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Bad-v/eather scenes in “On the Waterfront" are authentic! Location shooting on Type 926 Director Elia Kazan and Director of Photogra
“Superior" 2 during night snowstorms was tough on cameramen — great for atmosphere. phy Boris Kaufman work under cover of a dock
on the Hoboken, N. J., waterfront.
Realism stars in "ON THE WATERFRONT"
Du Pont “Superior” 2 captures low lighting, rough weather in dockside dram
Midwinter location shooting could have made Columbia’s picture “On the Waterfront” (produced by Sam Spiegel) a cameraman’s nightmare. But Boris Kaufman, the film’s Director of Photog¬ raphy, decided to take advantage of this wintry atmosphere in por¬ traying the waterfront’s docks and slums. Mr. Kaufman chose Du Pont Type 926 “Superior” 2 mo¬ tion-picture film to shoot under these dramatic but difficult condi¬ tions.
Here’s what Mr. Kaufman says about Du Pont “Superior” 2 : “Maintainingconsistency through¬
out sequences with changing weather conditions was one of my toughest problems. To capture the mood in sun, snow, rain, fog and at night, I had to rely on my own judgment for exposures and bal¬ ance. The response of Du Pont Type 926 ‘Superior’ 2 gave me exactly what I wanted.”
That’s real praise from an ex¬ pert! And you’ll agree with Mr. Kaufman when you see the results that you get on “Superior” 2. Use it on your next assignment — it’s a film to match the finest camera technique. E. I. du Pont de Nemours & Co. (Inc.), Photo Products
Department, Wilmington 98, Dela¬ ware. In Canada: Du Pont Com¬ pany of Canada Limited, M ontreal.
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