American cinematographer (Jan-Dec 1952)

Record Details:

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'BLACK MAMAS? LIGHTED THE INFANT FILM INDUSTRY BY LITERALLY fallowing the sun. NAMED AFTER AN ORIGINAL.’ EPISON DESIGN BUILT IN 1893, THIS REVOLVING STUDIO ' PROVIDED A SHED FOR THE CAMERA/ AND METAL FRAMES TO WHICH SCENERY WAS ATTACHED. OF ''NATION Ali7 CARSON ARCS BROUGHT VIRTUAL EMANCIPATION FROM THE GUN FOR STUDIO LIGHTING. WHOLE MINIATURE CITIES LIKE THIS SET FOR UNIVERSAL'S "©ROADWAY^ 1929) WERE LISHTED BY ''NATIONAL" C ARSON ARCS. TOMGM'S SUPERBLY EXECUTED MUSICAL, "AN AMERICAN IN PARIS'' . PHi A STRIKING EXAMPLE OF DEEP SET PENETRATION \, Wm COVERAGE / AND FIDELITY *OF COLOR OBTAINABLE WITH AX NATIONAL^ CARBON ARCS] 4 :;=Best Picture • Writing • Art Direction • Cinematography Costume Design • Set Decoration • Musical Achievement • Choreography THE “NATIONAL” CARBON ARC ... NOTHING BRIGHTER UNDER THE SUN The term "National" is a registered trade-mark of Union Carbide and Carbon Corporation NATIONAL CARBON COMPANY A Division of Union Carbide and Carbon Corporation, 30 East 42nd Street, New York 77, New York District Sales Offices: Atlanta, Chicago, Dallas, Kansas City, New York, Pittsburgh, San Francisco IN CANADA: National Carbon Limited, Montreal, Toronto, Winnipeg