American cinematographer. (1954)

HOLLYWOOD STUDIO PRODUCTION Feature and television film productions for which members of the American Society of Cinematographers were engaged as Directors of Photography during the past month. AMERICAN SOCIETY OF CINEMATOGRAPHERS FOUNDED January 8, 1919, The Ameri¬ can Society of Cinematographers is com¬ posed of the leading directors of photog¬ raphy in the Hollywood motion picture studios. Its membership also includes non¬ resident cinematographers and cinematog¬ raphers in foreign lands. Membership is by invitation only. • BOARD OF GOVERNORS — 1954 Arthur Miller, President Sol Halprin, First Vice-President Joseph Ruttenberc, Second Vice-President Alfred Gilks, Third Vice-President Walter Strence, Treasurer Philip Tannura, Secretary Robert de Grasse, Sergeant-At-Arms John Arnold Joseph Biroc Arthur Edeson George Folsey Lee Garmes Victor Milner Hal Mohr Leon Shamroy ALTERNATE BOARD MEMBERS Arthur Arunc Lucien Ballard Dan Clark Paul Eagler Farciot Edouart Ernest Laszlo Robert Pittack John Seitz James Van Trees Paul Vogel ALLIED ARTISTS SAM LEAVITT, “Annapolis Story,” Techni¬ color. WILLIAM SICKNER, “Ketchikan.” ELLSWORTH FREDERICKS, “Shotgun.” COLUMBIA CHARLES LAWTON, “My Sister Eileen,” Technicolor, CinemaScope. BURNETT GUFFEY, “Tight Spot.” METRO-GOLDWYN-MAYER JOSEPH RUTTENBERG, “The Prodigal,” Eastman color, CinemaScope. ROBERT PLANCK, “Moonfleet,” color, CinemaScope. GEORGE FOLSEY, “Hit The Deck,” Cinema¬ Scope, Eastman color. PAUL C. VOGEL, “Interrupted Melody,” color, CinemaScope. PARAMOUNT ROBERT BURKS, “To Catch A Thief,” Technicolor, VistaVision. ROBERT BURKS, “The Trouble With Harry,” Technicolor, VistaVision. LIONEL LINDON, “Lucy Gallant,” Techni¬ color, VistaVision. 20TH CENTURY-FOX LUCIEN BALLARD, “White Feather,” Tech¬ nicolor, CinemaScope. JOE MACDONALD, “The Racers,” color, CinemaScope. LEO TOVER, “Untamed,” Technicolor, Cine¬ maScope. LEON SHAMROY, “There’s No Business Like Show Business,” color, CinemaScope. CHARLES G. CLARKE, “Prince of Players,” color, CinemaScope. MILTON KRASNER, “The Seven Year Itch,” color, CinemaScope. UNIVERSAL-INTERNATIONAL WILLIAM DANIELS, “Foxfire,” Technicolor, wide-screen. CARL GUTHRIE, “Lady Godiva of Coventry,” Technicolor. LLOYD AHERN, “The Looters.” MAURY GERTSMAN, “To Hell and Back,” Technicolor, CinemaScope. RUSSELL METTY, “Justice Comes to Tomahawk.” WARNER BROS. ELLIS CARTER, “The River Changes,” Warner Color, CinemaScope. LEE GARMES and RUSSELL HARLAN, “Land of the Pharaohs,” Warner-Color, Cine¬ maScope. WILLIAM SKALL, “The Silver Chalice,” WarnerColor, CinemaScope. HARRY STRADLING, “Helen Of Troy,” WarnerColor, CinemaScope. HAL ROSSON, “Strange Lady In Town,” W arner-Color, CinemaScope. TED McCORD, “Young At Heart,” Arwin Prods., W arnerColor. WINTON HOCH, “Mister Roberts,” Cinema¬ Scope, W’arnerColor. H AROLD ROSSON, “Strange Lady In Town,” WarnerColor, CinemaScope. INDEPENDENT ROBERT SURTEES, “Oklahoma,” Eastmancolor, Todd-AO, CinemaScope, R & H Pictures. SI ANLE') CORTEZ, “Night Of The Hunter,” Gregory Productions. ERNEST LASZLO, “The Kentuckian,” HechtLancaster Prods., Technicolor, CinemaScope. FRANK PLANER, “Not As a Stranger,” Stanler Kramer Prods., Widescreen. TELEVISION (The following directors of photography were active last month in photographing films for television in Hollywood, or were on con¬ tract to direct the photography of television films for the producers named.) LUCIEN ANDRIOT, “Where Were You?,” Ken Murray Productions; “It’s a Great Life, Raydic Corp’n; “The Life of Riley, Hal Roach Studios. JOSEPH BIROC, “Treasury Men in Action,” American National Studios, Inc., and “Dear Phoebe,” Dear Phoebe Productions. WILLIAM BRADFORD, “Gene Autry,” Fly¬ ing A Productions. NORBERT BRODINE, “The Loretta Young Show,” Lewislor Ent. EDWARD COLEMAN, “Dragnet,” Sherry TV, Inc. FLOYD CROSBY, “Authors Playhouse,” Authors Playhouse Prods. ROBERT DE GRASSE, “Make Room For Daddy,” Marterto Prods., Inc., and “The Ray Bolger Show,” B & R Ent. GEORGE DISKANT, “Four Star Theatre,” Four Star Productions, Inc. E. B. DUPAR, “Tim McCoy Show,” MercuryInt’l Pictures. ELLSWORTH FREDERICKS, “The Dennis Day Show,” Denmac Productions. HENRY FREULICH, “Captain Midnight,” Screen Gems. KARL FREUND, “Willy” and “December Bride,” Desilu Productions, Inc. FREDERICK GATELY, “Mayor of the Town,” Rawlins-Grant, Inc., and “Big Town,” Gross-Krasne, Inc. AL GILKS, “The Halls of Ivy,” Television Programs of America, Inc. BEN KLINE, “Fireside Theatre,” “An Argu¬ ment With Death,” Frank Wisbar Prods. JACK MACKENZIE, “Public Defender,” Hal Roach, Jr., Productions. ERNEST W. MILLER, “Rocky Jones, Space Ranger,” and “Stu Erwin Show,” Roland Reed Productions. VIRGIL MILLER, “You Bet Your Life,” Filmcraft Prods. HAL MOHR, “That’s My Boy,” McCadden Corp'n. NICK MUSURACA, “The Lone Wolf,” GrossKrasne, Inc., and “Lineup,” Desilu Prods., Inc. KENNETH PEACH, “Here Comes Donald,” O’Connor Prods. ROBERT PITTACK, “The Lone Ranger,” CM TV Productions, Inc. JOHN L. RUSSELL, JR., “Joe Palooka,” Guild Films. WILLIAM SICKNER, “The Whistler,” Lindslay Parsons Productions. MACK STENGLER, “Liberace,” “Life With Elizabeth,” “Florian Zabach Show,” and “Frankie Laine Show,” Guild Films. HAROLD STINE, “Cavalcade of America,” "This is ^ our Music,” Jack Denove Prods., and “Corla Pandit,” Snader Prods. WALTER STRENGE, “Waterfront,” Roland Reed Productions, and “My Little Margie,” Roach, Jr.-Reed Productions. PHILIP TANNURA, “Burns And Allen Show and “The Jack Benny Show,” McCad¬ den Corp’n. STUART THOMPSON, “Lassie,” Robert Max¬ well Associates. JAMES VAN TREES, “I Married Joan,” Joan Davis Enterprises and “Hey, Mulligan,” Mickey Rooney Enterprises. 522 American Cinematographer October, 1954