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Major film productions on which members of fhe American Sociefy of Cinematographers were engaged as directors of pho¬ tography during the past month.
★ ★ ★ ★
★ ★ ★ ★
Allied Artists
• Harry C. Neumann, “Jalopy,” with Leo Gorcy, Huntz, Hall, Jane Easton, the Bowery Boys. William Beaudine, director.
Columbia
• Henry Freulich, “Conquest of Cochise,” (Esskay Pics.) (Technicolor), with John Hodiak, Robert Stack, and Joy Page. William Castle, director.
• Lester White, “49 Men,” (Esskay Pics.) with John Ireland, Richard Denning, and Suzanne Dalbert. Fred F. Sears, director.
Metro-GoldwynMayer
• George Folsey, “The Band Wagon,” (Technicolor) with Fred Astair, Cyd Charisse. Vincente Minnelli, director.
• William Mellor, “Give A Girl A Break,” (Technicolor) with Marge and Gower Cham¬ pion, Debbie Reynolds. Stanley Donen, di¬ rector.
• Robert Surtees, “Mogambo,” (Techni¬ color) with Clark Gable, Ava Gardner, Grace Kelly and Douglas Sinden. John Ford, di¬ rector.
• Ray June, “A Slight Case of Larceny,” with Mickey Rooney, Eddie Bracken, Elaine Stewart, and Marilyn Erskine. Don Weis, director.
• Joseph Ruttenberg, “Latin Lovers,” (Technicolor) writh Lana Turner, Ricardo Montalban, John Lund, Louis Calhern, Jean Hagen, Beulah Bondi, Eduard Franz, Rita Moreno, and The Modernaires. Mervyn LeRoy, director.
• Harold Lipstein, “The Great Diamond Robbery,” with Red Skelton, Cara Williams, James Whitmore, Dorothy Stickney, Adolphe Menjou, Reginald Owen, and Horace McMa¬ hon. Robert Z. Leonard, director.
• Hal Rosson, “Years Ago,” with Spencer Tracy, Jean Simmons, Teresa Wright, Tony Perkins, Kay Williams, and Mary Wickes. George Cukor, director.
Paramount
• George Barnes, “Little Boy Lost,” with Bing Crosby, Claud Dauphin, Nicole Maurey, Chris Fourcade. George Seaton, director.
• Lionel Lindon, “Here Come The Girls,” (Technicolor) with Bob Hope, Tony Martin, Arlene Dahl. Claude Binyon, director.
• Ray Rennahan, “Arrowhead,” (Techni¬ color) with Charlton Heston, Jack Palance, Katy Jurado, Michael Keith, Mary Sinclair, Michael Shannon, Judith Ames, and Milburn Stone. Charles Marquis Warren, director.
• Daniel Fapp, “(Untitled)” with Dean Mar¬ tin, Jerry Lewis, Donna Reed, Barbara Bates, Don Porter, and Joseph Calleia. Norman Taurog, director.
Republic
• John L. Russell, Jr., “City That Never Sleeps,” with Gig Young, Mala Powers, Ed¬ ward Arnold, Marie Windsor, and Wally Cas¬ sell. Producer-director, John H. Auer.
AMERICAN SOCIETY OF CINEMATOGRAPHERS
FOUNDED January 8, 1919, The Ameri¬ can Society of Cinematographers is com¬ posed of the leading directors of photog¬ raphy in the Hollywood motion picture studios. Its membership also includes non¬ resident cinematographers and cinematog¬ raphers in foreign lands. Membership is by invitation only.
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Officers and Board of Governors
Charles G. Clarke, President Fred W. Jackman, Exec. Vice-President Arthur Edeson, First Vice-President Victor Milner, Second Vice-President Lee Garmes, Third Vice-President William Skall, Treasurer John W. Boyle, Secretary Milton Krasner, Sergeant-at-Arms John Arnold Robert DeGrasse Alfred Gilks Hal Mohr Sol Polito Ray Rennahan Joseph Ruttenberg Leon Shamroy Alternate Board Members Joseph Biroc Norbert Brodinf.
William Daniels Paul Eacler Sol Halprin Winton Hoch Fred W. Jackman Charles Rosher Phillip Tannura James Van Trees
20th CenturyFox
• Joe MacDonald, “Nearer My God To Thee,” with Clifton Webb, Barbara Stanwyck, Thelma Ritter. Jean Negulesco, director.
