American cinematographer. (1920)

Major film product-ions on which members of the American Society of Cinematographers were engaged as directors of pho¬ tography during the past month. Columbia • Floyd Crosby, “The Brave Bulls,” with Mel Ferrer, Eugene Iglesias, Anthony Quinn, Jose Torvay and Charlita. Robert Rossen, director. • Burnett Guffey, “The Bedside Manner,” with Larry Parks and Barbara Hale. Eddie Buzzel, director. • Joseph Walker, “Hariett Craig,” with Joan Crawford, Wendell Corey, K. T. Stev¬ ens, and William Bishop. Vincent Sherman, director. • W. Howard Greene, “A1 Jennings Of Oklahoma,” with Dan Duryea, Gale Storm, William Bishop, Dick Foran. Ray Nazzaro, director. • Ira Morgan, “Chain Gang,” with Douglas Kennedy, Marjorie Lawrence, Emory Par¬ nell. Lew Landers, director. Eagle-Lion • Lionel Linden, “Prehistoric Women,” (Alliance Prod.) with Laurette Luiz, Alan Nixon, Tony Devlin, Mara Lynn. Gregg Tallas, director. Independent • Jackson Rose, “Delayed Action,” (Crystal Prod.) with John Howard. Edward L. Cahn, director. • Jack Cardiff, “Pandora And The Flying Dutchman,” (Lewin-Kaufman Prod., shoot¬ ing in Europe) with James Mason, Ava Gardner. Albert Lewin, director. • Robert DeGrasse, “The First Legion,” (Leo Prod.) with Charles Boyer, William Demarest, Walter Hampden, Barbara Rush. Douglas Sirk, director. • Marcel LePicard, “Again Pioneers,” (Protestant Film Comm.) with Colleen Townsend, Regis Toomey, Russell Hicks, Sarah Padden. William Beaudine, director. • Paul Ivano, “The Second Face,” (EJL- Film Classics) with Dick Haymes, Roland Young, Allen Jenkins, and Beatrice Pearson. Edgar Ulmer, director. • Phil Tannura, “Hijacked,” (Lippert Prod.) with Jim Davis, Marcia Mae Jones, Paul Cavanaugh, David Bruce. Sam New- field, director. • Karl Struss, “The Return Of Jesse James,” (Lippert Prod.) with John Ireland, Ann Dvorak and Henry Hull. Arthur Hilton, director. M-C-M • Alfred Gilks, “The Tender Hours,” with Jane Powell, Ricardo Montalban, Louis Cal- hern, Ann Harding and Phyllis Kirk. Roy Rowland, director. • Harold Rossen, “To Please A Lady,” with Clark Gable and Barbara Stanwyck. Clarence Brown, director. • Charles Rosher, “Pagan Love Song,” (Technicolor — shooting in Hawaii) with Esther Williams and Howard Keel. Robert Alton, director. • Joseph Ruttenberg, “Cause For Alarm,” with Loretta Young, Barry Sullivan, Bradley Nora, Margelo Gilmore. Tay Garnett, di¬ rector. • Paul Vogel, “Watch the Birdie,” with Red Skelton, Arlene Dahl, Ann Miller, Pam- ella Britton and Leon Ames. Jack Donohue, director. • John Alton, “Grounds For Marriage,” with Van Johnson, Kathryn Grayson, George Murphy, and Paul Raymond. Robert Z. Leon¬ ard, director. Monogram • Marcel LePicard, “Triple Trouble,” with Leo Garcey, Huntz Hall and Lyn Thomas. Jean Yarbrough, director. • Harry Neumann, “Badmen Of Arizona,” with Whip Wilson, Andy Clyde, and Nancy Saunders. Wallace Fox, director. • William Sickner, “Bomba And The Hid¬ den City,” with John Sheffield, Sue England and Damien O’Flynn. Ford Beebe, director. Paramount • Charles Lang, “Branded,” with Alan Ladd, Mona Freeman, and Charles Bickford. Rudy Mate, director. • Victor Milner, “Dark City,” (Hal Wallis Prodn.) with Wendell Corey, Elizabeth Scott, Viveca Lindfors, and Don DeFore. William Dieterle, director. • Daniel Fapp, “Beyond The Sunset,” with Glenn Ford, Edmond O’Brien and Rhonda Fleming. Leslie Fenton, director. • George Barnes, “Mr. And Miss Anony¬ mous,” with Joan Fontaine, Ray Milland, and Teresa Wright. George Stevens, direc¬ tor. • Charles Lang, “A Relative Stranger,” with Gene Tierney, John Lund, and Miriam Hopkins. Mitchel Leisen, director. R.K.O. • Harry Wild, “His Kind Of Woman,” with Robert Mitchum, Jane Russell, and Vincent Price. John Farrow, director. ® Nicholas Musuraca, “Seven Witnesses,” with Gig Young, Mary Anderson, John Kel¬ logg. George Archinbaud, director. • J. Roy Hunt, “Rio Grande Patrol,” with Tim Holt, Richard Martin, Jane Nigh. Les¬ ley Selander, director. 