American cinematographer. (1920)

Current Assignments of H.S.L Members Major film productions on which members of the American Society of Cinematographers were engaged as directors of pho¬ tography during the past month. Allied Artists • Harry Neumann, “Short Grass,” with Rod Cameron, Cathy Downs, Raymond Wal- brun, and Johnny Mack Brown. Leslie Se- lander, director. Columbia • Lee Garmes, “The Hero,” (Sidney Buch- man Enterprises) with John Derek and Aldo Da Re. David Miller, director. • Joseph Walker, “Born Yesterday,” with Broderick Crawford, Judy Holliday, William Holden, and Millard Mitchell. George Cuk¬ or, director. • William Snyder, “The Flying Missile,” with Glenn Ford, Viveca Lindfors, Henry O’Neill, Anthony Ross and Richard Quine. Henry Levin, director. • Lester White, “When the Redskins Rode,” with Jon Hall, Mary Castle, Pedro de Cor¬ doba and Sherry Moreland. Lew Landers, director. •Charles Lawton, “The Romantic Age,” with Margaret O'Brien, Allen Martin, Jimmy Hunt, Sharyn Moffett and Lloyd Corrigan. Seymour Friedman, director. •Phillip Tannura, “Flame Of Stamboul,” with Richard Denning, Lisa Ferrady, Don Randolph, George Zucco and Nestor Paiva. Ray Nazarro, director. Eagle-Lion • Jack Greenhalgh, “Rogue River,” with Rory Calhoun, Jane Lidell, Peter Graves, and Frank Fenton. John Rawlins, director. • Elmer Dyer, “Border Raiders,” with Spade Cooley, Maria Hart, Gordon Barnes, and Bill Kennedy. Richard Talmadge, direc¬ tor. Independent • Jack Cardiff, “Pandora And The Flying Dutchman,” (Lewin-Kaufman Prod., shoot¬ ing in Europe) with James Mason, Ava Gardner. Albert Lewin, director. • Stewart Thompson, “At War With The Army,” (York Prod.) with Dean Martin, Jerry Lewis, and Polly Burgen. Hal Walker, director. M-C-M • Robert Planck, “Royal Wedding,” (Tech¬ nicolor) with Fred Astaire, Jane Powell, Peter Lawford, Sarah Churchill and Keenan Wynn. Stanley Donen, director. • Robert Surtees and William Skall, “Quo Vadis,” (Shooting In Italy) with Robert Taylor, Deborah Kerr. Mervyn LeRoy, di¬ rector. • Paul Vogel, “Three Guys Named Mike,” with Jane Wyman, Van Johnson, Howard Keel, Phyllis Kirk and Jeff Donnell. Charles Walters, director. • George Folsey, “Mr. Imperium,” (Tech¬ nicolor) with Lana Turner, Ezio Pinza, Marjorie Main, Sir Cedric Hardwicke and Nina Koshetz. Don Hartman, director. • William Mellor, “Across The Wide Mis¬ souri,” (Technicolor) with Clark Gable, Maria Elena Marquez, John Hodiak, Ricardo Montalban, James Whitmore, Adolphe Men- 326 • American Cinematographer jou, J. Carroll Maish, Jack Holt and Doug Fowley. William Wellman, director. • Alfred Gilks, “American In Paris,” (Technicolor) with Gene Kelly, Leslie Car¬ on, Georges Guetary, Nina Foch and Oscar Levant. Vincente Minnelli, director. • Hal Rosson, “Red Badge of Courage,” with Audie Murphy, Bill Mauldin, Royal Dano, Douglas Dick, and Arthur Hunnicutt. John Huston, director. Monogram • Harry Neumann, “Texas Raiders,” with Johnny Mack Brown, Jane Adams and Riley Hill. Lewis D. Collins, director. • Marcel LePiccard, “The Bowery Thrush,” with Leo Gorcey, Huntz Hall, Adele Jergens, and Phyllis Coates. William Beaudine,\direc- tor. Paramount • Loyal Griggs, “Passage West,” (Pine- Thomas Prod.) with John Payne, Dennis O’Keefe, Arleen Whelan, Frank Faylen, Mary Beth Hughes. Lewis R. Foster, director. • Charles Lang, “Ace In The Hole,” with Kirk Douglas, Jan Sterling, Porter Hall, and Richard Benedict. Billy Wilder, director. • Daniel Fapp, “The Lemon Drop Kid,” with Bob Hope, Andrea King, Fred Clark, Marilyn Maxwell and Lloyd Nolan. • John Seitz, “The Goldbergs,” with Ger¬ trude Berg, Philip Loeb, Eli Mintz, Larry Robinson and Barbara Rush. Walter Hart, director. • Ray Rennahan, “Warpath,” (Technicol¬ or) (Nat Holt Prod.) with Edmond O’Brien, Dean Jagger, Forrest Tucker and Harry