American cinematographer. (1920)

Columbia • Lester White, “Gasoline Alley,” with Scotty Beckett, Jimmy Lydon, Jacki Immoor, Don Beddoe and Dick Wessel. Edward Bernds, director. c Charles Lawton, “Mask Of The Aveng¬ er,” with John Derek, Jody Lawrence, An¬ thony Quinn, and Eugene Iglesias. Irving Pichel, director. • Burnett Guffey, “Two Of A Kind,” with Lisbeth Scott, Rick Jason, Terry Moore and Alexander Knox. Henry Levin, director. • Lester White, “Hurricane Island.” with Jon Hall, Marie Windsor and Romo Vincent. Lew Landers, director. Eagle-Lion • Elmer Dyer, “Korean Patrol,” (Jack Schwarz Prod.) with Richard Emory, Benson Fong, Terri Duna and A1 Eben. Max Nos- seck, director. • Elmer Dyer, “Cattle Queen,” with Maria Hart, Drake Smith, Douglas Wood, Edward Clark, Robert Gardette and Wm. Fawcett. Robert Tansey, director. Independent • Ernest Laszlo, “The Well” (Harr> M. Popkin Prod.), with Richard Rober, Barry Kelley, Christine Larsen, Henry Morgan Leo C. Popkin and Russell Rouse, directors. Lippert • Ernest Miller, “Bandit Queen,” with Barbara Britton, Willard Parker, Phil Reed, Barton McLane and Anna Demetrio. William Berke, director. • Jack Greenhalgh, “The Dalton’s Last Raid,” with Preston Foster, Jim Davis, Jim Spalding, Monte Blue and Virginia Gray. Sam Newfield, director. M-G-M • Robert Surtees and William Skall, “Quo Vadis,” (Shooting In Italy) with Robert Taylor, Deborah Kerr. Mervyn LeRoy, di¬ rector. • Hal Rosson, “Red Badge of Courage,” with Audie Murphy, Bill Mauldin, Royal Dano, Douglas Dick, and Arthur Hunnicutt. John Huston, director. • Joseph Ruttenberg, “The Great Caruso,” with Mario Lanza, Ann Blyth, Dorothy Kirsten, Jarmila Novotna, Blanche Thebom, Teresa Celli, Ludwig Donath, Carl Benton Reid and Nestor Paiva. Richard Thorpe di¬ rector. • Ray June, “Inside Straight,” with David Brian, Arlene Dahl, Barry Sullivan, Mer¬ cedes McCambridge, Paula Raymond, Lon Chaney and Monica Lewis. Gerald Mayer, director. • Paul C. Vogel, "Go For Broke,” with Van Johnson, Warner Anderson and Richard Anderson. Robert Pirosh, director. • John Alton, “Father’s Little Dividend,” with Spencer Tracy, Joan Bennett, Elizabeth Taylor, Don Taylor, Billie Burke and Mo¬ roni Olsen. Vincent Minelli, director. • Alfred Gilks, “Excuse My Dust” (Tech¬ nicolor), with Red Skelton, Sally Forrest, 402 • American Cinematographer MacDonald Carey, William Demarest and Monica Lewis. Monogram • Gil Warrenton, “Blue Blood,” with Bill Williams, Jane Nigh and Audrey Long. Lew Landers, director. • Harry Neumann, “Cavalry Scout,” with Rod Cameron, Audrey Long. Lesley Selander, director. • Karl Struss, “Father’s Wild Game,” with Raymond Walburn, Gary Gray, Barbara Brown, M’liss McClure, and Fred Libby. Herbert I. Leeds, director. ® Gilbert Warrenton, “Colorado Ambush,” with Johnny Mack Brown and Lois Hall. Lewis Collins, director. 9 William Sickner, “Trail Dust,” with Lola Albright, Roland Winters and Alan Hale, Jr. Frank McDonald, director. Paramount • Ray Rennahan, “Warpath,” (Technicol¬ or) (Nat Holt Prod.) with Edmond O’Brien, Dean Jagger, Forrest Tucker and Harry Carey, Jr. Byron Haskin, director. • Victor Milner, “Carrie,” with Laurence Oliver, Jennifer Jones, Eddie Albert, Ruth Warrick, Basil Ruysdael and Mary Murphy. William Wyler, director. • Loyal Griggs, “The Last Outpost” (Pine- Thomas) (Technicolor), with Ronald Rea¬ gan, Rhonda Fleming, Bruce Bennett, Bill Williams, Noah Berry, Jr., and Peter Han¬ son. Lewis Foster, director. R.K.O. • George Diskant, “The Gaunt Woman,” with Dana Andrews, Claude Rains, Carla Balenda, Philip Dorn and Eric Feldary. Alfred Werker, director. • Harry Wild, “Macao,” with Robert Mitchum, Jane Russell, William Bendix, and Thomas Gomez. Josef von Sternberg, direc¬ tor. • Nicholas Musuraca, “Roadblock,” with Charles McGraw, Joan Dixon, Louis Heydt, Lowell Gilmore and Janet Scott. Harold Daniels, director. • Karl Struss, “Tarzan’s Peril” (Sol Lesser Prod.), with Lex Barker, George Macready, Glenn Anders, Douglas Fowley and Dorothy Dandridge. Byron Haskin, director. 