American cinematographer. (1951)

irrent Assignments of H.5I. Members Major film productions on which members of the American Society of Cinematographers were engaged as directors of pho¬ tography during the past month. Allied Artists • Harry C. Neumann, “The Highway¬ man,” with Charles Coburn, Wanda Hendrix, Phillip Friend, Victor Jory and Virginia Huston. Leslie Selander, director. Columbia • Joseph Walker, “Remember That Face,” with Broderick Crawford, Betty Behuler, Otto Hulett and Ernest Borgnini. Robert Parrish, director. • Burnett Guffey, “The Secret,” with John Derek, Lee J. Cobb, Jody Lawrence, and Henry O’Neill. Henry Levin, director. • Phil Tannura, “China Corsair,” with Jon Hall, Lisa Ferraday, Ron Rondell, Ernest Borgnine and John Dehner. Ray Nazarro, director. Independent • George E. Diskant, “Storm Over Tibet,” (Summit Prodn.) with Diana Douglas, Rex Reason Myron Healy, Bob Karns, Wil¬ liam Schallert, Harold Fung. Andrew Marton, director. • James Wong Howe, “The Lady Says No!” (Ross-Stillman Prod.) with Joan Caulfield, David Niven, James Robertson Justice, Lenore Lonergan, Francis Bavier and Peggy Maley. Frank Ross, director. • Jack Greenhalch, “Slaughter Trail,” (Irving Allen Prod.) with Andy Devine, Gig Young, Howard da Silva, Virginia Grey, and Terry Gilkyson. Irving Allen director. Lippert • Jack Greenhalch, “Kentucky Jubilee,” with Jerry Colonna, Jean Porter and James Ellison. Ron Ormond, director. • Ernest Miller, “Little Big Horn,” with John Ireland, Lloyd Bridges, Jim Davis and Hugh O’Brian. M-G-M • Joseph Ruttenrerg, “Kind Lady,” with Ethel Barrymore, Maurice Evans, Angela Lansbury, Keenan Wynn, Doris Lloyd and Betsy Blair. John Sturges, director. • Robert Surtees, “The Strip,” with Mickey Rooney, Sally Forest, James Craig, William Demarest, Kay Brown, Myrna Dell, Vic Damone, Monica Lewis. Leslie Kardos, director. • William Mellor, “The Bradley Mason Story,” with Walter Pidgeon, Ann Harding, Lionel Barrymore, Keefe Brasselle, Philip Ober and Eduard Franz. Richard Thorpe, director. • Ray June, “Strictly Dishonorable,” with Ezio Pinza, Janet Leigh, Millard Mitchell, Gale Robbins. Norman Panama and Melvin Frank, directors. • George Folsey, “The Law And Lady Loverly,” with Greer Garson, Michael Wilding, Marjorie Main, Fernando Lamas, Phyllis Stanley and Ralph Dumke. Edwin Knopf, director. • Paul C. Vogel, “The Tall Target,” with Dick Powell, Paula Raymond, Marshall Thompson, Adolphe Menjou, Ruby Dee, Florence Bates, Richard Rober and Lou Nova. Anthony Mann, director. • Robert Planck, “Texas Carnival,” (Tech¬ nicolor) with Esther Williams, Red Skelton, • Howard Keel and Ann Miller. Charles Walters, director. Monogram • Marcel LePicard, “Ghost Chasers,” with Leo Gorcy, Huntz Hall, Jan Kayne, and Lloyd Corrigan. William Beaudine, director. Paramount • George Barnes, “Here Comes The Groom,” with Bing Crosby, Jane Wyman, Franchot Tone, Robert Keith and Jacky Gencel. Frank Capra, producer-director. • Lionel Lindon, “Submarine Command,” with William Holden, William Bendix, Nancy Olson. John Farrow, director. • Loyal Griggs, “C r o s s w i n d s,” (PineThomas Prod.) (Technicolor) with John Payne, Rhonda Fleming, Forrest Tucker, John Abbott, and Alan Mowbray. Lewis R. Foster, director. • Victor Milner, “My Favorite Spy,” with Bob Hope, Hedy Lamarr, Francis L. Sullivan, Arnold Moss, Marc Lawrence and Iris Adrian. Norman Z.. McLeod, director. • George Barnes and Peverell Marley, “The Greatest Show On Earth,” (Techni¬ color) with Betty Hutton, James Stewart, Cornel Wilde, Dorothy Lamour, Gloria Grahame, Charlton Heston and Lyle Bettger. Cecil B. DeMille, director. • Daniel Fapp, “The Stooge,” with Dean Martin, Jerry Lewis and Eddie Mayehoff. Norman Taurog, director. • Lee Garmes, “Detective Story,” with Kirk Douglas, Eleanor Parker, William Bendix, Cathy O’Donnell, Horace McMahon. William Wyler, director. • Lionel