We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
Street,” with James Mason, Marta Toren and Dan Duryea. Hugo Fregonese, director. Warner Brothers • Ted McCord, “The Victim,” with Joan Crawford, David Brian and Steve Cochrane. Vincent Sherman, director. ° Ernest Haller, “The Hawk And The Arrow,” with Burt Lancaster, Virginia Mayo and Frank Allenby. Tourneur, director. • Robert Burks, “The Glass Menagerie,” with Gertrude Lawrence, Jane Wyman, Kirk Douglas, Arthur Kennedy. Irving Rapper, director. • Carl Guthrie, “Storm Center,” with Gin¬ ger Rogers, Ronald Reagan and Doris Day. Stuart Heisler, director. • Wilfrid Kline, “Colt .45,” (Technicolor) with Randolph Scott and Zachary Scott. Ed¬ ward Marin, director. • Karl Freund, “Bright Leaf,” with Gary Cooper, Jack Carson, Lauren Bacall, Patricia Neal, Donald Crisp, Elizabeth Patterson and Jeff Corey. Michael Curtiz, director. • Peverell Marley, “Pretty Baby,” with Dennis Morgan, Zachary Scott, Betsy Drake and Edmund Gwenn. Bretaigne Windust, di¬ rector. Winterizing Cine Cameras Eastman Kodak Company brings much valuable information for the cine cam- eraist in a new booklet of? the press this month titled “Wintertime Picture Mak¬ ing,” available at your camera store for 25 cents. “If you are going to be taking pictures at sub-zero temperatures for a number of months, and know that you will not be using your camera indoors during this period, you should consider having your camera winterized,” the booklet points out. “When you winterize your car, you remove the summer oils and greases and put in some which will flow readily at low temperatures. “In winterizing your camera, about the same is done except that, for very low temperatures, no lubricant is put in at all. Winterizing a camera requires complete dismantling and overhauling and is, therefore, a rather expensive service. However, some camera manufac¬ turers will do this job for you if you find it is really necessary. You should bear in mind, however, that you cannot take pic¬ tures indoors or in warm weather with a winterized camera without damaging it and that you must, therefore, have the camera overhauled again and de-winter- ized before you use it to take pictures at normal temperatures.” The booklet cautions camera owners that under no circumstances should they try to oil their camera if it sticks in cold weather. Even one drop of oil or solvent working its way through the mechanism of the camera may cause the camera to stop altogether. The booklet further explains how you can find out if your camera will operate satisfactorily in sub-zero weather by pre¬ testing it in a frozen-food locker. no VOLT AC/DC VARIABLE SPEED MOTOR with TACHOMETER for C. K. Cine Special Tachometer is mounted in clear view of operator. Cali¬ brated from 16 frames per second to 64 fps. with definite RED marking for 24 fps. Now you can motor drive your Cine Spe¬ cial camera with con¬ fidence. Electrical governor control for adjusting speeds. Steady operation at ALL speeds. “OFF-ON” switch built into motor base. No adaptors required, except motor-coupling which attaches to camera and couples to motor. Motor shaft equipped with spring steel drive arm which will shear if camera jam occurs. This drive arm is easily replaced. Furnished complete with rubber covered cable and plugs. Write for complete details. January, 1950 • American Cinematographer • 3 i