American cinematographer. (1951)

rent Assignments of H.5I. Members Major film productions on which members of the American Society of Cinematographers were engaged as directors of pho¬ tography during the past month. Allied Artists • Harry C. Neumann, “I Was An Ameri¬ can Spy,” with Ann Dvorak, Gene Evans, Douglas Kennedy, Leslie Selander, director. Columbia • Henry Freulich, ‘‘Cyclone Fury,” with Charles Starrett, Smiley Burnette. Ray Nazarro, director. • Ei.lis Carter, “Sunny Side of The Street,” with Frankie Lane, Billy Daniels, Toni Arden and The Rhythmaires. Richard Quine, director. • Joseph Walker, “Remember That Face,” with Broderick Crawford, Betty Behuler, Otto Hulett and Ernest Borgnini. Robert Parrish, director. • Burnett Guffey, “The Secret,” with John Derek, Lee J. Cobb, Jody Lawrence, and Henry O’Neill. Henry Levin, director. Independent • George E. Diskant, “Storm Over Tibet,” (Summit Prodn.) with Diana Douglas, Rex Reason Myron Healy, Bob Karns, Wil¬ liam Schallert, Harold Fung. Andrew Marton, director. Lippert • Jack Greenhalgh, “Man For Hire,” with Hugh Beaumont, Richard Travis, Ann Savage. William Berke, director. • Jack Greenhalgh, “Roaring City,” with Richard Travis, Hugh Beaumont, and Vir¬ ginia Dale. William Berke, director. M-G-M • Robert Planck, “Rich, Young And Pretty” (Technicolor), with Jane Powell, Vic Damone, Wendell Corey, Danielle Darrieux and Una Merkel. Norman Taurog, director. • Charles Rosher, “Showboat” (Techni¬ color), with Kathryn Grayson, Ava Gard¬ ner, Howard Keel, Joe E. Brown, Agnes Moorhead. George Sidney, director. • Joseph Ruttenrerg, “Kind Lady,” with Ethel Barrymore, Maurice Evans, Angela Lansbury, Keenan Wynn, Doris Lloyd and Betsy Blair. John Sturges, director. • Harold Rosson, “Love Is Better Than Ever,” with Elizabeth Taylor, Larry Parks, Josephine Hutchinson and Tom Tully. Stan¬ ley Donen, director. • Harold Lipstein, “No Questions Asked,” with Barry Sullivan, Arlene Dahl, George Murphy, Jean Hagen, Richard Anderson and Dick Simmons. H. F. Kress, director. • Paul C. Vogel, “Man On The Train,” with Dick Powell, Paula Raymond, Marshall Thompson, Adolphe Menjou, Ruby Dee, Florence Bates and Richard Rober. Anthony Mann, director. • Robert Surtees, “The Strip,” with Mickey Rooney,, Sally Forest, James Craig, William Demarest, Kay Brown, Myrna Dell, Vic Damone, Monica Lewis. Leslie Kardos, director. • William Mellor, “The Bradley Mason Story,” with Walter Pidgeon, Ann Harding, Lionel Barrymore, Keefe Brasselle, Philip Ober and Eduard Franz. Richard Thorpe, director. • Ray June, “Strictly Dishonorable,” with Ezio Pinza, Janet Leigh, Millard Mitchell, Gale Robbins. Norman Panama and Melvin Frank, directors. • George Folsey, “The Law And Lady Loverly,” with Greer Garson, Michael Wilding, Marjorie Main, Fernando Lamas, Phyllis Stanley and Ralph Dumke. Edwin Knopf, director. Monogram • Marcel LePicard, “Ghost Chasers,” with Leo Gorcy, Huntz Hall, Jan Kayne, and Lloyd Corrigan. William Beaudine, director. Paramount' • George Barnes, “Here Comes The Groom,” with Bing Crosby, Jane Wyman, Franchot Tone, Robert Keith and Jacky Gencel. Frank Capra, producer-director. • Lee Garmes, “That’s My Boy,” (Hal Wallis Prod.) with Dean Martin, Jerry Lewis, Ruth Hussey, Eddie Mayehoffe and Polly Bergen. Hal Walker, director. • John Seitz, “When Worlds Collide,” (Technicolor) with Richard Derr, Peter Hanson and Larry Keating. Rudolph Mate, director. • Lionel Lindon, “Submarine Command,” with William Holden, William Bendix, Nancy Olson. John Farrow, director. • Loyal Griggs, “C r o s s w i n d s,” (PineThomas Prod.) (Technicolor) with John Payne, Rhonda Fleming, Forrest Tucker, John Abbott, and Alan Mowbray. Lewis