American cinematographer (Jan-Dec 1952)

20th Century-Fox • Edward Cronjager, “Powder River,” with Rory Calhoun,” Corinne Calvet, Cameron Mitchell. Louis King, director. • Joseph LaShelle, “My Cousin Rachel,” with Olivia de Haviland, Richard Burton, Ronald Squires. Henry Koster, director. • Milton Krasner, “Taxi,” with Dan Dailey, Constance Smith. Gregory RatofT, director. • Charles G. Clarke, “Sixty Saddles For Gobi,” with Richard Widmark, Don Taylor, Murvyn Vye. Robert Wise, director. UniversalInternational • John Seitz, “Desert Legion,” (Techni¬ color) with Alan Ladd, Arlene Dahl, Rich¬ ard Conte, Akim TamirofT. Joseph Pevney, director. • Maury Gertsman, “Lone Hand,” (Tech¬ nicolor) with Joel McCrea, Barbara Hale, Alex Nicol, Charles Drake. George Sherman, director. • Charles Boyle, “Column South,” (Tech¬ nicolor) with Audie Murphy, Joan Evans, Robert Sterling. Frederick DeCordova, di¬ rector. • Cliff Stine, Abbott And Costello Go To Mars,” with Bud Abbott, Lou Costello, Robert Paige, Martha Hyer. Charles Lamont, director. • Russell Metty, “Man From Alamo,” (Technicolor) with Glenn Ford, Julia Adams, Chill Wills, Victor Jory. Budd Boetticher, director. Warner Brothers • Ted McCord, “Stop, You’re Killing Me!” (Warner-Color) with Broderick Crawford, Claire Trevor. Roy Del Ruth, director. • Edwin DuPar, “Back To Broadway,” (Warner-Color) with Virginia Mayo, Steve Cochran, Gene Nelson, Patrice Wymore. Gor¬ don Douglas, director. • Carl Guthrie, “The Jazz Singer,” (Tech¬ nicolor) with Danny Thomas, Peggy Lee. Michael Curtiz, director. • Wilfred Cline, “By The Light of The Silvery Moon,” (Technicolor) with Doris Day, Gordon MacRae, Rosemary DeCamp. David Butler, director. • Robert Burks, “I Confess,” with Mont¬ gomery Clift, Anne Baxter, Karl Malden. Alfred Hitchcock, director. Independent • Jack Russell, “The Monster From Be¬ neath the Sea,” (Mutual Prods.) with Paul Christian, Paula Raymond. Eugene Lourie, director. • Winton Hoch, “Return To Paradise,” (Aspen Pictures) (Technicolor) with Gary Cooper, Roberta Haynes. Mark Robson, di¬ rector. • Walter Strenge, “Mr. Walkie Talkie,” (Hal Roach, Jr. Prod.) with William Tracy, Joe Sawyer, Allan Hale, Jr. Fred Guiol, director. • Ernest Laszlo, “The Star,” (Thor Prods.) with Bette Davis, Sterling Hayden, Natalie Wood. Stuart Meisler, director. NOTE: Names of A.S.C. Directors of Photography who were engaged in the photography of films for television last month will be found in the “ Television Production column ’ on page 393. Profits are automatic with BPIDGAMATK Model M52 SENSITESTER continuous Developing Machines S.O.S. CINEMA SUPPLY CORP. DEPT. F 602 W. 52nd ST., N.Y. 19 Cable: SOSOUND • IMMEDIATE DELIVERY fro the lab owner interested in — QUALITY EFFICIENCY ECONOMY ® DUAL MACHINE 1 — Sensitometer 2 — Scene Tester • HIGHLY ACCURATE Electronic timer unaffected by climatic changes. • NEW TYPE LONG-LIFE Cold Light Exposure Unit • WITHOUT ADDITIONAL EXPENSE will match any printer • $1675.00 35mm Model • $1875.00 3 5mm1 6mm Combination Model F.O.B. Hollywood, Calif. APT PEEV ESMOTION PICTURE EQUIP. 7512 Santa Monica Blvd. Hollywood 46 California AWARDED FEDERAL SUPPLY SERVICE CONTRACT 2ND STRAIGHT YEAR FOR ALL U. S. GOV’T. AGENCIES. Producers, TV stations small labs., colleges, photo finishers, microfilmers — do it on your own premises — control your production from the start. Recent BRIDGAMATIC buyers are Station WTVJ, Miami (2),' U. S. Treasury Dept. (6); Civil Aeronautic Authority (2); Gen¬ eral Electric Co.; U.S. Naval Research Labo¬ ratory; Instructo-Graphic Films; Dwight Morris Productions; Siamese Govt.; Barks¬ dale Studios; Ryerson Technical Institute, Canada. AGENTS FOR: Acme Animation, Blue Seal Recorders, Depue Printers, Fearless Dollies, Auricon Super 1200 Cameras, Bardwell & McAllister Spots, Magnecorders, Moviolas, Colortran Lites, Century Lighting, Bodde Background Screens, Hollywood Printers, Studio Synchronizers, Kinevox Synchronous Magnetic Recorders. Raby Blimps and Dollies, Mole-Richardson Lights. MANY ITEMS AVAILABLE ON TIME PAYMENTS. BRIDGAMATIC costs little more than oldfashioned cumbersome, slow acting rack and tank methods. BRIDGAMATIC film developing machines remove fhe guess, save valuable time, protect precious nega¬ tives. Straight 16mm or 16/35mm NEGA¬ TIVE, POSITIVE or REVERSAL Models from $1095 to $9950. Develop and dry ready for showing same day events occur. COM¬ PLETELY SELF CONTAINED with patented overdrive, air squeegees, built-in drybox and heating elements, STAINLESS STEEL TANKS. No special skill required for operating — attach rubber hose and plug in. BRIDGAMATIC TV SPECIAL, Reversal Film Speed, 720' per hour $ 3495 ( with¬ out extras ). BRIDGAMATIC JR. $1095 Good for small labs., pos. speed 600' per hr. September, 1952 American Cinematographer 407