20th Century Fox • Lucien Ballard, “House On Telegraph Hill,” with Valentina Cortesa, William Lund- igan, Richard Basehart and Fay Bainter. Robert Wise, director. • Joseph LaShelle, “The Scarlet Pen,” with Linda Darnell, Charles Boyer, Francoise Rosay, Constance Smith, Michael Rennie and Judith Evelyn. Otto Preminger, director. • Jack Greenhalgh, “The Sword of Monte Cristo,” (E. L. Alperson Prod.) (Techni¬ color) with George Montgomery, Paula Corday, Barry Kroger, Lillian Bronson and Acquanetta. Maurice Geraghty, director. • Leon ShAmroy, “On The Riviera,” (Tech¬ nicolor) with Danny Kaye, Gene Tierney, • November, 1950 Corinne Calvet, Marcel Dalio, and Ann Codee. Walter Lang, director. • Frank Planer, “Legion Of The Damned,” (Shooting in Germany) with Gary Merrill, Richard Basehart and Oscar Werner. Anatol Litvak, director. • Leo Tover, “Follow The Sun,” with Glenn Ford, Anne Baxter, Dennis O’Keefe, and June Havoc. Sidney Lanfield, director. • Milton Krasner, “I Can Get It For You Wholesale,” with Dan Dailey, Susan Hay¬ ward, Dennis King, Steve Geray and Vicki Cummings. Michael Gordon, director. • Harry Jackson, “Take Care Of My Little Girl” (Technicolor), with Jeanne Crain, Jean Peters, Dale Robertson, Mitzi Gaynor, Helen Westcoot, Betty Lynn and Jeffrey Hunter. Jean Negulesco, director. United Artists • Guy Roe, “Queen For A Day,” (Robert Stillman Prodn.) with Phyllis Avery, Darren McGavin, Rudy Lee, Adam William, Tracy Roberts. Arthur Lubin, director. Universal-International • William Daniels, “Lights Out,” with Ar¬ thur Kennedy, Peggy Dow, James Edwards, and Rock Hudson. Mark Robson, direcor. • Maury Gertsman, “Prisoner Of War,” with Mark Stevens, Robert Douglas, Alex Nicol, Gig Young and Johnny Sands. George Sherman, director. • Carl Guthrie, “Bedtime For Bonzo,” with Ronald Reagan, Diana Lynn, Walter Slezak, Herbert Heyes, and Lucille Barkley. Fred¬ erick de Cordova, director. • Irving Glassberg, “The Prince Who Was A Thief,” (Technicolor) with Tony Curtis, Piper Laurie, Jeff Cory and Peggie Castle. Rude Mate, director. • Russell Metty, “Up Front,” with David Wayne, Tom Ewell, Jeffrey Lynn, Richard Egan, Darren Dublin and Butch Cavell. Alexander Hall, director. • George Robinson, “Abbott & Costello Meet The Invisible Man,” with Bud Abbott, Lou Costello, Nancy Guild, Adele Jergens, Arthur Franz, Wm. Frawley and Gavin Muir. Charles Lamont, director. • Clifford Stine, “Air Cadet,” with Stephen McNally, Gail Russell, Richard Long, Alex Nicol, Charles Drake, James Best, Rock Hudson, and Russell Dennis. Joseph Pevney, director. 0 Charles Boyle, “Don Renegade” (Tech- color), with Ricardo Montalban, Cyd Char- isse, Andrea King, Gilbert Roland, J. Car¬ rol Naish, George Tobias, Antonio Moreno and Bridget Carr. Hugo Fregonese, director. Warner Brothers • Harry Stradling, “Streetcar Named De¬ sire,” (Chas. K. Feldman Group Prod.) with Vivien Leigh, Marlon Brando, Kim Hunter, lia Kazan, director. • Ernest Haller, “Jim Thorpe, All-Ameri¬ can,” with Burt Lancaster, Charles Bickford, Phyllis Thaxter, Steve Cochran. Michael Curtiz, director. • Wilfrid Cline, “Lullaby Of Broadway,” with Doris Day, Gene Nelson, Billy de Wolfe, S. Z. Sakall and Ann Triola. David Butler, director. • Ted McCord, “Goodbye My Fancy,” with Joan Crawford, Frank Lovejoy, Eve Arden, and Virginia Gibson. Vincent Sherman, di- tector. • Sid Hickox, “The Travelers,” with Kirk Douglas, Virginia Mayo and Walter Bren¬ nan, Raoul Walsh, director.