American cinematographer (Jan-Dec 1956)

SUNSET STAGE • Joseph Ruttenberg, ASC, “Somebody Up There Likes Me,” (Wide-Screen) with Paul Newman and Pier Angeli. Robert Weis, director. • George Folsey, ASC, “Somewhere I'll Find Him,” with James Cagney and Barbara Stanwyck. Roy Rowland, director. • Fred Jackman, JR., “Julie,” (Arwin Prods, for MGM release) with Doris Day, Louis Jourdan, Barry Sullivan and Frank Lovejoy. Andrew Stone, director. • Robert Bronner, “The Opposite Sex,” (CinemaScope & Color) with June Allyson and Jeff Richards. Dave Miller, director. • Harold Marzorati, ASC, “MGM Parade,” TV, with George Murphy and MGM contract players. George Murphy, director. • Russell Harlan, ASC, “Teahouse of the August Moon,” with Marlon Brando and Glenn Ford. MOTION PICTURE CENTER • Robert De Grasse, ASC, “Make Room for Daddy,” TV, (Desilu Prod.) with Danny Thomas, Jean Hagen and Sherry Jackson. Sheldon Leonard, director. • Karl Freund, ASC, “I Love Lucy,” TV, (Desilu Prod.) with Lucille Ball and Desi Arnaz. James Kern, director; “Our Miss Brooks,” TV, (Desilu Prod.) with Eve Arden. John Rich, director. Sid Hickox, ASC, “December Bride,” TV, (Desilu Prod.) with Spring Byington. Jerry Thorpe, director; TV pilot with Red Skelton (Desilu Prod.). C. Burns, director. • Harold Wellman, ASC, “Wyatt Earp,” TV, (Desilu Prod.) with Hugh O'Brian. Frank McDonald, director. PARAMOUNT • Charles Lang, ASC, “Gunfight at the 0 K Corral,” (VistaVision & Technicolor) with Burt Lancaster, Kirk Douglas, John Ireland and Jo Van Fleet. John Sturges, director. • Loyal Griggs, ASC, “The Maverick,” (Vis¬ taVision & Technicolor) with Charlton Hes¬ ton, Anne Baxter and Gilbert Roland. Rudy Mate,, director. REPUBLIC STUDIOS • Herb Kirkpatrick, “The Crusader,” TV, with Bryan Keith. John Lucas, director. • Ed Colman, ASC, “Dragnet,” TV, (Mark VII Prod.) with Jack Webb. Jack Webb, director. • Bud Thackery. ASC, “Warrens of Arizo¬ na,” (Wide-Screen; Trucolor) with Skip Homeier and Kristine Miller. Joe Kane, direc¬ tor; The Ray Milland Show, TV (General Electric) with Ray Milland. Ray Milland, director; “Studio 57,” TV with Pat O’Brien. Jerry Mayer, director. • John MacBurnie, ASC, “The Millionaire,” TV with John Larch. Sobey Martin, director; “Jane Wyman Show” TV, with Jane Wyman. Sidney Lanfield, director. • Reggie Lanning, “Alfred Hitchcock Pre¬ sents,” TV, with Phil Abbott. Robert Stevensen, director. • Dan Clark, ASC, “Do You Trust Your Wife,” TV, (Don Monya Co.) with Edgar Bergen. Jim Morgan, director. RKO • Joseph Biroc, ASC, “Tension at Table Rock,” with Richard Egan, Dorothy Malone and Cameron Mitchell. Charles Marquis War¬ ren, director. • George Diskant, ASC, “Stage Seven, Hall of Stars,” TV, (Four Star Prods.). • William Mellor, ASC, “Back From Eter¬ nity,” with Robert Ryan and Anita Ekberg. John Farrow, producer-director. • William Snyder, ASC, “Beyond a Rea¬ sonable Doubt,” with Dana Andrews and Joan Fontaine. Fritz Lang, director. HAL ROACH STUDIOS • Lucien Andriot, ASC, “The Life of Riley,” TV, with William Bendix. Abby Berlin, direc¬ tor; “It’s A Great Life,” TV, Michael O’Shea, William Bishop and James Dunn. Chris Nyby, director. • Lothrop