American cinematographer (Jan-Dec 1952)

Columbia • Joseph Walker, “Affair In Trinidad,” with Rita Hayworth and Glenn Ford. Vincent Sher¬ man, director. • Burnett Guffey, “Assignment — Paris,” with Marta Toren, Dana Andrews, George Sanders and Audrey Totter. Phil Karlson, director. • Frank Planer, “The 5000 Fingers Of Dr. T,” with Peter Lind Hayes, Mary Healy, Tommy Rettig, Hans Conried, Bob and Jack Heasley. Roy Rowland, director. • Henry Freulich. “Last Train From Bom¬ bay,” (Esskay Prod.) with Jon Hall, Liss Ferraday. Fred Sears, director. • Paul Ivano, “Strange Fascination,” (H. H. Prod.) with Hugo Haas, Mona Barrie, Cleo Moore and Rick Vallin. Hugo Haas, director. • Fayte Brown, “Kid From Broken Gun, with Charles Starrett and Smiley Burnette. Ray Nazarro, director. Independent • Clyde DeVinna, “The Jungle,” (Voltaire Prod., shooting in India) with Rod Cameron, Cesar Romero, and Marie Windsor. William Berke, director. ° Stanley Cortez, “Abbott And Costello Meet Captain Kidd,” (Woodley Prod.) with Bud Abbott, Lou Costello, Chas. Laughton. Charles Lamont, director. • Willam Bradford, “Port Sinister,” (Amer. Pictures) with James Warren, Lynne Roberts, Paul Cavanaugh. Harold Daniels, director. • Ernest Miller, “Hellgate,” (Commander Films) with Sterling Hayden, Joan Leslie, Ward Bond. Charles M. Warren, director. M-G-M • Ray June, “Eagle On His Cap,” with Robert Taylor, Eleanor Parker, James Whit¬ more, Marilyn Erskine and Larry Keating. Norman Panama and Melvin Frank, producersdirectors. • Harold Lipstein, “Fearless Fagan,” with Janet Leigh, Carleton Carpenter, Keenan Wynn and Richard Anderson. Stanley Donen, director. • William Skall, “Everything I Have Is Yours,” (Technicolor) with Marge and Gower Champion, Dennis O’Keefe, Monica Lewis and Dean Miller. Robert Z. Leonard, director. ° George Folsey, “The One Piece Bathing Suit,” (Technicolor) with Esther Williams, Victor Mature. Mervyn LeRoy, director. • Charles Rosher, “Story Of Three Loves,” (Technicolor) with Moira Shearer, James Mason. Gottfried Reinhardt, director. • Robert Planck, “Lili,” with Leslie Caron, Mel Ferrer, and Zsa Zsa Gabor. Charles Walters, director. • William Daniels, “Plymouth Adventure,” (Technicolor) with Spencer Tracy, Gene Tier¬ ney, Van Johnson. Clarence Brown, director. • William Mellor, “Letter From The Presi¬ dent,” with Shelley Winters, Ricardo Mon AMERICAN SOCIETY OF CINEMATOGRAPHERS FOUNDED January 8, 1919, The Ameri¬ can Society of Cinematographers is com¬ posed of the leading directors of photog¬ raphy in the Hollywood motion picture studios. Its membership also includes non¬ resident cinematographers and cinematog¬ raphers in foreign lands. Membership is by invitation only. • Officers and Board of Governors Ray Rennahan, President Fred W. Jackman, Exec. Vice-President Hal Mohr, First Vice-President Arthur Edeson, Second Vice-President Charles G. Clarke, Third Vice-President William V. Skall, Treasurer John W. Boyle, Secretary Charles Rosher, Sergeant-at-Arms Robert de Grasse George Folsey Alfred Gilks Milton Krasner Victor Milner Sol Polito Leon Shamroy Alternate Board Members Joseph Biroc Paul Eagler Sol Halprin Stanley Horsley Ernest Laszlo Ernest