• Lucien Ballard, “The Desert Rats,” with James Mason, Richard Burton, Robert Newton, Chips Rafferty, Charles Tingwell, and James Lilburn. Robert Wise, director.
• Harry Wild, “Gentlemen Prefer Blondes,” (Technicolor) with Jane Russell, Marilyn Monroe, Charles Coburn, Elliott Reid, and George Winslow. Howard Hawks, director.
• Charles G. Clarke, “Fight Town” (Tech¬ nicolor) with Jeanne Crain, Dale Robertson, Richard Boone, Carol Mathews and Carl Betz. Harmon Jones, director.
• Leon Shamroy, “White Witch Doctor,” (Technicolor) with Susan Hayward, Robert Mitchum, Walter Slezak. Henry Hathaway, director.
UniversalInternational
• Maury Gertsman, “The Golden Blade,” (Technicolor) with Rock Hudson, Piper Laurie, Gene Evans, Kathleen Hughes, and Edgar Barrier. Nathan Juran, director.
• Russell Mf.tty, “The Prince Of Bagdad,” (Technicolor) with Victor Mature, Mari Blan¬ chard, Guy Rolfe, Virginia Field, Palmer Lee, Ludwig Donath, Jim Arness, Nick Cravat, Charles Arnt, and Howard Petrie. George Sherman, director.
• Cuff Stine, “East Of Sumatra,” (Tech¬ nicolor) with Jeff Chandler, Marilyn Maxwell, Anthony Quinn, John Sutton, Jay C. Flippen, and Eugene Iglesias. Budd Boetticher, di¬ rector.
• Charles Boyle, “The Stand At Apache River,” (Technicolor) with Stephen McNally, Julia Adams, Hugh Marlowe, Hugh O'Brian, Russell Johnson, and Jaclynne Greene. Lee Sholem, director.
• Carl Guthrie, “Stopover,” with Barbara Stanwyck, Richard Carlson, Maureen O’Sulli¬ van, Richard Long, Marica Henderson, Lori Nelson, and Billy Gray. Douglas Sirk, director.
Warner Brothers
• Edwin DuPar, “The System,” with Frank Lovejoy, Robert Arthur, Dan Seymour, and Victor Perrin. Lewis Seiler, director.
• Robert Burks, “The Grace Moore Story,” (Technicolor) with Kathryn Grayson, Walter Abel, Merv Griffin, Ann Doran, and Rosemary DeCamp. Gordon Douglas, director.
• W'ilfred Cline, “Calamity Jane,” (Techni¬ color) with Doris Day, Howard Keel, Allyn McLerie, Dick Wesson, and Philip Carey. David Butler, director.
Independent
• James Wong Howe, “Main St. To Broad¬ way,” (Cinema Prodns.) with Tallulah Bankhead, Olivia de Haviland, Faye Emerson, H. Fonda, R. Harrison, M. Martin. Tay Garnett, director.
• Joseph Biroc. “Harness Bull,” (Sequoia Pictures) with Edward G. Robinson, Joan Vohs, and Edward Binns. Arnold Laven, di¬ rector.
• Nick Musuraca, “The Blue Gardenia,” (Gottleib Prods.) with Anne Baxter, Richard Conte, Ann Southern, Raymond Burr, Jeff Donnell, Richard Erdman, Ray W'alker, and Nat King Cole. Fritz Lang, director.
• Harry Stradling, “A Lion Is In The Streets,” (Cagney Prod.) (Technicolor) with James Cagney, Barbara Hale, Ann Francis, Lon Chaney, Jr., Frank McHugh. Mickey Simpson, John Mclntire. Raoul Walsh, di¬ rector.
• Stanley Cortez, “China Gold,” (WisbergPollexfen Prod.) with John Archer, Hillary Brooke, Noel Cravat, and Philip VanZandt. A. Wisberg and J. Pollexfen, producers-directors.
• John Alton, “The San Quentin Story,” (Swartz-Doniger Prod, t with Louis Hayward, Joanne Dru, Paul Kelly, Maureen O'Sullivan, George MacReady and Horace McMahon. Walter Doniger, director.
• Stanley Cortez, “The Neanderthal Man,”
( Wisberg-P ollexfen Prod.) with Richard Crane. Robert Shane, and Doris Merrick. E. A. Dupont, director.
40
American Cinematographer
January, 1953