American cinematographer. (1951)

Paramount • Loyal Griggs, “Shane,” (Technicolor) with Alan Ladd, Jean Arthur. George Stevens, director. • Harry Wild, “Son of Paleface,” (Tech¬ nicolor) with Bob Hope, Jane Russell. Frank Tashlin, director. • George Barnes, “Somebody Loves Me,” (Technicolor) with Betty Hutton. Irving Brecher, director. • Daniel Fapp, “Sailor Beware,” with Dean Martin, Jerry Lewis. Hal Walker, director. R.K.O. • Russell Hari.an, “The Big Sky,” with Kirk Douglas. Howard Hawks, director. • William Snyder, “The Korean Story,” with Robert Mitchum. Tay Garnett, director. • Harry Stradling, “Androcles and The Lion,” with Jean Simmons, Victor Mature. Chester Erskine, director. • Karl Struss, “Tarzan The Hunted,” with Lex Barker, Dorothy Hart. Cyril Endfield, director. 20th Century Fox • Norbert Brodine, “Five Fingers,” with James Mason. Jos. L. Mankiewicz, director. • Leon Shamroy,' “Wait Till The Sun Shines, Nellie,” with Jean Peters, David Wayne. Henry King, director. • Arthur Arling, “Belles On Their Toes,” (Technicolor) with Jeanne Crain, Myrna Loy. Henry Levin, director. • Milton Krasner, “Phone Call From A Stranger,” with Gary Merril, Shelley Win¬ ters. Jean Negulesco, director. • Lucien Ballard, “Return Of The Texan,” with Dale Robertson, Richard Boone. Delmer Daves, director. UniversalInternational • Irving Glassberg, “Bend In The River,” with James Stewart, Arthur Kennedy. An¬ thony Mann, director. • Maury Gertsman, “Son of Ali Baba,” with Tony Curtis, Piper Laurie. Kurt Neu¬ mann, director. • Cliff Stine, “Broncho Buster,” with John Lund, Joyce Holden. Budd Boetticher, director. • Carl Guthrie, “Francis Covers The Big Town,” with Donald O'Connor, Nancy Guild. Arthur Lubin, director. • Russell Metty, “The World In His Arms,” with Gregory Peck, Ann Blyth. Roaul Walsh, director. • Charles Boyle, “Steel Town,” (Tech.) with Ann Sheridan, John Lund. George Sherwood, director. Warner Brothers • Ted McCord, “I’ll See You In My Dreams,” with Doris Day. Michael Curtiz, director. • John Boyi.e, “Carson City,” with Ran¬ dolph Scott, Raymond Massey. Andrew de Toth, director. • Ed DuPar, “The Lion And The Horse,” with Steve Cochran. Louis King, director. • Robert Burks, “Room For One More,” with Cary Grant, Betsy Drake. Norman Taurog, director. • Wilfrid Cline, “She’s Working Her Way Through College,” with Virginia Mayo, Ronald Reagan. Bruce Humberstone, director. • Ted McCord, “This Woman Is Danger¬ ous,” with Joan Crawford. Felix Feist, director. • Warren Lynch, “Retreat, Hell!” with Frank Lovejoy, Richard Carlson. Joseph Lewis, director. SALES . SERVICE . RENTALS 35 mm. • 16 mm. C AM ER AS>MO VIOL AS*DOLL Y S Complete Line of Equipment for Production Available for Rental Mitchell: Standard Hi-Speed NC BNC 16 mm. . Bell & Howell: Standard Shiftover Eyemos Maurer: 16 mm. Cameras Moviola: Editing Machines Synchronizers SPECIALISTS IN ALL TYPES OF CAMERA REPAIR WORK. LENSES MOUNTED RUBy EDITORIAL SERVICE, INC. Complete Film Editorial Facilities for Motion Picture & Television Production SOUNDPROOF AIR-CONDITIONED PRIVATE EDITING ROOMS Modern Equipment for EVERY TECHNICAL REQUIREMENT 35 & 16mm. RENTALS BY DAY, WEEK OR MONTH ALL NEW MOVIOLA EQUIPMENT Equipment Available for Off -the -Premise Rentals. 729 7th Ave., New York 19, N.Y. Tel: Circle 5-5640 AKilEY CAMERA AND INSTRUMENT CORP. 175 Varick Street New York 14, New York — Established 1914 — Designers and manufacturers of silent and sound motion picture cameras with 225° shutter opening, (288° shutter opening for television use) , gyro tripods and precision instruments. Complete engineering and machine shop facilities for experimental work, model and production runs. INQUIRIES INVITED MOTION PICTURE AND TV PRODUCTION EQUIPMENT LIGHTWEIGHT MOBILE EQUIPMENT CUTS PRODUCTION TIME AND COSTS CAMART TV CAMERA CAR Four wheel dolly with maneuverable boom arm, 27 inch width will go through standard door. Lens heights from 26" to seven feet, smooth operation with any heavy duty professional camera, weighs less than 250 pounds, easily transported. CAMART TV MIKE BOOM Sturdy and dependable, 13' extension arm, rear handle for directional mike control. 3" ball bearing wheels for silent movement. Folds to fit in your car. CAMART FRICTION TRIPOD Freehead smooth pan and tilt action, sturdy and dependable for 16-35mm cameras. Send for brochure. ARRIFLEX HEADQUARTERS New Arriflex 35mm camera, model II, fullframe reflex viewing through the taking lens while camera is in motion, 200' and 400' magazines available. Tripods, lenses, batteries, chargers also available. COLORTRAN LIGHTING EQUIPMENT "750" Watt unit — three spots, one broad, stands, converter, cases; 3000 watts on less than 15 amps. $298.53. "2000" Watt unit — two light heads, stands, converter, case; 4000 watts on less than 20 amps. $180.38. "5000"Watt unit — -two light heads, stands, converter, case; 10,000 watts on less than 30 amps. $230.00. Grip Equipment for good lighting control. Three gobos, five flags, case $122.00. Above units available for immediate delivery. GET COLOR RIGHT with COLORTRAN LIGHT. PRODUCTION EQUIPMENT RENTALS Maurer 16mm Professional camera, film re¬ corder, film phonographs. Mitchell — Bell & Howell 35mm cameras. Synchronous magnetic film, and disc recorders. Moviola film viewers and synchronizers. Dollies, Mike Booms, Tripods, Colortran Lites. ABOVE EQUIPMENT AVAILABLE FOR SALE AND RENTALS. the CAMERA • MART, inc. 70 WEST 45TH STREET WORLD-WIDE SERVICE NEW YORK 19, N. Y. CABLE ADDRESS: CAMERAMART October, 1951 American Cinematographer 427