American cinematographer. (1920)

• VA XX- • '• p %&$&&$ •■ rent Assignments of R.51 Members Major film productions on which members of the American Society of Cinematographers were engaged as directors of pho¬ tography during the past month. 1 Columbia • Lee Garmes, “The Hero,” (Sidney Buch- man Enterprises) with John Derek and Aldo Da Re. David Miller, director. •Charles Lawton, “The Romantic Age,” with Margaret O’Brien, Allen Martin, Jimmy Hunt, Sharyn Moffett and Lloyd Corrigan. Seymour Friedman, director. • Henry Freulich, “Fort Savage Raiders,” with Charles Starrett, Smiley Burnett, Peter Thompson and Trevor Bardette. Ray Na- zarro, director. • Lester White, “Gasoline Alley,” with Scotty Beckett, Jimmy Lydon, Jacki Immoor, Don Beddoe and Dick Wessel. Edward Bernds, director. Eagle-Lion • Elmer Dyer, “Korean Patrol,” (Jack Schwarz Prod.) with Richard Emory, Benson Fong, Terri Duna and A1 Eben. Max Nos- seck, director. M-G-M • Robert Planck, “Royal Wedding,” (Tech¬ nicolor) with Fred Astaire, Jane Powell, Peter Lawford, Sarah Churchill and Keenan Wynn. Stanley Donen, director. • Robert Surtees and William Skall, “Quo Vadis,” (Shooting In Italy) with Robert Taylor, Deborah Kerr. Mervyn LeRoy, di¬ rector. • George Folsey, “Mr. Imperium,” (Tech¬ nicolor) with Lana Turner, Ezio Pinza, Marjorie Main, Sir Cedric Hardwicke and Nina Koshetz. Don Hartman, director. • William Mellor, “Across The Wide Mis¬ souri,” (Technicolor) with Clark Gable, Maria Elena Marquez, John Hodiak, Ricardo Montalban, James Whitmore, Adolphe Men- jou, J. Carroll Naish, Jack Holt and Doug Fowley. William Wellman, director. • Alfred Gilks, “American In Paris,” (Technicolor) with Gene Kelly, Leslie Car¬ on, Georges Guetary, Nina Foch and Oscar Levant. Vincente Minnelli, director. • Hal Rosson, “Red Badge of Courage,” with Audie Murphy, Bill Mauldin, Royal Dano, Douglas Dick, and Arthur Hunnicutt. John Huston, director. • Joseph Ruttenberg, “The Great Caruso,” with Mario Lanza, Ann Blyth, Dorothy Kirsten, Jarmila Novotna, Blanche Thebom, Teresa Celli, Ludwig Donath, Carl Benton Reid and Nestor Paiva. Richard Thorpe di¬ rector. • Ray June, “Inside Straight,” with David Brian, Arlene Dahl, Barry Sullivan, Mer¬ cedes McCambridge, Paula Raymond, Lon Chaney and Monica Lewis. Gerald Mayer, director. • Paul C. Vogel, “Go For Broke,” with Van Johnson, Warner Anderson and Richard Anderson. Robert Pirosh, director. Monogram • Marcel LePicard, “The Witness,” with Joe Kirkwood, James Gleason, Robert Coo- gan and Myrna Dell. Reginald LeBorg, director. • Gil Warrenton, “Blue Blood,” with Bill Williams, Jane Nigh and Audrey Long. Lew Landers, director. • William Sickner, “Fangs Of The North,” with Kirby Grant, Chinook, Lynn Roberts, Ann Gwynne and Tom Neal. Frank Mc¬ Donald, director. • Harry Neumann, “Cavalry Scout,” with Rod Cameron, Audrey Long. Lesley Selander, director. • Karl Struss, “Father’s Wild Game,” with Raymond Walburn, Gary Gray, Barbara Brown, M’liss McClure, and Fred Libby. Herbert I. Leeds, director. Paramount • Charles Lang, “Ace In The Hole,” with Kirk Douglas, Jan Sterling, Porter Hall, and Richard Benedict. Billy Wilder, director. • Ray Rennahan, “Warpath,” (Technicol¬ or) (Nat Holt Prod.) with Edmond O’Brien, Dean Jagger, Forrest Tucker and Harry Carey, Jr. Byron Haskin, director. • George Barnes, “Carrie,” with Laurence Oliver, Jennifer Jones, Eddie Albert, Ruth Warrick, Basil Ruysdael and Mary Murphy. William Wyler, director. R.K.O. • Edward Cronjager, “Best Of The Bad- men,” (Technicolor) with Robert Ryan, Claire Trevor, Jack Buetel, Robert Preston and Walter Brennan. Wm. Russell, director. ® George Diskant, “The Gaunt Woman,” with Dana Andrews, Claude Rains. Carla Balenda, Philip Dorn and Eric Feldary. Alfred Werker, director. ° Harry Wild, “Macao,” with Robert Mitchum, Jane