Miller Nicholas Musuraca Joseph Ruttenberg Walter Strenge Phil Tannura talban and Claire Trevor. William Wellman, director. • Paul C. Vogel, “You For Me,” with Peter Lawford, Jane Greer, and Gig Young. Don Weis, director. Monogram ® Jack Russell, “Arctic Flight,” (Lindsley Parsons Prod.) with Wayne Morris, Lola Albright. Ewing Scott, director. • Marcel LePicard, “Plow Jockeys,” with Leo Gorcey, Huntz Hall, Anne Kimbell, et al. William Beaudine, director. Paramount • Ernest Laszlo, “Stalag 17,” with William Holden, Don Taylor, Otto Preminger, Robert Strauss, Cy Howard, Sig Ruman, Dick Erdman. Billy Wilder, director. • Ray Rennahan, “Hurricane Smith,” (Tech¬ nicolor) with Yvonne deCarlo, John Ireland, James Craig, Forrest Tucker, Richard Arlen and Lyle Bettger. Jerry Hopper, director. • James Wonc Howe, “Come Back Little Sheba,” with Burt Lancaster, Shirley Booth, Jerry Moore and Richard Jaeckle. Daniel Mann, director. • Lionel Lindon, “Tropic Zone,” (Techni¬ color) with Ronald Reagan, Rhonda Fleming, Noah Berry, Jr. Lewis R. Foster, director. R.K.O. • Charles Lang, “Sudden Fear,” (Jos. Kauff¬ man Prod.) with Joan Crawford and Bruce Bennett. David Miller, director. • Harry Stradling, “Hans Christian Ander¬ sen,” (Samuel Goldwyn Prod.) (Color) with Danny Kaye, Farley Granger and Renee Jeanmarie, Charles Vidor, director. 20th Century Fox • Leon Shamroy, “The Snows of Kiliman¬ jaro,” (Technicolor) with Gregory Peck, Susan Hayward, Hildegarde Neff, Ann Francis, Helene Stanley, and Ava Noring. Henry King, director. • Milton Krasner, “Darling, I Am Growing Younger,” with Cary Grant, Ginger Rogers, Marilyn Monroe. Howard Hawks, director. • Harry Jackson, “Pony Soldier,” (Techni¬ color) with Tyrone Power, Penny Edwards, Thomas Gomez. Joseph M. Newman, director. UniversalInternational • Irving Glassberg, “Sally And St. Ann,” with Ann Blyth, John Mclntire and Frances Bavier. Rudolph Mate, director. • Charles Boyle, “The Texas Man,” (Tech¬ nicolor) with Robert Ryan, Julia Adams, Rock Hudson, Judith Braun, John Mclntire, and Dennis Weaver. Budd Boetticher, director. • Russell Metty, “Yankee Buckaneer,” with Jeff Chandler, Scott Brady, Suzan Ball, Joseph Calleia and George Mathews. Frederick de Cordova, director. • Cliff Stine, “Ma And Pa Kettle At Waikiki,” with Marjorie Main, Percy Kil¬ bride, Luri Nelson, Lorring Smith, Esther Dale, Faye Roope, and Teddy Hart. Lee Sholem, director. • Carl Guthrie, ‘The Riding Kid,” (Tech¬ nicolor) with Richard Conte, Viveca Lindfors, Barbara Britton. Leslie Selander, director. • Maury Gertsman, “It Grows On Trees,” with Irene Dunne, Dean Jagger and Joan Evans. Arthur Lubin, director. • Irving Glassberg, “The Black Castle,” with Stephen McNally, Richard Greene, Paula Corday. Nathan Juran, director. • Charles Boyle, “City Beneath The Sea,” (Technicolor) with Robert Ryan, Suzan Ball, Anthony Quinn. Budd Boetticher, director. Warner Brothers • Ted McCord, “Danger Forward,” with Cor¬ nel Wilde, Steve Cochran, Karl Malden, Phyllis Thaxter. Lewis Seiler, director. • Wilfred Kline, “April In Paris,” (Teehnicolor) with Doris Day, Ray Bolger and Claude Dauphin. David Butler, director. 182 American Cinematographer April, 1952