American cinematographer (Jan-Dec 1948)

Allied Artists • Jack Mackenzie, "When a Man’s a Man” (Windsor Prod.), with Guy Madi¬ son, Rory Calhoun and Cathy Downs. John Rawlins, director. Columbia • Burnett Guffey, "Knock on Any Door” (Santana Prod.), with Humphrey Bogart and Susan Perry. Nicholas Ray, director. • Joseph Walker, "Mr. Soft Touch,” with Glenn Ford and Evelyn Keyes. Gordon Douglas, director. • Vincent Farrar, "The Crime Doc¬ tor’s Diary,” with Warner Baxter, Lois Maxwell and Adele Jergens. Seymour Friedman, director. • Russel Metty, "Rough Sketch” (Horizon-Col.), with Jennifer Jones and John Garfield. John Huston, director. • Allan Siegler, "Air Hostess,” with Gloria Henry, William Wright and Leatrice Joy. Lew Landers, director. • Vincent Farrar, "Blondie’s Big Deal,” with Penny Singleton, Arthur Lake and Larry Simms. Edward Bernds, director. • Ira Morgan, "Jungle Jim’s Adven¬ ture,” with Johnny Weismuller and Elena Verdugo. William Berke, director. • Henry Freulich, "Make Believe Ballroom,” with Jerome Courtland, Jimmy Dorsey, Frankie Lane. Joseph Stanley, director. • Rex Wimpy, "Desert Vigilante,” with Charles Starrett, Smiley Burnett and Peggy Stewart. Fred Sears, director. Independent • Lee Garmes, "Caught” (Enterprise), with Barbara Bel Geddes, Robert Ryan and James Mason. Max Oplus, director. • William Mellor, "Love Happy” (Lester Cowan-U.A.), with the Marx Brothers and Ilona Massey. David Miller, director. • Fred Jackman, Jr., "Canadian Pacific” (Nat Holt-20th) (Cinecolor), with Ran¬ dolph Scott and Jane Wyatt. Edwin L. Marin, director. • Lucian Andriot, "Outpost in Moroc¬ co” (Moroccan Pictures-U.A. ) , with George Raft and Marie Windsor. Robert Florey, director. • Benjamin H. Kline, "Last of the Wild Horses” ( Lippert-Screen Guild), with James Ellison, Jane Frazee and Mary Beth Hughes. Robert L. Lippert, director. • John Alton, "Reign of Terror" (Walter Wanger-E.L. ) , with Robert Cummings and Arlene Dahl. Anthony Mann, director. • Henry Sharp, "Daughter of Ramona” (Martin Mooney-Film Classics) (Cinecolor), with Martha Vickers, Philip Reed and Donald Woods. Harold Daniels, di¬ rector. • Philip Tannura, "An Old Fashioned Girl” ( Vinton-Equity), with Gloria Jean and Frances Rafferty. Arthur Dreifuss, director. •Jack Greenhalgh, "File 649, State Department” (Neufeld-Film Classics). Peter Stewart, director. •James S. Brown, Jr., "Zamba” (For¬ tune Films) , with Jon Hall, George Coop¬ er and June Vincent. Nate Watt, director. M-C-M • Robert Planck, "Little Women” (Technicolor), with June Allyson, Mar¬ garet O'Brien, Elizabeth Taylor, Janet Leigh and Peter Lawford. Mervyn LeRoy, director. • Harry Stradling, "Barkleys of Broad¬ way” (Technicolor), with Fred Astaire and Ginger Rogers. Charles Walters, di¬ rector. • George J. Folsey, Jr., "Take Me Out to the Ball Game” (Technicolor), with Frank Sinatra, Gene Kelly and Esther Williams. • Robert Surtees, "Big Jack Horner,” with Wallace Beery, Marjorie Main and Edward Arnold. Richard Thorpe, director. Monogram • Mack Stengler, "Joe Palooka in the Big Fight,” with Joe Kirkwood, Jr., and Lina Romay. Cy Endfield, director. • Harry C. Neumann, "Gunning for Justice,” with Johnny Mack Brown and Evelyn Finley. Ray Taylor, director. • Harry C. Neumann, "Headin’ for Trouble,” with Jimmy Wakely and Can¬ nonball Taylor. Ford Beebe, director. f • L. W. O’ Connell, "Jiggs and Maggie in Society,” with Joe Yule and Renie Riano. William Beaudine, director. Paramount • Leo Tover, "The Heiress,” with Olivia DeHaviland and Sir Ralph Richardson. William Wyler, director. • Ray Rennahan, "Streets of Laredo” (Technicolor), with William Holden, William Bendix and Mona Freeman. Les¬ lie Fenton, director. • John F. Seitz, "One Woman,” with Alan Ladd, Donna Reed and June Havoc. Lewis Allen, director. Daniel Fapp, "A Mask for Lucretia,” with Paulette Goddard, John Lund and Macdonald Carey. Mitchel Leisen, director. R-K-0 Robert deGrasse, "Follow Me Quiet¬ ly,” with William Lundigan, Dorothy Pat¬ rick and Jeff Corey. Richard Fleischer, di¬ rector. • Robert deGrasse, "The Clay Pigeon,” with Bill Williams. Richard Fleischer, di¬ rector. 20th Century-Fox • Charles G. Clarke, "Sand” (Tech¬ nicolor ) , with Mark Stevens, Coleen Gray and Rory Calhoun. Lou King, director. • Arthur Arling, "Mother Is a Fresh¬ man” (Technicolor), with Loretta Young and Van Johnson. Lloyd Bacon, director. • Joe MacDonald, "Down to the Sea in Ships,” with Richard Widmark, Cecil Kellaway and Dean Stockwell. Henry Hathaway, director. • Leon Shamroy, "Prince of Foxes” (Shooting in Italy), with Tyrone Power, Orson Welles and Wanda Hendrix. Henry King, director. United Artists • William Mellor, "Too Late for Tears” (Stromberg Prod.), with Lizabeth Scott, Dan Duryea and Don Defore. By¬ ron Haskin, director. • Ernest Laszlo, "Impact” (PopkinU.A. ), with Brian Donlevy, Ella Raines and Charles Coburn. Arthur Lubin, direc¬ tor. Warner Brothers • Robert Burks, "The Fountainhead,” with Gary Cooper and Patricia Neal. King Vidor, director. • Carl Guthrie, "Somewhere in the City,” with Viveca Lindfors and Edmond O’Brien. Vincent Sherman, director. • Ernest Haller, "Happy Times” (Technicolor), with Danny Kaye and Barbara Bates. Henry Koster, director. • Wilfrid Cline, "Two Guys and a Gal” (Technicolor), with Dennis Mor¬ gan, Jack Carson and Doris Day. David Butler, director. • Karl Freund, "Montana” (Techni¬ color), with Errol Flynn and Alexis Smith. Ray Enright, director. • Ernest Haller, "Flamingo Road” (Michael Curtiz-WB), with Joan Craw¬ ford, Gladys George and Gertrude Mi¬ chael. Michael Curtiz, director. • Jack Cardiff, "Under Capricorn” ( TransatlanticWB ) (Technicolor) ( Shooting in London ) , with Ingrid Berg¬ man, Joseph Cotten and Michael Wilding. Alfred Hitchcock, director. • SlD Hickox, "Colorado Territory,” with Joel McCrea, Virginia Mayo. 334 October, 1948 American Cinematographer