We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
CURRENT ASSIGNMENTS OF A.S.C. MEMBERS
(Continued from Page 40)
with William Holden, Joan Caulfield and Billy de Wolfe. Richard Haydn, director. ‘'Daniel Fapp, "Red Hot and Blue,” with Betty Hutton and Victor Mature. John Farrow, director.
R-K-0
• Harry Wild, "The Big Steal,” with Robert Mitchum and William Bendix. Don Seigel, director.
20th Century-Fox
•Leon Shamroy. "Prince Of Foxes,”
( Shooting in Italy ) with Tyrone Power, Orson Welles and Wanda Hendrix.
• Russell Harlan, "I Was a Male War Bride,’ (Shooting in Germany) with Cary Grant and Ann Sheridan. Howard Hawks, director.
® Arthur Arling, "You’re My Every¬ thing," (Technicolor) with Anne Baxter, Dan Daley and Anne Revere. Walter Lang, director.
• Charles Clarke, Slattery’s Hurri¬ cane, with Linda Darnell, Veronica Lake and Richard Widmark. Andre DeToth. director.
•Joseph LaShelle, "Come to the Stable,” with Loretta Young, Celeste Flolm and Elsa Lanchester. Henry Koster, director.
® Joseph MacDonald, It Happens Every Spring,” with Ray Milland and
Jean Peters. Lloyd Bacon, director. •Milton Krasner, "East Side Story,” with Richard Conte, Susan Hayward and Edward G. Robinson. Joseph Mankiewicz, director.
•Ernest Palmer. "Oh, You Beautiful Doll,” with Mark Stevens, June Haver, and Gale Robbins. John Stahl, director.
United Artists
•Lionel Linden, "Twilight,” (Strand Prodn.) with Laraine Day, Dane Clark, Franchot Tone, Agnes Moorehead and Bruce Bennett. Irving Pichel, director.
UniversalInternational
•Russell Metty, "The Lady Gambles,” with Barbara Stanwyck and Robert Pres¬ ton. Michael Gordon, director.
•William Daniels, "Illegal Entry,” with Howard Duff, Marta Toren and George Brent. Frederick deCordova, di¬ rector.
•Frank Planer, "Take One False Step,” with William Powell, Shelly Win¬ ters and Marsha Hunt. Chester Erskine, director.
Warner Bros.
•Robert Burks and Wilfrid Cline, Task Force,” with Gary Cooper, Wayne Morris and Julie Brennan. Delmar Daves, director.
WHAT’S NEW in equipment
accessories and service
UHLER PRINTER
Uhler Cine Machine Company, 16519 Wash¬ burn, Detroit 21, Mich., have resumed pro¬ duction of their continuous film printer that will print either single or double system 16mm. picture and sound track simultaneously, also single or double width 8mm. films. Printing
speed is 2000 feet per hour. Flanges hold up to 1200 feet of negative and positive film. Light control is semi-automatic.
MITCHELL BLIMP
Mitchell Camera Company Glendale, Calif., announces a new compact and scientifically sound-insulated blimp for the Mitchell 16mm. Professional camera. Constructed entirely of cast aluminum, it features the same kind of precision workmanship that goes into Mitchell cameras. Blimps afford shooting extreme closeups without danger of recording camera noise, and permits smooth operation for follow-focus photography.
THREE PROFESSIONAL HIGH FIDELITY MACHINES PRICED TO DEFY ALL COMPETITION
Cine-Pro SIXTEEN MM
FILM RECORDER
FILM PHONOGRAPH
TAPE RECORDER Cina-Pro CORPORATION
1D6 West End Avenue NEW YORK 23. N. Y. TRAFALGAR 3-1411
RUBY CAMERA EXCHANGE
Rents . . Sells . . Exchanges
F very thing You Need for the
PRODUCTION & PROJECTION
of Motion Pictures Provided by a Veteran Organization of Specialists
35 mm . 16 mm.
Television
IN BUSINESS SINCE 1910
729 Seventh Ave., New York City Cable Address: RUBYCAM
"millions fox
defense
. . . but you don't need millions to defend films against dirt, oil, scratches and other hazards. Insist on the reliable
TRUSS
Ull'*
PEERLESS FILM TREATMENT
m f—c* f* FILM PROCESSING ttKLtSS CORPORATION
165 WEST 46th STREET, NEW YORK 19, N. Y.
EERLESS
February, 1949
American Cinematographer
• 69