American cinematographer (Jan-Dec 1952)

Columbia • Joseph Walker, “Affair In Trinidad,” with Rita Hayworth and Glenn Ford. Vincent Sher¬ man, director. • Burnett Guffey, “Assignment — Paris,” with Marta Toren, Dana Andrews, Creorge Sanders and Audrey Totter. Phil Karlson, director. • Henry Freulich, “Prince of Pirates,” ( Esskay Prod, in color) with John Derek, Barbara Rush, Carla Balenda, Edgar Barrier. Sidney Salkow, director. • Frank Planer. “The 5000 Fingers Of Dr. T,” with Peter Lind Hayes, Mary Healy, Tommy Rettig, Hans Conried, Bob and Jack lJeasley. Roy Rowland, director. Independent • Jack Russell, “Park Row,” with Gene Evans and Mary Welch. Samuel Fuller, pro¬ ducer-director. • Joseph Biroc, “Loan Shark,” with Creorge Raft and Gail Russell. Seymour Friedman, director. • Clyde DeVinna, “The Jungle,” (Voltaire Prod., shooting in India) with Rod Cameron, Cesar Romero, and Marie Windsor. William Berke, director. M-G-M • John Alton, “Mr. Congressman,” with Van Johnson, Patricia Neal and Louis Calhern. Robert Pirosh, director. • Paul C. Vogel, “Days Before Lent,” with Gig Young, Janice Rule and Keenan Wynn. Gerald Mayer, director. • William Daniels, “Pat And Mike,” with Spencer Tracy and Katherine Hepburn. George Cukor, director. • Robert Planck, “The One Piece Bathing Suit,” (Color) with Esther Williams and Victor Mature. Mervyn LeRoy, director. • Harold Rosson, “Three Love Stories,” (Color) with Leslie Caron, Farley Granger and Ethel Barrymore. Vincente Minnelli, di¬ rector. • Ray June, “Eagle On His Cap,” with Robert Taylor, Eleanor Parker, James Whit¬ more, Marilyn Erskine and Larry Keating. Norman Panama and Melvin Frank, producersdirectors. • Harold Lipstein, “Fearless Fagan,” with Janet Leigh, Carleton Carpenter, Keenan Wynn and Richard Anderson. Stanley Donen, director. • William Skai.l, “Everything I Have Is Y ours,” (Technicolor) with Marge and Gower Champion, Dennis O’Keefe, Monica Lewis and Dean Miller. Robert Z. Leonard, director. Paramount • John F. Seitz, “Botany Bay,” (Color) with Alan Ladd, James Mason, Patricia Medina, Murray Matheson, Dorothy Patten. John Far¬ row, director. • Peverell Marley, “Military Policemen,” with Bob Hope, Mickey Rooney, Marilyn Max¬ well, Eddie Mayehoff. George Marshall, di¬ rector. • Lionel Lindon, “Caribbean Gold,” (PineThomas Prod. (Color) with John Payne and Arlene Dahl. Edward Ludwig, director. AMERICAN SOCIETY OF CINEMATOGRAPHERS FOUNDED January 8, 1919, The Ameri¬ can Society of Cinematographers is com¬ posed of the leading directors of photog¬ raphy in the Hollywood motion picture studios. Its membership also includes non¬ resident cinematographers and cinematog¬ raphers in foreign lands. Membership is by invitation only. • Officers and Board of Governors Ray Rennahan, President Fred W. Jackman, Exec. Vice-President Hal Mohr, First Vice-President Arthur Edeson, Second Vice-President Charles G. Clarke, Third Vice-President William V. Skall, Treasurer John W. Boyle, Secretary Charles Rosher, Sergeant-at-Arms Robert de Grasse George Folsey Alfred Gii.ks Milton Krasner Victor Milner Sol Polito Leon Shamroy Alternate Board Members Joseph Biroc Paul Eagler Sol Halprin Stanley Horsley Ernest Laszlo Ernest