American cinematographer (Jan-Dec 1946)

Current Assignments of A S. C. Members As this issue went to press, members of American Society of Cinematogra¬ phers were engaged in the Hollywood studios as Directors of Photography on feature productions as follows: Columbia Studios Burnett Gutfey, “Gallant Journey,” with Glenn Ford, Janet Blair, Henry Travers, Charles Ruggles. Rudy Mate, “Down to Earth,” (Tech¬ nicolor), with Rita Hayworth, Larry Parks, Edward Everett Horton, James Gleason. Phil Tannura, “Cowboy Blues,” with Ken Curtis, Jeff Donnell, Robert Scott. George Meehan, Jr., “Sing While You Dance,” with Ellen Drew, Robert Stan¬ ton, Amanda Lane. Charles Lawton, “Rio,” with Evelyn Keyes, Ann Miller, Tito Guizar, Allyn Joslyn, Veloz and Yolanda. Henry Freulich, “His Face Was Their Fortune,” with Anita Louise, Michael Duane, Ted Donaldson. Hal Roach Studios John W. Boyle, “Curley,” (Cinecolor), with Frances Rafferty, Larry Olsen, Eilene Janssen. International Pictures Lucien Ballard, “Bella Donna,” with Merle Oberon, George Brent, Charles Korvin, Paul Lukas, Lenore Ulric. Metro-Gold wyn-Mayer Harry Stradling, “Till the Clouds Roll By,” (Technicolor), with Robert Walker, Judy Garland, Frank Sinatra, Kathryn Grayson, Van Johnson. Karl Freund, “Undercurrent,” with Katharine Hepburn, Robert Taylor, Rob¬ ert Mitchum. Robert Surtees, “Tenth Avenue An¬ gel,” with Margaret O’Brien, George Murphy. Hal Rosson, “My Brother Who Talked to Horses,” with Peter Lawford, Bev¬ erly Tyler, Butch Jenkins. Joseph Ruttenberg, “A Woman of My Own,” with Greer Garson, Richard Hart, Bob Mitchum, Florence Bates. Robert Planck, “Uncle Andy Hardy,” with Mickey Rooney, Bonita Granville. Charles Schoenbaum, “The Mighty McGurk,” with Wallace Beery, Aline McMahon. Monogram William Sickner, “Jade Lady,” with Kane Richmond, Barbara Reed. Paramount Daniel Fapp, “Suddenly It’s Spring,” with Fred MacMurray, Paulette God¬ dard, Macdonald Carey, Arleen Whelan. Ray Rennahan, “Perils of Pauline,” (Technicolor), with Betty Hutton, John Lund, William Demarest, Billy De Wolfe, Constance Collier. William Mellor, “Welcome Stranger,” with Bing Crosby, Barry Fitzgerald, Joan Caulfield. Charles Lang, “Where There’s Life,” with Bob Hope, Signe Hasso, William Bendix. Jack Greenhalgh, “Fear In the Night,” (Pine-Thomas Prod.) with Paul Kelly, DeForrest Kelley, Robert Emmett Keane, Ann Doran. PRC Studios Vince Farrar, “Missouri Hayride,” with Martha O’Driscoll, William Wright. RKO Studios George Barnes, “Sinbad the Sailor,” (Technicolor), with Douglas Fairbanks, Jr., Maureen O’Hara, Walter Slezak, Jane Greer. Nick Muscuraca, “What Nancy Want¬ ed,” with Laraine Day, Brian Aherne, Robert Mitchum, Gene Raymond, Fay Helm. Edward Cronjager, “Honeymoon,” with Shirley Temple, Franchot Tone. Harry Wild, “The Falcon’s Adven . . . for your specialized requirement Baltar is the Bausch & Lomb answer to the demand for a lens series of superlative performance — both for color and black-andwhite — to the exacting and spe¬ cialized needs of the most advanced 35mm motion picture photog¬ raphy. Balcote anti reflection coated. Bausch&Lomb Optical Co., 595 Smith St., Rochester 2, N. Y. Baltars are available through manufac¬ turers of professional camera equipment. BAUSCH 6 LOMB 8 Enro9ed 16 Reduced TO Geo. W. Colburn Laboratory Special Motion Picture Printing 164 NORTHWACKER DRIVE CHICAGO 6, ILL. 180 May, 1946 • American Cinematographer