and do superbly well.
KODACHROME — for 8-mm. and 16-mm. cameras. Non-movie makers marvel at its realism and beauty. "How do you ever learn to make color movies like those?" they ask. Yet movie makers know that Kodachrome movies are as easy as black-and-white. Expose full-color Kodachrome carefully in any standard movie camera — and the film does the rest.
CINE-KODAK SUPER-X "PAN "—Another remarkable film for 8-mm. and 16-mm. cameras. Fast. Fine-grained. Uniform, as all Cine-Kodak Films are uniform. Small wonder most outdoor and indoor black-and-white movies are made on Super-X 'Tan."
CINE-KODAK SUPER-XX "PAN"— for 16-mm. cameras. This special-duty film is so fast that it overexposes sunlit scenes, even at / 16. But in weak daylight and under minimum artificial light it reaches out and gets the movies you'd otherwise miss. Yet there's nothing unpredictable about its speed. Expose it by guide or meter, and once more — there are your movies, just as good as you knew they would be.
CINE-KODAK EIGHT "PAN"— the film that first made 8-mm. movies possible, then popular. Here's another film you can count on. It is the same good film it was when introduced. Though it is not as fast as "Super-X," thousands of rolls of sparkling 8-mm. movies bear potent testimony to the value of Cine-Kodak Eight "Pan."
Lastly— CINE-KODAK SAFETY "PAN" for 100foot 16-mm. cameras. Many cinamateurs prefer this low-cost black-and-white film quite apart from price consideration.
Right there is perhaps the best testimonial to Cine-Kodak Films — any and all of them. The devotees of each of the five popular emulsions feel that their own favorite Cine-Kodak Film is the best film they can buy.
EASTMAN KODAK COMPANY
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ROCHESTER, N. Y.
American Cinematographer •
June, 1942 287
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"VICE'S
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