20th Century-Fox • Charles G. Clarke, “I’ll Get By,” (Tech¬ nicolor) with June Haver, William Lundi- gan, Harry James, Gloria de Haven and Dennis Day. Richard Sale, director. • Harry Jackson, “American Guerillas In The Philippines,” (Technicolor — shooting in the Philippines) with Tyrone Power, Micheline Prelie, Tom Ewell, Jack Elam and Tommy Cook. Fritz Lang, director. • Milton Krasner, “All About Eve,” with Bette Davis, Anne Baxter, Celeste Holm and George Sanders. Joseph Mankiewicz, direc¬ tor. • Joseph LaShelle, “Old 880,” with Dorothy Maguire, Burt Lancaster, Edmund Gwenn and Millard Mitchell. Edmund Goulding, director. • Leon Shamroy, “Trumpet To The Morn,” with Linda Darnell, Cornel Wilde, Joseph Cotten and Jeff Chandler. Robert Wise, director. • Winton Hoch, “The Halls Of Monte¬ zuma,” (Technicolor — shooting in Mexico) with Richard Widmark, Reginald Gardiner, Skip Homeier. Lewis Milestone, director. • Lucien Ballard, “I’d Climb The Highest Mountain,” (Technicolor) with Susan Hay¬ ward, Wm. Lundigan, Rory Calhoun, Lynn Bari, Ruth Donnelly. Henry King, director. United Artists • Frank Planer, “The Dungeon,” with John Ireland, Mercedes McCambridge, James Barton. E. A. Dupont, director. • Arthur Miller, “Cost Of Living,” (S. Spiegel Prod.) with Van Heflin. Joe Losey, director. • William Snyder and Jack Greenhalgh, “New Mexico,” (In Color) (Allen-Justman Prod.) with Lew Ayres, Marilyn Maxwell, Jeff Corey, Donald Buka. Irving Reis, direc¬ tor. • Guy Roe, “Sound Of Fury,” (Robt. Still¬ man Prod.) with Frank Lovejoy, Kathleen Ryan, Richard Carlson, Lloyd Bridges and Adele Jergens. Cyril Endfield, director. Universal-International • Russell Metty, “Desert Hawk,” (Tech¬ nicolor) with Yvonne DeCarlo, Richard Greene, Lois Andrews and Lucille Barkley. Frederick de Cordova, director. • Cliff Stine, “The Milkman,” with Donald O’Connor, Jimmy Durante, Piper Laurie and Joyce Holden. Charles Barton, director. • Irving Glassberg, “Shakedown,” with Howard Duff, Peggy Dow, Brian Donlevy, Bruce Bennett. Joseph Pevney, director. • William Daniels, “Harvey,” with James Stewart, Josephine Hull, Peggy Dow, Charles Drake. Kenry Koster, director. • Maury Gertsman, “Frenchie,” with Joel McCrea, Shelly Winters, Paul Kelly, and Elsa Lanchester. Louis King, director. • George Robinson, “Abbott And Costello In The Foreign Legion,” with Abbott and Costello, Patricia Medina, Walter Slezak and Douglas Dumbrille. Charles Lamont, director. • Hal Mohr, “Woman On The Run,” (Fi¬ delity Prodn.) with Ann Sheridan, Dennis O'Keefe, Robert Keith, and Frank Jenks. Norman Foster, director. • Russell Metty, “Wyoming Mail,” (Tech¬ nicolor) with Stephen McNally, Alexis Smith and Charles Kemper. Reginald LeBorg, di¬ rector. • Henry Freulich, “Under The Gun,” with Richard Conte, Audrey Totter, and John McIntyre. Ted Tetzlaff, director. • Irving Glassberg, “Kansas Raiders,” (Technicolor) with Audie Murphy, Brian Donlevy, Marguerite Chapman, and Scott Brady. Ray Enright, director. Warner Brothers • Wilfrid Cline, “Tea For Two,” (Tech¬ nicolor) with Doris Day, Gordon MacRae, Eve Arden, and S. Z. Sakall. David Butler, director. • Ted McCord, “The Breaking Point,” with John Garfield and Patricia Neal. Michael Curtiz, director. • Peverell Marley, “Kiss Tomorrow Good- bye,” (Cagney Prod.) with James Cagney, Luther Adler, Steve Broidy, Barbara Payton, and Helena Carter. Gordon Douglas, director. • Ernest Haller, “Dallas,” (Technicolor) with Gary Cooper, Ruth Roman, Steve Coch¬ rane and Raymond Massey. Stuart Heisler, director. 220 American Cinematographer June, 1950