American cinematographer (Jan-Dec 1935)

February 1935 • American Cinematographer 55 PHOTOGRAPHY "THE BAND PLAYS ON" (M-G-M) Leonard Smith, A.S.C.: Directing Cinematographer Daily Variety (December 17, 1934) : " — and fine photography— ." Hollywood Reporter (December 17, 1934): "Leonard Smith's photography is uniformly excellent." Film Daily (December 22, 1934) : Photography "Good." "CHARLIE CHAN IN PARIS" (Fox) Ernest Palmer, A.S.C.: Directing Cinematographer Hollywood Reporter (December 22, 1934) : " — and photography and mounting are first class." "LIVES OF A BENGAL LANCER" (Paramount) Charles Lang, A.S.C.: Directing Cinematographer Hollywood Reporter (December 26, 1934): " — and the most beautiful photography ever seen in such settings." Daily Variety (December 24, 1934): "Photography by Charles Lang is a thing of magnificence, especially the scenes in the rocky terrain of the fighting and marching." Motion Picture Daily (December 26, 1934) : "The photography by Charles Lang is exceptionally fine." "THE GILDED LILY" (Paramount) Victor Milner, A.S.C.: Directing Cinematographer Daily Variety (December 24, 1934): "Photography and production are both excellent." "THE BEST MAN WINS" John Stumar, A.S.C. : Directing Cinematographer Daily Variety (December 27, 1934): "Best thing in the picture is the underwater photography." Hollywood Reporter (December 27, 1934): "The diving stuff is all excellently done, both photographically and for suspense." " — and the photography, which is swell, is all to Stumor's credit." Film Daily (January 2, 1935) : "Photography Good." "ONLY EIGHT HOURS" (M-G-M) Lester White, A.S.C: Directing Cinematograher Hollywood Reporter (December 31, 1934): "The photography was exquisite — ." Motion Picture Daily (January 4, 1935): "Lester White photographed well." "THE NIGHT IS YOUNG" (M-G-M) James Wong Howe, A.S.C: Directing Cinematographer Motion Picture Daily (December 22, 1934) : "James Wong Howe, one of Hollywood's ace cameramen, photographed well." "WHITE LIES" (Columbia) Benjamin Kline, A.S.C: Directing Cinematographer Motion Picture Daily (December 22, 1934): "Benjamin Kline's photography is good." Film Daily (December 27, 1934): Photography "Good." of the MONTH "DAVID COPPERFIELD" (M-G-M) Oliver T. Marsh, A.S.C: Directing Cinematographer Hollywood Reporter (January 7, 1935): "Marsh's camera work was in Marsh's most brilliant manner." Daily Variety (January 7, 1935): "Photography of Oliver T. Marsh is exceptionally fine." Motion Picture Daily (January 6, 1935): "Good, too, is Oliver Marsh's photography." Film Daily (January 8, 1935) : Photography "A-l." "NOTORIOUS GENTLEMAN" (Universial) David Abel, A.S.C: Directing Cinematographer Daily Variety (January 9, 1935) : "Some excellent photography has been turned in by David Abel, particularly the night scenes around the old Southern mansion." Hollywood Reporter (January 9, 1935): "Photography by David Abel is above standard." "THE WINNING TICKET" (M-G-M) Charles Clarke, A.S.C: Directing Cinematographer Daily Variety (January 9, 1935) : "Photography by Charles Clarke is excellent." Hollywood Reporter (January 9, 1935) : "The photography of Charles Clarke was excellent." "WINGS IN THE DARK" (Paramount) William C Mellor, A.S.C: Directing Cinematographer Dewey Wrigley, Aerial Cinematographer Hollywood Reporter (January 10, 1935) : " — and the phototgraphy, both aerial and studio, is first rate." Daily Variety (January, 1935): "Fulfilling the high excellence of the picture is the striking aerial photography by Dewey Wrigley and the camera work of William Mellor — ." "ROCKY MOUNTAIN MYSTERY" (Paramount) Archie Stout, A.S.C: Directing Cinematographer Daily Variety (January 11, 1935): "Photography of Archie Stout, as is usual on his outdoor assignments, is excellent." "BORDERTOWN" (Warner Bros.) Tony Gaudio, A.S.C: Directing Cinematographer Daily Variety (January 14, 1935) : "Photography and production are on the general high plane of the picture." Hollywood Reporter (January 14, 1935): " — and Ton/ Gaudio's photography and the mounting are first rate." "CLIVE OF INDIA" (20th Century) Peverell Marley, A.S.C: Directing Cinematographer Hollywood Reporter (January 16, 1935) : "Photography by Peverell Marley is beautiful." "THE WHOLE TOWN'S TALKING" (Columbia) Joseph August, A.S.C: Directing Cinematographer Hollywood Reporter (January 17, 1935) : " — and the photography by Joseph August excellent, with the double exposure shots very well done." Daily Variety (January 17, 1935) : "Camera work of Joseph August deserves a palm, particularly the trick split film stuff necessary for *he dual photography."