American cinematographer. (1954)

Now! A 400ft. Magazine For Your BOLEX H-16 Complete with Synchronous Motor and Base Includes Installation and Case Permits continuous run of 400 feet of 16mm film, or — the 200 ft. daylight loading spool may be used in the 400 ft. magazine. The 100 ft. daylight loading spool can be used in the camera without removing the external magazine. In black wrinkle finish to match camera. Fully guaranteed. Write for information on our Rack-Over, Sportsfinder and Camera Base. See your Bolex dealer or order direct. Immediate delivery. TOLEDO CINE ENGINEERING 1309 Milburn Ave. Toledo 6, Ohio FOR YOUR TV COMMERCIAL Special optical effects on 35mm or 1 6mm film. Send for free optical effects chart. RAY MERCER & CO. 4241 Normal Ave. • Hollywood 29, Calif. NOrmandie 3-9331 AUTOMATIC DAYLIGHT PROCESSING EQUIPMENT DEVELOPING TANK • Processes up to 200 Ft. • 8mm1 6mm-35mm • Movie — X-Ray — Microfilm • Motor Driven, Portable • Tough Plastic Tanks • Uniform Density Assured • 70mm tank also available FILM DRYER • Motor driven — Heated • Speedy drying • Automatic shrinkage allowance • Stainless steel and aluminum construction • Easily assembled without Tools • Compact, Portable Guaranteed. Write for Free Literature MICRO RECORD CORP. Dept. AC 225 W. 28th St., N.Y. 1, N.Y. ^Ml?TER8, In World-Wid* Uss Produce moonlight and night effects in daytime* fog scenes « diffused focus and many other effects. Information mailed on request. SCHEIBE FILTERS COMPANY ORIGINATORS OF EFFECT FILTERS P.O. Box 1 6834, Hollywood 46, Calif. Major film productions on which members of the American Society of Cinematographers were engaged as directors of pho¬ tography during the past month. AMERICAN SOCIETY OF CINEMATOGRAPHERS FOUNDED January 8, 1919, The Ameri¬ can Society of Cinematographers is com¬ posed of the leading directors of photog¬ raphy in the Hollywood motion picture studios. Its membership also includes non¬ resident cinematographers and cinematog¬ raphers in foreign lands. Membership is by invitation only. Arthur Edeson, President Milton Krasner, First Vice-President Arthur Miller, Second Vice-President Hal Mohr, Third Vice-President William Skall, Treasurer John W. Boyle, Secretary Robert de Grasse, Sergeant-At-Arms John Arnold Charles G. Clarke Lee Garmes Alfred Gilks Victor Milner Ray Rennahan Joseph Ruttenberc Leon Shamroy Alternate Board Members Joseph Biroc William Daniels Paul Eacler Sol Halprin Winton Hoch Charles Lanc Joseph La Shelle John Seitz Philip Tannura James Van Trees COLUMBIA • Lester White, “The Killer W'ore A Badge,” with Fred MacMurray, Phil Carey. Richard Quine, director. • Charles Lawton, Jr., “Three Hours To Live,” (Technicolor), with Dana Andrews, Donna Reed, Dianne Foster. A1 Werker, di¬ rector. • Arthur E. Arlinc, “The Pleasure’s All Mine,” retitled “Three For The Show,” (Tech¬ nicolor; CinemaScope) with Betty Grable, Marge and Gower Champion, Jack Lemmon. H. C. Potter, director. • Burnett Guffey, “Those Reported Miss¬ ing,” with Robert Francis, Diane Foster, Earl Hymann. Lew Seiler, director. METRO-GOLD WYN^M AYER • Joseph Ruttenberg, “Brigadoon,” (Ansco Color; CinemaScope) with Gene Kelly, Van Johnson, Cyd Charisse, Elaine Stewart, Vir¬ ginia Bosler, Hugh Laing, Dodie Heath, Barry Jones, Albert Sharpe, Owne McGivney, Eddie Quillan, and Tudor Owen. Vincente Minnelli, director. PARAMOUNT • Loyal Griggs, “The Bridges At Toko-Ri,” (Eastman Color; Wide Screen) with William Holden, Grace Kelly, Mickey Rooney, Fred¬ eric March, Charles McGraw, Robert Strauss, Keiko Awaji, Dick Shannon, Bill Bouchey. Mark Robson, director. • Loyal Griggs, “The Big Top,” (Hal Wallis Prod.; Eastman Color; Widescreen) with Dean Martin, Jerry Lewis, Joanne Dru, Zsa Zsa Gabor. Wallace Ford, Nick Cravat, and Gene Sheldon. Joseph Pevney, director. R.K.O. o Harry Wild, “The Big Rainbow,” (Tech¬ nicolor) with Jane Russell, Gilbert Roland, Richard Egan, Lori Nelson, Robert Keith, Joseph Calleia. John Sturges, director. UNIVERSAL-INTERNATIONAL • Russell Metty, “Sign of the Pagan,” (Technicolor; CinemaScope) with Jeff Chand¬ ler, Jack Palance, Ludmilla Tcherina, Rita Gam, and Jeff Morrow. Douglas Sirk, director. • Carl Guthrie, “Dawn At Socorro,” (Tech¬ nicolor; wide-screen) with Rory Calhoun, Piper Laifrie, David Brian, Kathleen Hughes, Alex Nicol. George Sherman, director. • Clifford Stine. “This Island Earth,” (Technicolor; wide-screen) writh Bart Roberts, and Faith Domergue. Joe Newman, director. • Maury Gertsman, “Bengal Rifles,” (Tech¬ nicolor; wide-screen) with Rock Hudson, Arlene Dahl, Dan O’Herlihy, Torin Thatcher, Michael Ansara. Laslo Benedek, director. • George Rorinson, “The Matchmakers,” with Marjorie Main, Chill Wills, Alfonso Bedova, Pedro Gonzales Gonzales, Rudy Vallee, Ruth Hampton, and Benay Venuta. Charles Lamont, director. • Irving Glassberg, “Francis Joins The WACs,” with Donald O’Connor, Julia Adams, Chill Wills, Mamie Van Doren, and Allison Hayes. Arthur Lubin, director. • Russell Metty, “The Tight Squeeze,” with Sterling Hayden. Gloria Grahame, and Gene Barry. Jerry Hopper, director. WARNER BROS. • Sam Leavitt, “A Star Is Born,” (Techni¬ color; CinemaScope) with Judy Garland, James Mason, Jack Carson, Charles Bickford, Tom Noonan, and Jack Pepper. George Cukor, director. • Wilfrid Cline, “Lucky Me,” (W'arnercolor; CinemaScope) with Doris Day, Robert Cummings, Phil Silvers, Eddie Foy, Jr., and Nancy Walker. Jack Donohue, director. • Peverell Marley, “The Talisman,” (WarnerColor; CinemaScope) with Virginia Mayo, Rex Harrison, George Sanders, Laurence Harvey, Robert Douglas. David Butler, di¬ rector. 154 American Cinematographer March, 1954