Worth, ASC, “The Great Gildersleeve,” TV, with Willard Waterman. Charles Barton, director. • Paul Ivano, “Stories of John Nesbitt,” TV, with John Nesbitt. Various directors. • Jack Mackenzie, ASC, “Code 3,” TV. Ted Post and Paul Landers, directors; “Frontier,” TV (Tomoda Prod.). Various directors. SKINNER STUDIOS • Gilbert Warrenton, ASC, “Sergeant Pres¬ ton of the Yukon,” TV, with Richard Sim¬ mons. Various directors. Hallmark of Superior Cinematography Good cinematography has contri¬ buted as much to the advance¬ ment of television as any other factor. Today, the bulk of the im¬ portant TV programming is on film, with more to come. For this reason discriminating producers of TV films choose members of the American Society of Cinematog¬ raphers to direct the photog¬ raphy of their pictures . . . More and more, you see “ASC" after the names of the cinematogra¬ phers who shoot the industry’s best television films. • Ray Fernstrom, ASC, Gem Razor com¬ mercial, TV (5 Star Prods.) Chet Glassley, director. • Fred West, ASC, “Girls in Prison,” (Golden State Prod.) with Richard Denning and Joan Taylor. Edward L. Cahn, director. 20TH CENTURY FOX • Milton Krasner, ASC, “Bus Stop,” (Cine¬ maScope & Color) with Marilyn Monroe, Don Murray and Arthur O’Connell. Joshua Lo¬ gan, director. • Leo Tovf.r, ASC. “The Day the Century Ended,” (CinemaScope & Color) with Rob¬ ert Wagner. Richard Fleischer, director. • Joe MacDonald, ASC, “One in a Million,” (Cinemascope & Technicolor) with James Mason. Nick Ray, director. • Wilfrid Cline, ASC “Last Wagon,” (Cin¬ emaScope & Techincolor) with Richard Widmark. Delmar Davies, director. UNIVERSAL INTERNATIONAL • William Daniels, ASC, “Istanbul," (Color) with Cornel Borchers and Errol Flynn. Joe Pevney, director. • Maury Gertsman, ASC, “Kelly and Me,” (CinemaScope & Technicolor) with Van John¬ son, Piper Laurie and Martha Hyer. Robert Z. Leonard, director. • George Robinson, ASC, “Francis in the Haunted House,” with Mickey Rooney and Virginia Wells. Will Cowan, director. • Wilfred Cline, ASC, “Pepsi Cola com¬ mercial, TV. Will Cowen, director. • Harold Lipstein, ASC, Marlboro, General Electric, DuMont, and Rinso TV commercials. • Irving Glassbf.rg, ASC, Campbell’s Soup, Falstaff beer TV commercials. • Scotty Welborn, Studebaker TV com¬ mercial. • Russell Metty, ASC, “Battle Hymn,” (CinemaScope) with Rock Hudson. Douglas Sirk, director. WARNER BROS. • Robert Burks, ASC, and Tom Tutwiler, ASC, “The Spirit of St. Louis,” (Eastmancolor & CinemaScope) with James Stewart. Billy Wilder, director. • Ted McCord, ASC, “The Burning Hills,” (WarnerColor & CinemaScope) with Tab Hunter and Natalie Wood. Stuart Heisler, director. • Hal Rosson, ASC, “Toward the Un¬ known,” (Warner-Color & CinemaScope) (Toluca Prods.) with William Holden, Lloyd Nolan, and Virginia Leith. Mervyn LeRoy, director. • Harold Stine. ASC, “Deep Freeze” (War¬ ner Bros. Presents) TV, with John Jonshepodd, Gerald Mohr. Jack Gage, director. • Carl Guthrie, ASC, “Cheyenne” TV, with Klint Wagner. Richard Barr, director. • Floyd Crosby, ASC, “Old Man of the Sea” with Spencer Tracy. Fred Zimmerman, director. American Cinematocrapher April, 1956 261