Miller Nicholas Musuraca Joseph Ruttenberg Walter Strence Phil Tannura Paramount ( Continued ) • George Barnes, “War Of The Worlds,” (Color) with Gene Barry and Ann Robinson. Byron Haskin, director. • Ernest Laszlo, “Stalag 17,” with William Holden, Don Taylor, Otto Preminger, Robert Strauss, Cy Howard, Sig Ruman, Dick Erdman. Billy Wilder, director. • Ray Rennahan, “Hurricane Smith,” (Tech¬ nicolor) with Yvonne deCarlo, John Ireland, James Craig, Forrest Tucker, Richard Arlen and Lyle Bettger. Jerry Hopper, director. • James Wong Howe, “Come Back Little Sheba,” with Burt Lancaster, Shirley Booth, Terry Moore and Richard Jaeckle. Daniel Mann, director. R.K.O. • Lee Garmes, “This Man Is Mine,” (WaldKrasna) with Susan Hayward and Robert Mitchum. Nicholas Ray, director. • Charles Lang, “Sudden Fear,” (Jos. Kauff¬ man Prod.) with Joan Crawford and Bruce Bennett. David Miller, director. • Harry Stradling, “Hans Christian Ander¬ sen,” (Samuel Goldwyn Prod.) (Color) with Danny Kaye, Farley Granger and Renee Jeanmarie, Charles Vidor, director. 20th Century Fox • Milton Krasner, “Dream Boat,” with Clif¬ ton Webb, Anne Francis, George Barrows. Claude Binyon, director. • Joseph LaShelle, “Les Miserables,” with Michael Rennie, Debra Paget, Robert Newton, James Robertson Justice. Lewis Milestone, director. • Joe MacDonald, “The Full House,” (2nd Sequence) with Charles Laughton, David Wayne and Marilyn Monroe. Henry Koster, director. • Edward Cronjager, “Condor’s Nest,” (Color) with Cornel Wilde and Constance Smith. Delmer Daves, director. • Leon Shamroy, “The Snow of Kiliman¬ jaro,” (Technicolor) with Gregory Peck, Susan Hayward, Hildegarde Neff, Ann Francis, Helene Stanley, and Ava Noring. Henry King, director. UniversalInternational • Russell Metty, “Against All Flags,” (Color) with Errol Flynn and Maureen O'Hara. George Sherman, director. • Cliff Stine, “Almost Married,” with Tony Curtis and Piper Laurie. Douglas Sirk, director. • Maury Gertsman, “The Girl Across The Street,” with Ann Sheridan and John Lund. Joseph Pevney, director. • Irving Glassberg, “Sally And St. Ann,” with Ann Blyth, John Mclntire and Frances Bavier. Rudolph Mate, director. • Charles Boyle, “The Texas Man,” (Tech¬ nicolor) with Robert Ryan, Julia Adams, Rock Hudson, Judith Braun, John Mclntire, and Dennis Weaver. Budd Boetticher, director. • Russell Metty, “Yankee Buchaneer,” with Jeff Chandler, Scott Brady, Suzan Ball, Joseph Calleia and George Mathews. Frederick de Cordova, director. • Cliff Stine, “Ma And Pa Kettle At Waikiki,” with Marjorie Main, Percy Kil¬ bride, Luri Nelson, Lorring Smith, Esther Dale, Faye Roope, and Teddy Hart. Lee Sholem, director. Warner Brothers • Sidney Hickox, “Alexander, The Big Leaguer,” with Doris Day and Ronald Reagan. Lewis Seiler, director. • Wilfrid Cline, “The Story Of Will Rog¬ ers,” with Jane Wyman and Will Rogers, Jr. Michael Curtiz, director. • Edwin DuPar, “The Miracle of Our Lady of Fatima,” with Gilbert Roland. John Brahm, director. NOTE : Names of A.S.C. Directors of Photography who were engaged in the photography of films for television last month will be found in the “ Television Production column ’ on page 115. 136 American Cinematographer March, 1952