Carey, Jr. Byron Haskin, director. • George Barnes, “Carrie,” with Laurence Oliver, Jennifer Jones, Eddie Albert, Ruth Warrick, Basil Ruysdael and Mary Murphy. William Wyler, director. R.K.O. • Roy Hunt, “Footlight Varieties,” with Jack Paar, Red Buttons, Nicco and Grace, Wendy Waldron and Herb Vigran. George Bilson, director. • Edward Cronjager, “Best Of The Bad- men,” (Technicolor) with Robert Ryan, Claire Trevor, Jack Buetel, Robert Preston and Walter Brennan. Wm. Russell, director. • George Diskant, “The Gaunt Woman,” with Dana Andrews, Claude Rains. Carla Balenda, Philip Dorn and Eric Feldary. Alfred Werker, director. • Harry Wild, “Macao,” with Robert Mitchum, Jane Russell, William Bendix, and Thomas Gomez. Josef von Sternberg, direc¬ tor. 20th Century-Fox • Joe McDonald, “Fourteen Hours,” with Paul Douglas, Richard Basehart, Deborah Paget, Jeff Corey, Agnes Morehead. Henry Hathaway, director. • Joseph LaShelle, “The Jackpot,” with James Stewart, Patricia Medina, Alan Mow¬ bray, James Gleason, Natalie Wood. Walter Lang, director. • September, 1950 • Lloyd Ahern, “For Heaven’s Sake,” with Clifton Webb, Joan Bennett, Robert Cum¬ mings, Edmund Gwenn, and Joan Blondell. George Seaton, director. • Arthur Arling, “Call Me Mister,” (Tech¬ nicolor) with Betty Grable, Dan Dailey, Danny Thomas, Dale Robertson, Frank Fon¬ taine, and Benay Venuta. Lloyd Bacon, director. • Milton Krasner, “Half Angel,” (Tech¬ nicolor) with Joseph Cotten, Loretta Young, Cecil Kellaway, Basil Ruysdael and John Ridgely. Jules Dassin, director. • WiNTON Hoch, “Bird of Paradise,” (Tech¬ nicolor) with Louis Jordan, Debra Paget, Jeff Chandler, Everett Sloane. Delmer Dav¬ es, director. • Lucien Ballard, “House On Telegraph Hill,” with Valentina Cortesa, William Lund- igan, Richard Basehart and Fay Bainter. Robert Wise, director. United Artists • Frank Planer, “Cyrano de Bergerac,” (Stanley Kramer Prod.) with Jose Ferrer, Mala Powers, William Prince and Morris Carnovsky. Michael Gordon, director. Universal-International • Carl Guthrie, “Undercover Girl,” with Alexis Smith and Scott Brady. Joseph Pev- ney, director. • Clifford Stine, “Mystery Submarine,” with Macdonald Carey, Marta Toren, Rob¬ ert Douglas and Ludwig Donath. Douglas Sirk, director. • Peverell Marley, “Illegal Bride,” (Fidel¬ ity Pictures) with Ginger Rogers, Jack Car- son, Joan Davis and Stanley Ridges. Richard Whorf, director. • Irving Gi.assberc, “The Fat Man,” with J. Scott Smart, Julie London, Rock Hudson, Clinton Sundlierg, and Jayne Meadows. William Castle, director. • Charles Boyle, “Apache Drums,” (Tech¬ nicolor) with Stephen McNally, Coleen Gray, Willard Parker and Arthur Shields. Hugo Fregonese, director. • William Daniels, “Lights Out,” with Ar¬ thur Kennedy, Peggy Dow, James Edwards, and Rock Hudson. Mark Robson, direcor. • Maury Gertsman, “Prisoner Of War,” with Mark Stevens, Robert Douglas, Alex Nicol, Gig Young and Johnny Sands. George Sherman, director. Warner Brothers • Wilfred Cline, "Raton Pass,” with Den¬ nis Morgan, Patricia Neal, Steve Cochrane and Scott Forbes. Edwin L. Marin, director. • Sid Hickox, “The West Point Story,” with James Cagney, Virginia Mayo, Doris Day, Gordon MacRae, Gene Nelson. Roy Del Ruth, director. • Robert Burks, “The Enforcer,” (United States Pictures) with Humphry Bogart, Roy Roberts, Ted de Corsia and Bob Steele. Bre- taigne Windust, director. • Lionel Lindon, “Only The Valiant,” (Cagney Prod.) with Gregory Peck, Jeff Corey, Ward Bond, Terry Kilburn, Lon Chaney, Jr. Gordon Douglas, director. • Harry Stradling, “Streetcar Named De¬ sire,” (Chas. K. Feldman Group Prod.) with Vivien Leigh, Marlon Brando, Kim Hunter, lia Kazan, director. • Ernest Haller, “Jim Thorpe, All-Ameri¬ can,” wtih Burt Lancaster, Charles Bickford, Phyllis Thaxter, Steve Cochran. Michael Curtiz, director.