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THREE PICK-UP units of Du Mont's new “Electronicam” TV-film system concentrate on Jackie Gleason and Art Carney in a scene being filmed by the process before a live audience in New York’s
Adelphi theatre. Electronicam combines TV techniques with highest-quality 35mm photography, reducing shooting time to a fraction of old-method requirements.
GLEASON GOES LIVE ON FILM"
First to use the video-film camera in major TV film produc¬ tion is Jackie Gleason who is putting “The Honeymooners” segment of his weekly TV show on film, using Du Mont’s
new Electronicam system
By L E I G
OF THE three video-film systems de¬ veloped and introduced to date, the Du Mont Electronicam is the first and only one to go into practical tele¬ vision film production. “The Honey¬ mooners, most popular feature of Jackie Gleason’s weekly 60-minute television show, is the first major TV program to go before the Electronicam cameras.
The Du Mont Electronicam system, as reported earlier in the May, 1955, issue of American Cinematographer , is a new and completely engineered method of re¬
H ALLEN
cording programs on film through the use of “live” television techniques. It differs from “live” television only in that the permanent recording, for “delayed” markets and subsequent re-runs, is a
FRONT VIEW of pick-up unit of new Du Mont 35mm Electronicam TV-film system. Mitchell film camera is on left, TV camera at right. Light passing through Mitchell lens is split into two parts — one to the film, the other via prism (1) to TV camera.
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American Cinematocrapher
October, 1Q55