R. Foster, director. R.K.O. • Russell Harlan, “The Thing” (Winches¬ ter Pictures), with Kenneth Tobey, Margaret Sheridan, James Young. Christian Nyby, di¬ rector. • Edward Cronjager, “Two Tickets To Broadway’r (Technicolor), with Janet Leigh, Tony Martin, and Smith & Dale. James V. Kern, director. • William Snyder, “Flying Leathernecks” (Technicolor), with John Wayne, Robert Ryan, Don Taylor, Jay C. Flippen. Nicholas Ray, director. • Archie Stout, “On The Loose,” (Film¬ makers) with John Evans, Lynn Bari, Robert Arthur. Charles Lederer, director. • Nick Musuraca, “Rustlers’ Range,” with Tim Holt, Richard Martin, Joan Dixon, John Dehner. Stuart Gilmore, director. 20th Century Fox • Charles G. Clarke, “Kangaroo” (Tech¬ nicolor) (Shooting In Australia), with Mau¬ reen O’Hara, Peter Lawford, Finlay Currie and Richard Boone. Lewis Milestone, di¬ rector. • Leon Shamroy, “David And Bathsheba” (Technicolor), with Gregory Peck and Susan Hayward. Henry King, director. • Joseph LaShelle, “The Guy Who Sank The Navy,” with Paul Douglas, Joan Ben¬ nett, Linda Darnell, Don DeFore and Zero Mostel. Joseph Newan, director. • Joe MacDonald, “Will You Love Me In December,” with Monty Wooley, Jean Peters, Constance Bennett, Marilyn Monroe and David Wayne. Harmon Jones, director. • Norbert Brodine, “The Frog Men,” with Richard Widmark, Dana Andrews, Gary Merrill, Jeffrey Hunter, Robert Wagner and Warren Stevens. Lloyd Bacon, director. • Arthur Arling, “Meet Me After The Show,” with Betty Grable, Macdonald Carey, Rory Calhoun and Eddie Albert. Richard Sale, director. • Harry Stradling, “Golden Goose,” (Thor. Prodns.) with Fred MacMurray, Eleanor Parker, Richard Carlson, Kay Buckley, Una Merkle, Douglas Dumbrille and Nestor Paiva. George Marshall, director. Universal1 nternational • Irving Glassberg, “Francis Goes To The Races,” with Donald O’Connor, Piper Laurie, Cecil Kellaway, Jesse White, Vaughn Tay¬ lor, Barry Kelly, Hayden Rorke. Arthur Lubin, director. • Maury Gertsman, “Ma and Pa Kettle At The County Fair,” with Marjorie Main, Percy Kilbride, Lori Nelson, James Best. Charles Barton, director. • Russell Metty, “The Golden Horde,” (Technicolor) with David Farrar, Ann Blythe, Peggie Castle, Richard Egan, Poodles Hannaford, Howard Petrie, and Henry Brandon. George Sherman, director. • Carl Guthrie, “The Iron Man,” with Stephen McNally, Jeff Chandler, Evelyn Keyes, Joyce Holden, Rock Hudson and Jim Backus. Joseph Pevney, director. •George Robinson, “The Real McCoy,” with Bud Abbott, Lou Costello, Dorothy Shay, Kirby Grant, Shay Cogan, and Ida Moore. Charles Lamont, director. Warner Brothers • Sid Hickox, “Fort Worth,” with Randolph Scott, David Brian, Phyllis Thaxter, Helena Carter and Henry Hull. Edwin L. Marin, director. • Robert Burks, “Tomorrow Is Another Day,’ with Ruth Roman, Steve Cochran, Lurene Tuttle and Wallace Ford. Felix Feist, director. • Ernest Haller, "Moonlight Bay,” (Tech¬ nicolor) with Doris Day, Gordon MacRae, Jack Smith, Mary Wickies, Rosemary de Camp, Leon Ames. ° Ed Dupar, “I Was A Communist For The F.B.I.,” with Frank Lovejoy, Dorothy Hart, James Millican and Konstantin Shayne. Gordon Douglas, director. Lars Moen, scientist, writer and lecturer in the field of motion pictures, passed away in Hollywood last month, follow¬ ing a brief illness. At the time, he was associated with Karl Freund’s Photo Research Corp., as technical writer. AF one time Moen was head of Paramount Studios’ experimental optical laboratory. He was the author of several technical books dealing with photography, and at one time was associated with Gevaert in Europe, aiding that company in the development of its color film processes. 74 American Cinematographer February, 1951