Russell, William Bendix, and Thomas Gomez. Josef von Sternberg, direc¬ tor. 20th Century-Fox • Winton Hoch, “Bird of Paradise,” (Tech¬ nicolor) with Louis Jordan, Debra Paget, Jeff Chandler, Everett Sloane. Delmer Dav¬ es, director. • Lucien Ballard, “House On Telegraph Hill,” with Valentina Cortesa, William Lund- igan, Richard Basehart and Fay Bainter. Robert Wise, director. • Harry Jackson, “Wild Winds,” (Techni¬ color) with John Lund and Jean Peters. Louis King, director. • Joseph LaShelle, “The Scarlet Pen,” with Linda Darnell, Charles Boyer, Francoise Rosay, Constance Smith, Michael Rennie and Judith Evelyn. Otto Preminger, director. • Jack Greenhalgh, “The Sword of Monte Cristo,” (E. L. Alperson Prod.) (Techni¬ color) with George Montgomery, Paula Corday, Barry Kroger, Lillian Bronson and Acquanetta. Maurice Geraghty, director. • Leon Shamroy, “On The Riviera,” (Tech¬ nicolor) with Danny Kaye, Gene Tierney, Corinne Calvet, Marcel Dalio, and Ann Codee. Walter Lang, director. • Frank Planer, “Legion Of The Damned,” (Shooting in Germany) with Gary Merrill, Richard Basehart and Oscar Werner. Anatol Litvak, director. • Leo Tover, “Follow The Sun,” with Glenn Ford, Anne Baxter, Dennis O’Keefe, and June Havoc. Sidney Lanfield, director. United Artists • Guy Roe, “Queen For A Day,” (Robert Stillman Prodn.) with Phyllis Avery, Darren McGavin, Rudy Lee, Adam William, Tracy Roberts. Arthur Lubin, director. Universal-International • Clifford Stine, “Mystery Submarine,” with Macdonald Carey, Marta Toren, Rob¬ ert Douglas and Ludwig Donath. Douglas Sirk, director. ® Charles Boyle, “Apache Drums,” (Tech¬ nicolor) with Stephen McNally, Coleen Gray, Willard Parker and Arthur Shields. Hugo Fregonese, director. • William Daniels, “Lights Out,” with Ar¬ thur Kennedy, Peggy Dow, James Edwards, and Rock Hudson. Mark Robson, direcor. • Maury Gertsman, “Prisoner Of War,” with Mark Stevens, Robert Douglas, Alex Nicol, Gig Young and Johnny Sands. George Sherman, director. • Carl Guthrie, “Bedtime For Bonzo,” with Ronald Reagan, Diana Lynn, Walter Slezak, Herbert Heyes, and Lucille Barkley. Fred¬ erick de Cordova, director. • Irving Glassberg, “The Prince Who Was A Thief,” (Technicolor) with Tony Curtis, Piper Laurie, Jeff Cory and Peggie Castle. Rude Mate, director. Warner Brothers • Robert Burks, “The Enforcer,” (United States Pictures) with Humphry Bogart, Roy Roberts, Ted de Corsia and Bob Steele. Bre- taigne Windust, director. ° Lionel Lindon, “Only The Valiant,” (Cagney Prod.) with Gregory Peck, Jeff Corey, Ward Bond, Terry Kilburn, Lon Chaney, Jr. Gordon Douglas, director. • Harry Stradling, “Streetcar Named De¬ sire,” (Chas. K. Feldman Group Prod.) with Vivien Leigh, Marlon Brando, Kim Hunter, lia Kazan, director. ® Ernest Haller, “Jim Thorpe, All-Ameri¬ can,” with Burt Lancaster, Charles Bickford, Phyllis Thaxter, Steve Cochran. Michael Curtiz, director. • Wilfrid Cline, “Lullaby Of Broadway,” with Doris Day, Gene Nelson, Billy de Wolfe, S. Z. Sakall and Ann Triola. David Butler, director. • Ted McCord, “Goodbye My Fancy,” with Joan Crawford, Frank Lovejoy, Eve Arden, and Virginia Gibson. Vincent Sherman, di¬ rector. Kodak Color Handbook Eastman Kodak Company announces its new Kodak Color Handbook, an attractive metal-ring binder containing four new Kodak Color Data Book sec¬ tions. These provide information on “Color As Seen and Photographed,” “Color Photography Outdoors,” “Color Photography In The Studio,” and “Kodak Color Films.” The new data books were written by well-qualified Kodak experts, and the company believes the information pre¬ sented will be sufficient to permit pho¬ tographers to do professional quality work in color regardless of the subject or light conditions. The data is valuable for both amateur and professional. 366 American Cinematographer October, 1950