Lindon, “Rhubarb,” (PearlbergSeaton Prod.) with Ray Milland, Jan Sterl¬ ing, Gene Lockhart, Orangey Murray. Arthur Lubin, director. • Charles Lang, “Peking Express,” (Hal Wallis Prod.) with Joseph Cotton, Corrine Calvert, Edmund Gwenn. Dick McWhorter, director. R.K.O. • Russell Harlan, “The Thing” (Winches¬ ter Pictures), with Kenneth Tobey, Margaret Sheridan, James Young. Christian Nyby, di¬ rector. • Edward Cronjager, “Two Tickets To Broadway” (Technicolor), with Janet Leigh, Tony Martin, and Smith & Dale. James V. Kern, director. • William Snyder, “Flying Leathernecks” (Technicolor), with John Wayne, Robert Ryan, Don Taylor, Jay C. Flippen. Nicholas Ray, director. • Archie Stout, “On The Loose,” (Film¬ makers) with John Evans, Lynn Bari, Robert Arthur. Charles Lederer, director. • Nick Musuraca, “Rustlers’ Range,” with Tim Holt, Richard Martin, Joan Dixon, John Dehner. Stuart Gilmore, director. • Frank Planer, “Androcles And The Lion,” with Jean Simmons, Robert Newton, George Sanders, James Donald and John Hoyt. H. C. Potter, director. • Republic • Walter Strenge, “Million Dollar Pursuit,” with Penny Edwards, Stephen Flagg and Grant Withers. R. G. Springsteen, director. 20th Century Fox • Charles G. Clarke, “Kangaroo” (Tech¬ nicolor) (Shooting In Australia), with Mau¬ reen O’Hara, Peter Lawford, Finlay Currie and Richard Boone. Lewis Milestone, di¬ rector. • Norbert Brodine, “The Frog Men,” with Richard Widmark, Dana Andrews, Gary Merrill, Jeffrey Hunter, Robert Wagner and Warren Stevens. Lloyd Bacon, director. • Arthur Arling, “Meet Me After The Show,” with Betty Grable, Macdonald Carey, Rory Calhoun and Eddie Albert. Richard Sale, director. • Harry Stradling, “Golden Goose,” (Thor. Prodns.) with Fred MacMurray, Eleanor Parker, Richard Carlson, Kay Buckley, Una Merkle, Douglas Dumbrille and Nestor Paiva. George Marshall, director. • Leo Tover,. “The Secret Of Convict Lake,” with Glenn Ford, Gene Tierney, Zachary Scott, Ethel Barrymore, Ann Dvorak, Helen Westcott and Barbara Bates. Michael Gordon, director. • Leon Shamroy, “Friendly Island,” (Tech¬ nicolor) with William Lundigan, Jane Greer, Gloria DeHaven, Mitzi Gaynor, David Wayne, Jack Paar and Gene Lockhart. Edmund Goulding, director. • Harry Jackson, “Anne Of The Indies,” (Technicolor) with Louis Jordan, Jean Peters, Deborah Kerr, Herbert Marshall, Thomas Gomez. Jacques Tournear, director. UniversalInternational • Maury Gertsman, “Ma and Pa Kettle At The County Fair,” with Marjorie Main, Percy Kilbride, Lori Nelson, James Best. Charles Barton, director. • Russell Metty, “The Golden Horde,” (Technicolor) with David Farrar, Ann Blythe, Peggie Castle, Richard Egan, Poodles Hannaford, Howard Petrie, and Henry Brandon. George Sherman, director. • Carl Guthrie, “The Iron Man,” with Stephen McNally, Jeff Chandler, Evelyn Keyes, Joyce Holden, Rock Hudson and Jim Backus. Joseph Pevney, director. • George Robinson, “The Real McCoy,” with Bud Abbott, Lou Costello, Dorothy Shay, Kirby Grant, Shay Cogan, and Ida Moore. Charles Lamont, director. • Russell Metty, “Fiddler’s Green,” with Shelly Winters, Richard Conte, Stephen McNally, Charles Bickford and Alex Nicol. Warner Brothers • Sid Hickox, “Fort Worth,” with Randolph Scott, David Brian, Phyllis Thaxter, Helena Carter and Henry Hull. Edwin L. Marin, director. • Robert Burks, “Tomorrow Is Another Day,” with Ruth Roman, Steve Cochran, Lurene Tuttle and Wallace Ford. Felix Feist, director. • Ernest Haller, “Moonlight Bay,” (Tech¬ nicolor) with Doris Day, Gordon MacRae, Jack Smith, Mary Wickies, Rosemary de Camp, Leon Ames. • Ed Dupar, “I Was A Communist For The F.B.I.,” with Frank Lovejoy, Dorothy Hart, James Millican and Konstantin Shayne. Gordon Douglas, director. • Wilfred Cline, “Painting The Clouds With Sunshine,” with Dennis Morgan, Vir¬ ginia Mayon, Lucille Norman and Gene Nelson. David Butler, director. 114 American Cinematographer March, 1951